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Montreux '77 (Count Basie Album)
''Montreux '77'' is an album by Count Basie and his orchestra, recorded at the 1977 Montreux Jazz Festival. Track listing # "The Heat's On" (Sammy Nestico) – 3:39 # "Freckle Face" (Nestico) – 6:04 # "Splanky" (Neal Hefti) – 4:34 # "The More I See You" (Mack Gordon, Harry Warren) – 3:41 # "A Night in Tunisia" ( Dizzy Gillespie, Frank Paparelli) – 4:53 # "Hittin' 12" (Harrison) – 2:23 # "Bag of Dreams" (Jimmy Forrest) – 6:14 # "Things Ain't What They Used to Be" (Mercer Ellington, Ted Persons) – 4:14 # "I Needs to Be Bee'd With" (Quincy Jones) – 5:07 # "Li'l Darlin'" (Hefti) – 4:44 # "Jumpin' at the Woodside" (Count Basie, Jon Hendricks) – 3:50 # "One O'Clock Jump" (Basie) – 3:28 Personnel ;The Count Basie Orchestra * Count Basie - piano * Al Grey - trombone * Dennis Wilson - trombone * Mel Wanzo - trombone * Bill Hughes - trombone * Waymon Reed - trumpet * Lin Biviano - trumpet * Sonny Cohn - trumpet * Bobby Mitchell - trumpet * Jimmy Forrest - tenor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobile ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waymon Reed
Waymon Reed (January 10, 1940, Fayetteville, North Carolina - November 25, 1983, Nashville, Tennessee) was an American jazz trumpeter. While he was principally a bebop soloist, he also worked in rhythm and blues ( R&B). He never had any children, and was married from 1978 to 1981 to singer Sarah Vaughan. Career Reed attended the Eastman School of Music and then played with jazz great, trumpeter/saxophonist Ira Sullivan. He joined James Brown's band from 1965 to 1969, where he played on " It's a Man's Man's Man's World". Reed worked with the big bands of Frank Foster and Thad Jones-Mel Lewis. He joined the Count Basie Orchestra in 1969, staying with Basie until 1973. He returned to play with Basie again in 1977–78. He married Sarah Vaughan and worked with her from 1978–80, but shortly afterwards they divorced. He played on B.B. King's album '' There Must Be a Better World Somewhere'' in 1981. Reed died of cancer in 1983. In 1977, Reed recorded his one album as leader, ''46t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Hughes (musician)
William Henry Hughes (March 28, 1930 – January 14, 2018) was an American jazz trombonist and bandleader. He spent most of his career with the Count Basie Orchestra and was the director of that ensemble until September 2010. Biography Early life and career Bill Hughes was born in Dallas, Texas, and his family moved to Washington, D.C., when he was nine years old. His father worked at the Bureau of Engraving and played trombone in the Elks Club marching band. Hughes began playing the trombone at age twelve or thirteen and was performing at Washington jazz venues by the age of sixteen. One of these venues was the 7T Club, where he performed with saxophonist and flautist Frank Wess. While students at Howard University, Hughes and Wess played in the Howard Swingmasters, along with bassist Eddie Jones. The Swingmasters were one of several early groups that helped promote the study and performance of jazz at Historically Black Colleges and Universities. Although interested in pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mel Wanzo
Melvin "Mel" Wanzo, also known as Melvin Wahid Muhammad (November 22, 1930, Cleveland - September 9, 2005, Detroit) was an American jazz trombonist. He is best known for his longtime association with the Count Basie Orchestra. Wanzo received formal education in music at Youngstown University in Youngstown, Ohio, graduating in 1952. He then joined the United States Army and played in a band whose leader was Cannonball Adderley. In the 1950s he worked in bands behind blues and R&B singers such as Ruth Brown and Big Joe Turner, then studied music once more, at the Cleveland Institute of Music. In the 1960s he worked with Woody Herman and Ray McKinley (then leading the Glenn Miller Orchestra), and in 1969 became a member of the Count Basie Orchestra, where he played trombone until 1980. In the early 1980s he played with Frank Capp and Nat Pierce, then re-joined Basie's orchestra after Basie died and leadership passed to Thad Jones and Frank Foster. References *"Mel Wanzo" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the pitch instead of the valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as non-transposing instruments, reading at concert pitch in bass cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Grey
Al Grey (June 6, 1925 – March 24, 2000) was an American jazz trombonist who was a member of the Count Basie orchestra. He was known for his plunger mute technique and wrote an instructional book in 1987 called ''Plunger Techniques''. Career Al Grey was born in Aldie, Virginia, United States, and grew up in Pottstown, Pennsylvania. He was introduced to the trombone at the age of four, playing in a band called the Goodwill Boys, which was led by his father. During World War II he served in the U.S. Navy, where he continued to play the trombone. Soon after his discharge, he joined Benny Carter's band, then the bands of Jimmie Lunceford, Lucky Millinder, and Lionel Hampton. In the 1950s, he was a member of the big bands of Dizzy Gillespie and Count Basie. He led bands in the 1960s with Billy Mitchell and Jimmy Forrest. Later in life he recorded with Clark Terry and J. J. Johnson. He made thirty recordings under his own name and another seventy with bands. Grey's early tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a musical keyboard, keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One O'Clock Jump
"One O'Clock Jump" is a jazz standard, a 12-bar blues instrumental, written by Count Basie in 1937. Background The melody derived from band members' riffs—Basie rarely wrote down musical ideas, so Eddie Durham and Buster Smith helped him crystallize his ideas. The original 1937 recording of the tune by Basie and his band is noted for the saxophone work of Herschel Evans and Lester Young, trumpet by Buck Clayton, Walter Page on bass, and Basie himself on piano. The song is typical of Basie's early riff style. The instrumentation is based on " head arrangements" where each section makes up their part based on what the other sections are playing. Individuals take turns improvising over the top of the entire sound. Basie recorded "One O'Clock Jump" several times after the original performance for Decca in 1937, for Columbia in 1942 and 1950 and on a number of occasions in the fifties. "One O'Clock Jump" became the theme song of the Count Basie Orchestra. They used it to close ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jon Hendricks
John Carl Hendricks (September 16, 1921 – November 22, 2017), known professionally as Jon Hendricks, was an American jazz lyricist and singer. He is one of the originators of vocalese, which adds lyrics to existing instrumental songs and replaces many instruments with vocalists, such as the big-band arrangements of Duke Ellington and Count Basie. He is considered one of the best practitioners of scat singing, which involves vocal jazz soloing. Jazz critic and historian Leonard Feather called him the "Poet Laureate of Jazz", while '' Time'' dubbed him the " James Joyce of Jive". Al Jarreau called him "pound-for-pound the best jazz singer on the planet—maybe that's ever been". Early years Born in 1921 in Newark, Ohio, Hendricks and his 14 siblings moved many times, following their father's assignments as an AME pastor, before settling permanently in Toledo. The house was often full of visiting jazz musicians, for whom Jon's mother provided meals. Hendricks began his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jumpin' At The Woodside
"Jumpin' at the Woodside" is a song first recorded in 1938 by the Count Basie Orchestra, and considered one of the band's signature tunes. When first released it reached number 11 on the ''Billboard'' charts and remained on them for four weeks. Since then, it has become a frequently recorded jazz standard. Song details The song was recorded on August 22, 1938 for Decca and was released on December 17 of that year. It charted as high as #11 and was on the charts for four weeks. That original 1938 recording features solos by Earle Warren (alto sax), Buck Clayton (trumpet), Lester Young (tenor sax), and Herschel Evans (clarinet). The song is considered one of the Basie band's "signature" tunes, a "favorite", and even "a definition of swing." While many liner notes credit the tune only to Basie, historians and others also credit band member Eddie Durham. Like many Basie numbers of that era, it was a " head arrangement" collaboratively created by the band. Sullivan indicates Durh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quincy Jones
Quincy Delight Jones Jr. (born March 14, 1933) is an American record producer, musician, songwriter, composer, arranger, and film and television producer. His career spans 70 years in the entertainment industry with a record of 80 Grammy Award nominations, 28 Grammys, and a Grammy Legend Award in 1992. Jones came to prominence in the 1950s as a jazz arranger and conductor before working on pop music and film scores. He moved easily between musical genres, producing pop hit records for Lesley Gore in the early 1960s (including "It's My Party") and serving as an arranger and conductor for several collaborations between the jazz artists Frank Sinatra and Count Basie in the same time period. In 1968, Jones became the first African American to be nominated for an Academy Award for Best Original Song for "The Eyes of Love" from the film '' Banning''. Jones was also nominated for an Academy Award for Best Original Score for his work on the 1967 film '' In Cold Blood'', making him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
