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Monsters And Robots
A monster is a type of imaginary or fictional creature found in literature, folklore, mythology, fiction and religion. They are very often depicted as dangerous and aggressive, with a strange or grotesque appearance that causes terror and fear, often in humans. Monsters usually resemble bizarre, deformed, otherworldly and/or mutated animals or entirely unique creatures of varying sizes, but may also take a human form, such as mutants, ghosts, spirits, cannibals or zombies, among other things. They may or may not have supernatural powers, but are usually capable of killing or causing some form of destruction, threatening the social or moral order of the human world in the process. Animal monsters are outside the moral order, but sometimes have their origin in some human violation of the moral law (e.g. in the Greek myth, Minos does not sacrifice to Poseidon the white bull which the god sent him, so as punishment Poseidon makes Minos' wife, Pasiphaë, fall in love with the bu ...
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Arminianism As Five-headed Monster
Arminianism is a movement of Protestantism initiated in the early 17th century, based on the theological ideas of the Dutch Reformed theologian Jacobus Arminius and his historic supporters known as Remonstrants. Dutch Arminianism was originally articulated in the '' Remonstrance'' (1610), a theological statement submitted to the States General of the Netherlands. This expressed an attempt to moderate the doctrines of Calvinism related to its interpretation of predestination. Classical Arminianism, to which Arminius is the main contributor, and Wesleyan Arminianism, to which John Wesley is the main contributor, are the two main schools of thought. Central Arminian beliefs are that God's prevenient grace, which prepares regeneration, is universal and that His grace, allowing regeneration and ongoing sanctification, is resistible. Many Christian denominations have been influenced by Arminian views, notably the Baptists in the 17th century, the Methodists in the 18th century, ...
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Zombie
A zombie (Haitian French: ; ; Kikongo: ''zumbi'') is a mythological undead corporeal revenant created through the reanimation of a corpse. In modern popular culture, zombies appear in horror genre works. The term comes from Haitian folklore, in which a ''zombie'' is a dead body reanimated through various methods, most commonly magical practices in religions like Vodou. Modern media depictions of the reanimation of the dead often do not involve magic but rather science fictional methods such as fungi, radiation, gases, diseases, plants, bacteria, viruses, etc. Zombies are real-life individuals in Haiti who have undergone a religious punishment called zombification for committing crimes such as rape or land theft. They are drugged, buried alive, exhumed and then enslaved by secret societies in Haiti. This practice became the basis for the zombie myth of a resurrected corpse. The English word "zombie" was first recorded in 1819 in a history of Brazil by the poet Robert S ...
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Count Dracula
Count Dracula () is the title character of Bram Stoker's 1897 gothic horror novel ''Dracula''. He is considered the prototypical and archetypal vampire in subsequent works of fiction. Aspects of the character are believed by some to have been inspired by the 15th-century Wallachian prince Vlad the Impaler, who was also known as Vlad Dracula, and by Sir Henry Irving and Jacques Damala, actors with aristocratic backgrounds that Stoker had met during his life. One of Dracula's most iconic powers is his ability to turn others into vampires by biting them and infecting them with the vampiric disease. Other characteristics have been added or altered in subsequent popular fictional works, including books, films, cartoons, and video games. Stoker's creation Bram Stoker's novel takes the form of an epistolary tale, in which Count Dracula's characteristics, powers, abilities, and weaknesses are narrated by multiple narrators, from different perspectives. Count Dracula is an undead ...
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Recorded History
Recorded history or written history describes the historical events that have been recorded in a written form or other documented communication which are subsequently evaluated by historians using the historical method. For broader world history, recorded history begins with the accounts of the ancient world around the 4th millennium BCE, and it coincides with the invention of writing. For some geographic regions or cultures, written history is limited to a relatively recent period in human history because of the limited use of written records. Moreover, human cultures do not always record all of the information which is considered relevant by later historians, such as the full impact of natural disasters or the names of individuals. Recorded history for particular types of information is therefore limited based on the types of records kept. Because of this, recorded history in different contexts may refer to different periods of time depending on the topic. The interpr ...
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Goblin
A goblin is a small, grotesque, monster, monstrous humanoid creature that appears in the folklore of multiple European cultures. First attested in stories from the Middle Ages, they are ascribed conflicting abilities, temperaments, and appearances depending on the story and country of origin, ranging from mischievous Household deity, household spirits to malicious, bestial thieves. They often have magical abilities similar to a fairy or demon, such as the ability to Shapeshifting, shapeshift. Similar creatures include brownie (folklore), brownies, dwarf (mythology), dwarves, duendes, gnomes, imps, leprechauns, and kobolds, but it is also commonly used as a blanket term for all small, fay creatures. The term is sometimes expanded to include goblin-like creatures of other cultures, such as the pukwudgie, dokkaebi, or ifrit. Etymology Alternative spellings include ''gobblin'', ''gobeline'', ''gobling'', ''goblyn'', ''goblino'', and ''gobbelin''. The term "goblette" has been used ...
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Frankenstein's Monster
Frankenstein's monster, commonly referred to as Frankenstein, is a fictional character that first appeared in Mary Shelley's 1818 novel '' Frankenstein; or, The Modern Prometheus'' as its main antagonist. Shelley's title compares the monster's creator, Victor Frankenstein, to the mythological character Prometheus, who fashioned humans out of clay and gave them fire. In Shelley's Gothic story, Victor Frankenstein builds the creature in his laboratory through an ambiguous method based on a scientific principle he discovered. Shelley describes the monster as tall and emotional. The monster attempts to fit into human society but is shunned, which leads him to seek revenge against Frankenstein. According to the scholar Joseph Carroll, the monster occupies "a border territory between the characteristics that typically define protagonists and antagonists". Frankenstein's monster became iconic in popular culture, and has been featured in various forms of media, including films, te ...
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Werewolf
In folklore, a werewolf (), or occasionally lycanthrope (from Ancient Greek ), is an individual who can shapeshifting, shapeshift into a wolf, or especially in modern film, a Shapeshifting, therianthropic Hybrid beasts in folklore, hybrid wolf–humanlike creature, either purposely or after being placed under a curse or affliction, often a bite or the occasional scratch from another werewolf, with the transformations occurring on the night of a full moon. Early sources for belief in this ability or affliction, called lycanthropy, are Petronius (27–66) and Gervase of Tilbury (1150–1228). The werewolf is a widespread concept in European folklore, existing in many variants, which are related by a common development of a Christianization, Christian interpretation of underlying European folklore developed during the Middle Ages. From the early modern period, werewolf beliefs spread to the New World with colonialism. Belief in werewolves developed in parallel to the belief in Eu ...
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Gorgon
The Gorgons ( ; ), in Greek mythology, are three monstrous sisters, Stheno, Euryale, and Medusa, said to be the daughters of Phorcys and Ceto. They lived near their sisters the Graeae, and were able to turn anyone who looked at them to stone. Euryale and Stheno were immortal, but Medusa was not and was slain by the hero Perseus. Gorgons were dread monsters with terrifying eyes. A Gorgon head was displayed on Athena's aegis, giving it the power both to protect her from any weapon, and instill great fear in any enemy. Gorgon blood was said to have both the power to heal and harm. Representations of full-bodied Gorgons and the Gorgon face, called a gorgoneion (pl. gorgoneia), were popular subjects in Ancient Greek, Etruscan and Roman iconography. While Archaic Gorgons and gorgoneia are universally depicted as hideously ugly, over time they came to be portrayed as beautiful young women. Etymology The name 'Gorgon' is associated with the Ancient Greek adjective (), which, of ...
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Medusa
In Greek mythology, Medusa (; ), also called Gorgo () or the Gorgon, was one of the three Gorgons. Medusa is generally described as a woman with living snakes in place of hair; her appearance was so hideous that anyone who looked upon her was Petrifaction in mythology and fiction, turned to stone. Medusa and her Gorgon sisters Euryale and Stheno were usually described as daughters of Phorcys and Ceto; of the three, only Medusa was mortal. Medusa was beheaded by the Greek hero Perseus, who then used her head, which retained its ability to turn onlookers to stone, as a weapon until he gave it to the goddess Athena to place on her Aegis, shield. In classical antiquity, the image of the head of Medusa appeared in the apotropaic magic, evil-averting device known as the ''Gorgoneion''. According to Hesiod and Aeschylus, she lived and died on Sarpedon, somewhere near Cisthene (Mysia), Cisthene. The 2nd-century BC novelist Dionysios Skytobrachion puts her somewhere in Ancient Libya, ...
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Minotaur
In Greek mythology, the Minotaur (, ''Mīnṓtauros''), also known as Asterion, is a mythical creature portrayed during classical antiquity with the head and tail of a bull and the body of a man or, as described by Roman poet Ovid, a being "part man and part bull". He dwelt at the center of the Labyrinth, which was an elaborate maze-like construction designed by the architect Daedalus and his son Icarus, upon command of King Minos of Crete. According to tradition, every nine years the people of Athens were compelled by King Minos to choose Sacrificial victims of the Minotaur, fourteen young noble citizens (seven men and seven women) to be offered as sacrificial victims to the Minotaur in retribution for the death of Minos's son Androgeus (son of Minos), Androgeos. The Minotaur was eventually slain by the Athenian hero Theseus, who managed to navigate the labyrinth with the help of a thread offered to him by the King's daughter, Ariadne. Etymology The word "Minotaur" derives from ...
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Pasiphaë
In Greek mythology, Pasiphaë (; , derived from πᾶσι (dative plural) "for all" and φάος/φῶς ''phaos/phos'' "light") was a queen of Crete. The daughter of Helios and the Oceanid nymph Perse (mythology), Perse, Pasiphaë is notable as the mother of the Minotaur. Her husband, Minos, failed to sacrifice the Cretan Bull to Poseidon as he had promised. Poseidon then cursed Pasiphaë to fall in love with the bull. Athens, Athenian inventor Daedalus built a hollow cow for her to hide in so she could mate with the bull, which resulted in her conceiving the Minotaur. Family Parentage Pasiphaë was the daughter of List of solar deities, god of the Sun, Helios,Antoninus Liberalis41/ref> and the Oceanid nymph Perse (mythology), Perse. She was thus the sister of Aeëtes, Circe and Perses of Colchis. In some accounts, Pasiphaë's mother was identified as the island-nymph Crete (mythology), Crete herself. Like her doublet Europa (consort of Zeus), Europa, the consort of Zeus, h ...
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Poseidon
Poseidon (; ) is one of the twelve Olympians in ancient Greek religion and mythology, presiding over the sea, storms, earthquakes and horses.Burkert 1985pp. 136–139 He was the protector of seafarers and the guardian of many Hellenic cities and colonies. In pre-Olympian Bronze Age Greece, Poseidon was venerated as a chief deity at Pylos and Thebes, with the cult title "earth shaker"; in the myths of isolated Arcadia, he is related to Demeter and Persephone and was venerated as a horse, and as a god of the waters.Seneca quaest. Nat. VI 6 :Nilsson Vol I p.450 Poseidon maintained both associations among most Greeks: he was regarded as the tamer or father of horses, who, with a strike of his trident, created springs (the terms for horses and springs are related in the Greek language).Nilsson Vol I p.450 His Roman equivalent is Neptune. Homer and Hesiod suggest that Poseidon became lord of the sea when, following the overthrow of his father Cronus, the world was divided ...
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