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Missa De Beata Virgine (Brumel)
The ''Missa de Beata Virgine'' is a musical setting of the Ordinary of the Mass, by Renaissance music, Renaissance composer Josquin des Prez. Though formerly believed to have been a late composition on the basis of stylistic analysis (Osthoff asserts 1513), evidence from Burchard’s Diary proves that the mass was written sometime before September 23, 1497. It was the most popular of his masses in the 16th century.Noble, Grove The ''Missa de Beata Virgine'' is unusual among Josquin's masses in that the first two movements are for four voices, and the last three for five, with the fifth voice derived Canon (music), canonically. Like most musical settings of the mass Ordinary, it is in five sections, or movements: # Kyrie # Gloria in Excelsis Deo, Gloria # Credo # Sanctus # Agnus Dei It uses different plainsong Gregorian chant, chants for each movement, and is a paraphrase mass, one in which the original chants are elaborated, broken up, passed between voices, or sung in different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josquin Missa BV Kyrie
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often Imitation (music), imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated Motif (music), motifs between voices. Josquin was a singer, and List of compositions by Josquin des Prez, his compositions are mainly vocal. They include mass (music), masses, motets and secular chansons. Josqui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Mass
In the liturgy of the Catholic Church, a votive Mass (Latin ''missa votiva'') is a Mass offered for a ''votum'', a special intention. Such a Mass does not correspond to the Divine Office for the day on which it is celebrated. Every day in the year has appointed to it a series of canonical hours and (except Good Friday) a Mass corresponding, containing, for instance, the same collect and the same Gospel. On most days, the Mass will correspond to the Office, but on occasion, other Masses may be celebrated. Votive Masses appear in the Roman and Gallican Rites. The Suffrage Mass is a type of votive Mass that is celebrated in favour to some dead people. History The principle of the votive Mass is older than its name. Almost at the very origin of the Western liturgies (with their principle of change according to the Calendar) Mass was occasionally offered, apparently with special prayers and lessons, for some particular intention, irrespective of the normal Office of the day. Among the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Reese
Gustave Reese ( ; November 29, 1899 – September 7, 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on November 29, 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Rena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alejandro Enrique Planchart
Alejandro Enrique Planchart (29 July 1935 – 28 April 2019) was a Venezuelan-American musicologist, conductor, and composer. He was considered to be one of the leading scholars on the music of Guillaume Du Fay; more broadly, he was a specialist on music of the Middle Ages and early Renaissance music. He was born in Caracas, Venezuela, and moved to the United States to study at Yale University, where he received the degrees of Mus.B. (1958) and Mus.M. (1960). He received his Ph.D. at Harvard University in 1971, with a dissertation on the medieval English manuscript source, the Winchester Troper, later turned into a two-volume study with edition. He taught at Yale for several years and founded the Cappella Cordina, an early-music ensemble that blended undergraduates, graduate students and members of the community. In 1977 he joined the faculty at the University of California, Santa Barbara and re-established the Cappella there. He was made Professor Emeritus of the University of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeremy Noble (musicologist)
Jeremy Noble (27 March 1930 – 30 June 2017) was an English musicologist and music critic who specialized in classical music. His career comprised two fields, musicological scholarship and music criticism. In the former, he focused on early English music, Venetian music and particularly the life and work of Renaissance composer Josquin des Prez. His colleague Stanley Sadie noted that "Although only a fraction of his research has been published, the breadth and depth of his knowledge and his generosity towards fellow scholars have made him an important participant in late 20th-century musicology." As an "acute and often acerbic critic," Noble held posts at ''The Times'' and ''The Sunday Telegraph''. Life and career Jeremy Noble was born on 27 March 1930 in London. His father James Noble was the son of South African missionaries, while his mother Avis "came from Cornish farming stock". After attending the Aldenham School, Jeremy Noble had a brief stint in the Intelligence Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Gombert
Nicolas Gombert (c. 1495 – c. 1560)Atlas, p. 396 was a Franco-Flemish composer of the Renaissance. He was one of the most famous and influential composers between Josquin des Prez and Palestrina, and best represents the fully developed, complex polyphonic style of this period in music history. Life Details of his early life are sketchy, but he was probably born around 1495 in southern Flanders, probably between Lille and Saint-Omer, possibly in the town of La Gorgue. German writer and music theorist Hermann Finck wrote that Gombert studied with Josquin; this would have been during the renowned composer's retirement in Condé-sur-l'Escaut, sometime between 1515 and 1521.Nugent/Jas, Grove online Gombert was employed by the emperor Charles V as a singer in his court chapel in 1526 and possibly as a composer as well. Most likely he was taken on while Charles was passing through Flanders, for the emperor traveled often, bringing his retinue with him, and picking up new members ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cristóbal Morales
Cristóbal or Cristobal, the Spanish version of Christopher, is a masculine given name and a surname which may refer to: Given name *Cristóbal Balenciaga (1895–1972), Spanish fashion designer *Cristóbal Cobo (born 1976), Chilean academic *Cristóbal Colón Ruiz (born 1954), Puerto Rican politician *Cristóbal de Morales (1500–1553), Spanish composer *Cristóbal de Olid (1487–1524), Spanish conquistador *Cristóbal Halffter (1930–2021), Spanish composer *Cristóbal Lander (born 1978), Venezuelan actor and model * Cristóbal López (other), multiple people *Cristobal Lorente, (born 1996), Spanish boxer *Cristóbal Magallanes Jara (1869–1927), Mexican martyr and Catholic saint *Cristóbal Márquez Crespo (born 1984), Cuban association football player known as simply Cristóbal *Cristóbal Mendoza (1772–1829), Venezuelan president *Cristóbal Orellana (born 1983), Mexican actor and singer *Cristóbal Ortega (1956–2025), Mexican footballer *Cristóbal Oudrid (18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Ockeghem
Johannes Ockeghem ( – 6 February 1497) was a Franco-Flemish composer and singer of early Renaissance music. Ockeghem was a significant European composer in the period between Guillaume Du Fay and Josquin des Prez, and he was—with his colleague Antoine Busnois—a prominent European composer in the second half of the 15th century. He was an important proponent of the early Franco-Flemish School. Ockeghem was well associated with other prominent composers of the time, and spent most of his career serving the French royal court under Charles VII, Louis XI and Charles VIII. Numerous poets and musicians lamented his death, including Erasmus, Guillaume Crétin, Jean Molinet and Josquin, who composed the well-known '' Nymphes des bois'' for him. It is thought that Ockeghem's extant works represent only a small part of his entire ''oeuvre'', including around 14 masses, 20 chansons and fewer than 10 motets—though the exact numbers vary due to attribution uncertainties. His be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrygian Mode
: The Phrygian mode (pronounced ) can refer to three different musical modes: the ancient Greek ''tonos'' or ''harmonia,'' sometimes called Phrygian, formed on a particular set of octave species or scales; the medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter. Ancient Greek Phrygian The octave species (scale) underlying the ancient-Greek Phrygian ''tonos'' (in its diatonic genus) corresponds to the medieval and modern Dorian mode. The terminology is based on the '' Elements'' by Aristoxenos (fl. ), a disciple of Aristotle. The Phrygian ''tonos'' or ''harmonia'' is named after the ancient kingdom of Phrygia in Anatolia. In Greek music theory, the ''harmonia'' given this name was based on a ''tonos'', in turn based on a scale or octave species built from a tetrachord which, in its diatonic genus, consisted of a series of rising intervals of a whole tone, followed by a semitone, followed by a whole tone. : In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa L'homme Armé
Over 40 settings of the Ordinary of the Mass using the tune ''L'homme armé'' survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source from the period on which to base an imitation mass. Some of the ''Missae L'homme armé'' are as follows: Probably dating from the 1450s: * '' Missa L'homme armé'' (Antoine Busnois) * '' Missa L'homme armé'' (Guillaume Dufay) * '' Missa L'homme armé'' (Johannes Regis) (two: one lost) * '' Missa L'homme armé'' (Johannes Ockeghem) * '' Missa L'homme armé'' (Guillaume Faugues) (two) Probably written before 1475: * '' Missa L'homme armé'' (Johannes Tinctoris) * '' Missa L'homme armé'' ( Firminus Caron) * '' Missa L'homme armé'' (Cycle of six masses, from an anonymous manuscript from Naples) Probably written before 1500: * '' Missa L'homme armé'' ( Mathurin Forestier) * '' Missa L'homme armé'' (Jacob Obrecht) * ''Missa L'homme armé super voces musicales'' (Josquin des Prez) * ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically dependent on each other, yet independent in rhythm and melodic contour. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". John Rahn describes counterpoint as follows: Counterpoint has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
