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Missa Brevis No. 9 (Mozart)
The Missa brevis No. 9 in B-flat major by Wolfgang Amadeus Mozart, K. 275/272b, was probably written before September 1777 for Salzburg. The mass is scored for SATB soloists, SATB choir, violin I, violin II, 3 trombones, string bass, and organ. The setting is divided into six movements. # Kyrie ''Allegro'', B major, # Gloria ''Allegro'', B major, # Credo ''Allegro'', B major, #: "Et incarnatus est" ''Adagio'' #: "Et resurrexit" ''Allegro'' # Sanctus ''Andante'', B major, # Benedictus ''Andante'', E major, #: "Osanna in excelsis" ''Allegro'', B major # Agnus Dei ''Andante'', G minor, #: "Dona nobis pacem" ''Allegro'', B major, In the Gloria and the Credo, Mozart eschews the traditional concluding fugues.p. 390, Sadie (2006) Stanley Despite being a missa brevis, the Agnus Dei is very long and there is "a prolonged setting for soloists and choir of 'Dona nobis pacem', ending ''piano''." The Dona nobis is set as a gavotte, "like a vaudeville and has been compared with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Masses By Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (1756–1791) composed several masses and separate mass movements (such as Kyrie). Cliff Eisen, Simon P. Keefe (eds.) ''The Cambridge Mozart Encyclopedia''. Cambridge University Press, 2005. . . . . pp. 271–280 Mozart composed most of his masses as a church musician in Salzburg: * Masses for regular Sundays or smaller feasts belonged to the type. In the context of Mozart's masses brevis (short) applies primarily to the duration, i.e. the whole mass ceremony took no longer than three quarters of an hour. Instrumentation for such a would usually be limited to violins, continuo (which included the organ), and trombones doubling the choral parts of alto, tenor and bass. * The generic name for longer masses was , for more solemn and festive occasions. Additional instruments include oboes, trumpets, timpani, and for some of them also French horns. Instead of treating each part of the mass liturgy in a continuous rendition of the text, there are repeats, fug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a '' fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masses By Wolfgang Amadeus Mozart
Mass is the quantity of matter in a physical body and a measure of the body's inertia. Mass or Maß may also refer to: Arts, entertainment, and media Music *Mass (music), a choral composition that sets liturgical text to music *Mass (Stravinsky), ''Mass'' (Stravinsky), a composition by Igor Stravinsky *Mass (Bernstein), ''Mass'' (Bernstein), a musical theater work by Leonard Bernstein *Mass (English band), a post-punk band *Mass (Grotus album), ''Mass'' (Grotus album), 1996 *Mass (Alastair Galbraith album), ''Mass'' (Alastair Galbraith album), 2011 *Mass (The Gazette album), ''Mass'' (The Gazette album), 2021 *The Mass (album), ''The Mass'' (album), by musical project Era Other uses in arts, entertainment, and media * Mass (2004 film), ''Mass'' (2004 film), Indian Telugu-language film * Mass (2021 film), ''Mass'' (2021 film), American drama film *Mass (novel), ''Mass'' (novel), a 1973 novel by Filipino author F. Sionil José * Mass media, communication channels which can reach h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wasserburg Am Inn
Wasserburg am Inn ( Central Bavarian: ''Wassabuag am Inn'') is a town in Rosenheim district in Upper Bavaria, Germany. The historic centre is a peninsula formed by the meandering river Inn. Many Medieval structures remain intact, giving the city a unique view. History The town was first mentioned in a document (now considered to be a fake) in 1137, when Hallgraf Engelbert moved his residence from the nearby castle Limburg to his "Wasserburg" (Water Castle). It is one of the most historic towns of Old Bavaria – somewhat older than Munich, continually fought over by the Bavarian nobility and, up to the 16th century, on an equal footing with larger cities. The privileges afforded by this enabled the salt trade to flourish right into the 19th century. At the junction of the main overland route with the main water route, Wasserburg became the most important trade centre with the Balkans, Austria and Italy, a means of attaining power and wealth for the shipping owners and merchants ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Ceccarelli
Francesco Ceccarelli (1752, in Foligno – 21 September 1814, in Dresden) was a castrato soprano known for his grace and excellent singing technique. After early opera appearances in his native Umbria, he sang mainly in the German-speaking countries and was thought better suited to church and concert music. He was notably engaged by Count Hieronymus von Colloredo as a court singer at Salzburg (1777–88), where he became a friend of the Mozart family; Mozart wrote a mass, K275/272b, and a rondò, K374, for him. At the premiere on 21 December 1777 of Wolfgang Amadeus Mozart's Missa Brevis No. 9 (Mozart), ''Missa Brevis'', K. 272b, Ceccarelli was among the soloists singled out for praise for his performance. Around 1780, Mozart revised "Exsultate, jubilate," possibly for Ceccarelli to sing at the Dreifaltigkeitskirche.C. Eisen, p. 11 Later Ceccarelli held posts at Mainz (1788–92) and sang in opera in Italy. In decline he served the Elector of Saxony in Dresden from 1800. Refer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Entführung Aus Dem Serail
' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Die Entführung aus dem Serail''. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Constanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Origins The company that first sponsored the opera was the ''Nationalsingspiel'' ("national Singspiel"), a pet project (1778–1783) of the Austrian emperor Joseph II. The Emperor had set up the company to perform works in the German language (as opposed to the Italian opera style widely popular in Vienna). This project was ultimately given up as a failure, but along the way it produced a number of successes, mostly a series of translated works. Mozart's opera emer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gavotte
The gavotte (also gavot, gavote, or gavotta) is a French dance, taking its name from a folk dance of the Gavot, the people of the Pays de Gap region of Dauphiné in the southeast of France, where the dance originated, according to one source. According to another reference, the word ''gavotte'' is a generic term for a variety of French folk dances, and most likely originated in Lower Brittany in the west, or possibly Provence in the southeast or the French Basque Country in the southwest of France. It is notated in or time and is usually of moderate tempo, though the folk dances also use meters such as and . In late 16th-century Renaissance dance, the gavotte is first mentioned as the last of a suite of branles. Popular at the court of Louis XIV, it became one of many optional dances in the classical suite of dances. Many were composed by Lully, Rameau and Gluck, and the 17th-century cibell is a variety. The dance was popular in France throughout the 18th century and spread w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa Brevis
Missa brevis (plural: Missae breves) is . The term usually refers to a mass composition that is short because part of the text of the Mass ordinary that is usually set to music in a full mass is left out, or because its execution time is relatively short. Full mass with a relatively short execution time The concise approach is found in the mostly syllabic settings of the 16th century, and in the custom of "telescoping" (or simultaneous singing by different voices) in 18th-century masses. After the period when all church music was performed a cappella, a short execution time usually also implied modest forces for performance, that is: apart from Masses in the "brevis et solemnis" genre. Polyphony * Orlande de Lassus: (''Hunters' Mass'') * Giovanni Pierluigi da Palestrina: Missa Brevis * Andrea Gabrieli: Missa brevis quatuor vocum * Gaspar van Weerbeke: Missa brevis Classical period For composers of the classical period such as Mozart, ''missa brevis'' meant "short ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Minor
G minor is a minor scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has two flats. Its relative major is B-flat major and its parallel major is G major. According to Paolo Pietropaolo, it is the contrarian of musical keys. It is smart, argumentative, and stubborn. The G natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G harmonic minor and melodic minor scales are: : : Mozart's use of G minor G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy, and many of his minor key works are in G minor, such as Piano Quartet No. 1 and String Quintet No. 4. Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies ( No. 25, and the famous No. 40). In the Classical period, symphonies in G minor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salzburg Cathedral
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E-flat Major
E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: : Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E-flat m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which like the accordion and mouth organs (both Eastern and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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