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Minolta Vectis S Series
The Minolta Vectis S-series comprises two Advanced Photo System, APS system models of film Single-lens reflex camera, SLR cameras made by Minolta, the flagship model Vectis S-1 and the Vectis S-100. The cameras feature a compact design, owing to the use of mirrors instead of Prism (optics), prisms in the viewfinder. Only one early DSLR camera body, the Minolta RD 3000, Minolta Dimâge RD 3000, also used the V-lens mount. Cameras The Vectis brand was also shared with a number of small APS point and shoot cameras with fixed lenses, including the waterproof Vectis Weathermatic and Vectis GX series. The model numbers of these cameras don't include the S prefix used for the SLR series. Vectis S-1 The S-1 was designed to be splashproof by using a porro mirror optical viewfinder, rather than the typical SLR pentaprism. It is equipped with three basic autoexposure modes (Program, Aperture-priority, Shutter-priority) and Manual exposure modes; there are five subject-specific program modes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2008 01 15 Kamera 0003
8 (eight) is the natural number following 7 and preceding 9. Etymology English ''eight'', from Old English '', æhta'', Proto-Germanic ''*ahto'' is a direct continuation of Proto-Indo-European numerals, Proto-Indo-European '':wikt:Appendix:Proto-Indo-European/oḱtṓw, *oḱtṓ(w)-'', and as such cognate with Greek and Latin , both of which stems are reflected by the English prefix :wikt:oct-, oct(o)-, as in the ordinal adjective ''octaval'' or ''octavary'', the distributive adjective is ''octonary''. The adjective ''octuple'' (Latin ) may also be used as a noun, meaning "a set of eight items"; the diminutive ''octuplet'' is mostly used to refer to eight siblings delivered in one birth. The Semitic numerals, Semitic numeral is based on a root ''*θmn-'', whence Akkadian ''smn-'', Arabic ''ṯmn-'', Hebrew ''šmn-'' etc. The Chinese numeral, written (Standard Mandarin, Mandarin: ''bā''; Cantonese language, Cantonese: ''baat''), is from Old Chinese ''*priāt-'', ultim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minolta Vectis Lens
was a Japanese manufacturer of cameras, lenses, camera accessories, photocopiers, fax machines, and laser printers. Minolta Co., Ltd., which is also known simply as Minolta, was founded in Osaka, Japan, in 1928 as . It made the first integrated autofocus 35 mm SLR camera system. In 1931, the company adopted its final name, an acronym for "Mechanism, Instruments, Optics, and Lenses by Tashima". In 2003, Minolta merged with Konica to form Konica Minolta. On 19 January 2006, Konica Minolta announced that it was leaving the camera and photo business, and that it would sell a portion of its SLR camera business to Sony as part of its move to pull completely out of the business of selling cameras and photographic film. History Milestones *1928: establishes Nichi-Doku Shashinki Shōten ("Japanese-German photo company," the precursor of Minolta Co., Ltd.). *1929: Marketed the company's first camera, the "Nifcarette" (ニフカレッテ). *1937: The Minolta Flex is Japan's seco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macro Lens
Macro photography (or photomacrography or macrography, and sometimes macrophotography) is extreme close-up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life-size (though ''macrophotography'' also refers to the art of making very large photographs). By the original definition, a macro photograph is one in which the size of the subject on the negative or image sensor is life-size or greater. In some senses, however, it refers to a finished photograph of a subject that is greater than life-size. The ratio of the subject size on the film plane (or sensor plane) to the actual subject size is known as the reproduction ratio. Likewise, a macro lens is classically a lens capable of reproduction ratios of at least 1:1, although it often refers to any lens with a large reproduction ratio, despite rarely exceeding 1:1. Apart from technical photography and film-based processes, where th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoom Lens
A zoom lens is a system of camera lens elements for which the focal length (and thus angle of view) can be varied, as opposed to a fixed-focal-length (FFL) lens (''prime lens''). A true zoom lens or optical zoom lens is a type of '' parfocal lens'', one that maintains focus when its focal length changes. Most consumer zoom lenses do not maintain perfect focus, but are still nearly parfocal. Most camera phones that are advertised as having optical zoom actually use a few cameras of different but fixed focal length, combined with digital zoom to make a hybrid system. The convenience of variable focal length comes at the cost of complexity – and some compromises on image quality, weight, dimensions, aperture, autofocus performance, and cost. For example, all zoom lenses suffer from at least slight, if not considerable, loss of image resolution at their maximum aperture, especially at the extremes of their focal length range. This effect is evident in the corners of the image ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wide Angle Lens
In photography and cinematography, a wide-angle lens is a lens covering a large angle of view. Conversely, its focal length is substantially smaller than that of a normal lens for a given film plane. This type of lens allows more of the scene to be included in the photograph, which is useful in architectural, interior, and landscape photography where the photographer may not be able to move farther from the scene to photograph it. Another use is where the photographer wishes to emphasize the difference in size or distance between objects in the foreground and the background; nearby objects appear very large and objects at a moderate distance appear small and far away. This exaggeration of relative size can be used to make foreground objects more prominent and striking, while capturing expansive backgrounds. A wide-angle lens is also one that projects a substantially larger image circle than would be typical for a standard design lens of the same focal length. This large image ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aperture
In optics, the aperture of an optical system (including a system consisting of a single lens) is the hole or opening that primarily limits light propagated through the system. More specifically, the entrance pupil as the front side image of the aperture and focal length of an optical system determine the cone angle of a bundle of rays that comes to a focus in the image plane. An optical system typically has many structures that limit ray bundles (ray bundles are also known as ''pencils'' of light). These structures may be the edge of a lens or mirror, or a ring or other fixture that holds an optical element in place or may be a special element such as a diaphragm placed in the optical path to limit the light admitted by the system. In general, these structures are called stops, and the aperture stop is the stop that primarily determines the cone of rays that an optical system accepts (see entrance pupil). As a result, it also determines the ray cone angle and brightne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Focal Length
The focal length of an Optics, optical system is a measure of how strongly the system converges or diverges light; it is the Multiplicative inverse, inverse of the system's optical power. A positive focal length indicates that a system Convergence (optics), converges light, while a negative focal length indicates that the system Divergence (optics), diverges light. A system with a shorter focal length bends the Ray (optics), rays more sharply, bringing them to a focus in a shorter distance or diverging them more quickly. For the special case of a thin lens in air, a positive focal length is the distance over which initially Collimated beam, collimated (parallel) rays are brought to a Focus (optics), focus, or alternatively a negative focal length indicates how far in front of the lens a point source must be located to form a collimated beam. For more general optical systems, the focal length has no intuitive meaning; it is simply the inverse of the system's optical power. In mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Image Stabilization
Image stabilization (IS) is a family of techniques that reduce motion blur, blurring associated with the motion of a camera or other imaging device during exposure (photography), exposure. Generally, it compensates for panning (camera), pan and tilt (camera), tilt (angular movement, equivalent to aircraft principal axes, yaw and pitch) of the imaging device, though electronic image stabilization can also compensate for rotation about the optical axis (aircraft principal axes, roll). It is mainly used in high-end image-stabilized binoculars, digital camera, still and video camera, video cameras, astronomical telescopes, and also smartphones. With still cameras, camera shake is a particular problem at slow shutter speeds or with long focal length lenses (telephoto lens, telephoto or zoom lens, zoom). With video cameras, camera shake causes visible frame-to-frame jitter (optics), jitter in the recorded video. In astronomy, the problem of lens shake is added to Astronomical seeing, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exif
Exchangeable image file format (officially Exif, according to JEIDA/JEITA/CIPA specifications) is a standard that specifies formats for images, sound, and ancillary tags used by digital cameras (including smartphones), scanners and other systems handling image and sound files recorded by digital cameras. The specification uses the following existing encoding formats with the addition of specific metadata tags: JPEG lossy coding for compressed image files, TIFF Rev. 6.0 ( RGB or YCbCr) for uncompressed image files, and RIFF WAV for audio files (linear PCM or ITU-T G.711 μ-law PCM for uncompressed audio data, and IMA-ADPCM for compressed audio data). It does not support JPEG 2000 or GIF encoded images. This standard consists of the Exif image file specification and the Exif audio file specification. Background Exif is supported by almost all digital camera manufacturers. The metadata tags defined in the Exif standard cover a broad spectrum: * Camera settings: This includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sony E Mount
The E-mount is a lens mount designed by Sony for their NEX ("New E-mount eXperience") and ILCE series of camcorders and mirrorless cameras. The E-mount supplements Sony's α mount, allowing the company to develop more compact imaging devices while maintaining vignetting with 35mm sensors. E-mount achieves this by: * Minimising mechanical complexity, removing mechanical aperture and focus drive. * Shortening the flange focal distance to 18 mm compared with earlier offerings from Sony which used 44.5 mm. * Reducing the radius of the flange. * Relying on software to correct vignetting The short flange focal distance prohibits the use of an optical viewfinder, as a mirror box mechanism cannot be included in this reduced distance. Therefore, all E-mount cameras use an electronic viewfinder. History Initially, E-mount was implemented on the Sony α NEX-3 and NEX-5 consumer-targeted devices with APS-C sized sensors. E-mount integration into Sony camcorder products was provid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flange Focal Distance
For an interchangeable lens camera, the flange focal distance (FFD) (also known as the flange-to-film distance, flange focal depth, flange back distance (FBD), flange focal length (FFL), back focus or register, depending on the usage and source) of a lens mount system is the distance from the mounting flange (the interlocking metal rings on the camera and the rear of the lens) to the film or image sensor plane. This value is different for different camera systems. The range of this distance, which will render an image clearly in focus within all focal lengths, is usually measured to a precision of hundredths of millimetres, and is not to be confused with depth of field. Lenses can be adapted from one mount (and respective FFD) to another. FFD determines whether infinity focus can be accomplished with a simple non-optical adapter. Optics to correct for distance introduce more cost and can lower image quality, so non-optical lens adapters are preferred. A simple non-optical adap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minolta SR-mount
The Minolta SR-mount was the bayonet mounting system used in all 35 mm SLR cameras made by Minolta with interchangeable manual focusing lenses. Several iterations of the mounting were produced over the decades, and as a result, the mount itself was sometimes referred to by the name of the corresponding lens generation (f.e. "MC", "MD" or "X-600") instead. Design Compatibility All lenses for these mounts are interchangeable between older and newer Minolta manual focus 35 mm film SLR bodies. There are exceptions, such as, the lenses before 1961 feature a slightly different aperture leverage, and thus the automatic diaphragm may not work correctly on post-1961 cameras, and later MC/MD tabs may hit a screw of the front cover on earlier cameras. Four design enhancements, all forwardly inclusive and backwardly compatible, are: # SR - 1958-1966: Plain SR-bayonet featuring automatic diaphragm. Lenses are labelled '' Rokkor'' (pre-set) or '' Auto Rokkor'' (automatic diaphragm) # MC - 1966 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
