|
Mimesis
Mimesis (; , ''mīmēsis'') is a term used in literary criticism and philosophy that carries a wide range of meanings, including '' imitatio'', imitation, similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self. The original Ancient Greek term ''mīmēsis'' () derives from ''mīmeisthai'' (, 'to imitate'), itself coming from ''mimos'' ( μῖμος, 'imitator, actor'). In ancient Greece, ''mīmēsis'' was an idea that governed the creation of works of art, in particular, with correspondence to the physical world understood as a model for beauty, truth, and the good. Plato contrasted ''mimesis'', or imitation, with '' diegesis'', or narrative. After Plato, the meaning of ''mimesis'' eventually shifted toward a specifically literary function in ancient Greek society. One of the best-known modern studies of mimesis—understood in literature as a form of realism—is Erich Auerbach's '' Mimesis: The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erich Auerbach
Erich Auerbach (; 9 November 1892 – 13 October 1957) was a German philologist and comparative scholar and critic of literature. His best-known work is '' Mimesis: The Representation of Reality in Western Literature'', a history of representation in Western literature from ancient to modern times frequently cited as a classic in the study of realism in literature. Along with Leo Spitzer, Auerbach is widely recognized as one of the foundational figures of comparative literature. Biography Auerbach, who was Jewish and born in Berlin, was trained in the German philological tradition and eventually became, along with Leo Spitzer, one of its best-known scholars. After participating as a combatant in World War I, he earned a doctorate in 1921 at the University of Greifswald, served as librarian at the Prussian State Library for some years, and in 1929 became a member of the philology faculty at the University of Marburg, publishing a well-received study titled ''Dante: Poet of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristotle
Aristotle (; 384–322 BC) was an Ancient Greek philosophy, Ancient Greek philosopher and polymath. His writings cover a broad range of subjects spanning the natural sciences, philosophy, linguistics, economics, politics, psychology, and the arts. As the founder of the Peripatetic school of philosophy in the Lyceum (classical), Lyceum in Athens, he began the wider Aristotelianism, Aristotelian tradition that followed, which set the groundwork for the development of modern science. Little is known about Aristotle's life. He was born in the city of Stagira (ancient city), Stagira in northern Greece during the Classical Greece, Classical period. His father, Nicomachus (father of Aristotle), Nicomachus, died when Aristotle was a child, and he was brought up by a guardian. At around eighteen years old, he joined Plato's Platonic Academy, Academy in Athens and remained there until the age of thirty seven (). Shortly after Plato died, Aristotle left Athens and, at the request ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homer
Homer (; , ; possibly born ) was an Ancient Greece, Ancient Greek poet who is credited as the author of the ''Iliad'' and the ''Odyssey'', two epic poems that are foundational works of ancient Greek literature. Despite doubts about his authorship, Homer is considered one of the most revered and influential authors in history. The ''Iliad'' centers on a quarrel between King Agamemnon and the warrior Achilles during the last year of the Trojan War. The ''Odyssey'' chronicles the ten-year journey of Odysseus, king of Homer's Ithaca, Ithaca, back to his home after the fall of Troy. The epics depict man's struggle, the ''Odyssey'' especially so, as Odysseus perseveres through the punishment of the gods. The poems are in Homeric Greek, also known as Epic Greek, a literary language that shows a mixture of features of the Ionic Greek, Ionic and Aeolic Greek, Aeolic dialects from different centuries; the predominant influence is Eastern Ionic. Most researchers believe that the poems w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diegesis
Diegesis (; , ) is a style of fiction storytelling in which a participating narrator offers an on-site, often interior, view of the scene to the reader, viewer, or listener by subjectively describing the actions and, in some cases, thoughts, of one or more characters. Diegetic events are those experienced by both the characters within a piece and the audience, while non-diegetic elements of a story make up the "fourth wall" separating the characters from the audience. Diegesis in music describes a character's ability to hear the music presented for the audience, in the context of musical theatre or film scoring. Origin ''Diegesis'' (Greek διήγησις "narration") and ''mimesis'' (Greek μίμησις "imitation") have been contrasted since Aristotle. For Aristotle, ''mimesis'' ''shows'' rather than ''tells'', by means of action that is enacted. ''Diegesis'' is the ''telling'' of a story by a narrator. The narrator may speak as a particular character, or may be the '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imitation
Imitation (from Latin ''imitatio'', "a copying, imitation") is a behavior whereby an individual observes and replicates another's behavior. Imitation is also a form of learning that leads to the "development of traditions, and ultimately our culture. It allows for the transfer of information (behaviors, customs, etc.) between individuals and down generations without the need for genetic inheritance." The word ''imitation'' can be applied in many contexts, ranging from animal training to politics. The term generally refers to conscious behavior; subconscious imitation is termed mirroring. Anthropology and social sciences In anthropology, some theories hold that all cultures imitate ideas from one of a few original cultures or several cultures whose influence overlaps geographically. Evolutionary diffusion theory holds that cultures influence one another, but that similar ideas can be developed in isolation. Scholars as well as popular authors have argued that the role of imitati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Similarity (philosophy)
In philosophy, similarity or resemblance is a relation between objects that constitutes how much these objects are alike. Similarity comes in degrees: e.g. oranges are more similar to apples than to the moon. It is traditionally seen as an internal relation and analyzed in terms of shared properties: two things are similar because they have a property in common. The more properties they share, the more similar they are. They resemble each other exactly if they share all their properties. So an orange is similar to the moon because they both share the property of being round, but it is even more similar to an apple because additionally, they both share various other properties, like the property of being a fruit. On a formal level, similarity is usually considered to be a relation that is ''reflexive'' (everything resembles itself), ''symmetric'' (if ''a'' is similar to ''b'' then ''b'' is similar to ''a'') and ''non-transitive'' (''a'' need not resemble ''c'' despite ''a'' resemblin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imitatio
Dionysian ''imitatio'' is the influential literary method of imitation as formulated by Greek author Dionysius of Halicarnassus in the first century BCE, which conceived it as the rhetorical practice of emulating, adapting, reworking and enriching a source text by an earlier author. It is a departure from the concept of mimesis which only is concerned with "imitation of nature" instead of the "imitation of other authors." History Three centuries after Aristotle's ''Poetics'', from the 4th century BCE to the 1st century BCE, the meaning of ''mimesis'' as a literary method had shifted from "imitation of nature" to "imitation of other authors". No historical record is left to explain the reason of this change. Dionysius' three volume work ''On mimesis'' (''On imitation''), which was the most influential for Latin authors, is lost. Most of it contained advice on how to identify the most suitable writers to imitate and the best way to imitate them.Ruthven (1979) pp. 103–4 For Dion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Representation (arts)
Representation is the use of signs that stand in for and take the place of something else.Mitchell, W. 1995, "Representation", in F Lentricchia & T McLaughlin (eds), ''Critical Terms for Literary Study'', 2nd edn, University of Chicago Press, Chicago It is through representation that people organize the world and reality through the act of naming its elements. Signs are arranged in order to form semantics, semantic constructions and express relations. For many philosophers, both ancient and modern, man is regarded as the "representational animal" or ''animal symbolicum'', the creature whose distinct character is the creation and the manipulation of signs – things that "stand for" or "take the place of" something else. Representation has been associated with aesthetics (art) and semiotics (signs). Mitchell says "representation is an extremely elastic notion, which extends all the way from a stone representing a man to Ulysses (novel), a novel representing the day in the life of s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Taylor Coleridge
Samuel Taylor Coleridge ( ; 21 October 177225 July 1834) was an English poet, literary critic, philosopher, and theologian who was a founder of the Romantic Movement in England and a member of the Lake Poets with his friend William Wordsworth. He also shared volumes and collaborated with Charles Lamb, Robert Southey, and Charles Lloyd (poet), Charles Lloyd. He wrote the poems ''The Rime of the Ancient Mariner'' and "Kubla Khan", as well as the major prose work ''Biographia Literaria''. His critical works were highly influential, especially in relation to William Shakespeare, and he helped introduce German idealist philosophy to English-speaking cultures. Coleridge coined many familiar words and phrases, including "suspension of disbelief". He had a major influence on Ralph Waldo Emerson and American transcendentalism. Throughout his adult life, Coleridge had crippling bouts of anxiety and depression; it has been speculated that he had bipolar disorder, which had not been defin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Baudrillard
Jean Baudrillard (, ; ; – 6 March 2007) was a French sociology, sociologist and philosopher with an interest in cultural studies. He is best known for his analyses of media, contemporary culture, and technological communication, as well as his formulation of concepts such as hyperreality. Baudrillard wrote about diverse subjects, including consumerism, critique of economy, social history, aesthetics, Western foreign policy, and popular culture. Among his most well-known works are ''Seduction'' (1978), ''Simulacra and Simulation'' (1981), , and ''The Gulf War Did Not Take Place'' (1991). His work is frequently associated with Postmodern philosophy, postmodernism and specifically post-structuralism. Nevertheless, Baudrillard had also opposed , and had distanced himself from postmodernism.: "Asked about postmodernism, Baudrillard said: “I have nothing to do with it. I don’t know who came up with the term... But I have no faith in ‘postmodernism’ as an analytical term. When ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Sidney
Sir Philip Sidney (30 November 1554 – 17 October 1586) was an English poet, courtier, scholar and soldier who is remembered as one of the most prominent figures of the Elizabethan era, Elizabethan age. His works include a sonnet sequence, ''Astrophil and Stella'', a treatise, ''An Apology for Poetry, The Defence of Poesy'' (also known as ''The Defence of Poesie'' or ''An Apology for Poetrie'') and a Pastoral#Pastoral romances, pastoral romance, ''The Countess of Pembroke's Arcadia''. He died fighting the Spanish in the Netherlands, age 31, and his funeral procession in London was one of the most lavish ever seen. Biography Early life Born at Penshurst Place, Kent, England, Kent, of an aristocratic family, he was educated at Shrewsbury School and Christ Church, Oxford. He was the eldest son of Henry Sidney, Sir Henry Sidney and Mary Dudley, Lady Sidney, Lady Mary Dudley. His mother was the eldest daughter of John Dudley, 1st Duke of Northumberland, and the sister of Robert Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Logic Of Sense
''The Logic of Sense'' () is a 1969 book by the French philosopher Gilles Deleuze. The English edition was translated by Mark Lester and Charles Stivale, and edited by Constantin V. Boundas. Summary An exploration of meaning and meaninglessness or "commonsense" and "nonsense" through metaphysics, epistemology, grammar, and eventually psychoanalysis, ''The Logic of Sense'' consists of a series of thirty-four paradoxes followed by an appendix that contains five previously published essays, including a brief overview of Deleuze's ontology entitled "Plato and the Simulacrum". The Deleuzian understanding of nonsense considers that there is a "surface level" of nonsense which creates innocent, childlike preoccupations with contradictions (represented by Lewis Carroll), and the inner space of nonsense which deals with strong and violent contradictions (represented by Antonin Artaud). Leading on from Deleuze's ontology in his 1968 book '' Difference and Repetition'', sense can only itself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
