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Metering Mode
In photography, the metering mode refers to the way in which a camera determines exposure (photography), exposure. Cameras generally allow the user to select between ''spot'', ''center-weighted average'', or ''multi-zone'' metering modes. The different metering modes allow the user to select the most appropriate one for use in a variety of lighting conditions. In complex light situations professional photographers tend to switch to manual mode, rather than depending on a setting determined by the camera. Examples of metering modes Spot metering With spot metering, the camera will measure only a very small area of the scene (1–5% of the viewfinder area). By default this is the centre of the scene. The user can select a different off-centre spot or recompose by moving the camera after metering. Certain models support a mode which allows averaging of multiple spot meter readings, and some support metering of highlight and shadow areas. Spot metering is not influenced by oth ...
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Photography
Photography is the visual arts, art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing (e.g., photolithography), and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication. A person who operates a camera to capture or take Photograph, photographs is called a photographer, while the captured image, also known as a photograph, is the result produced by the camera. Typically, a lens is used to focus (optics), focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed Exposure (photography), exposure. With an electronic image sensor, this produces an Charge-coupled device, electrical charge at each pixel, which is Image processing, electro ...
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Multizone Metering Example
DVD region codes are a digital rights management technique introduced in 1997. It is designed to allow rights holders to control the international distribution of a DVD release, including its content, release date, and price, all according to the appropriate region. This is achieved by way of region-locked DVD players, which will play back only DVDs encoded to their region (plus those without any region code). The American DVD Copy Control Association also requires that DVD player manufacturers incorporate the Regional Playback Control (RPC) system. However, region-free DVD players, which ignore region coding, are also commercially available, and many DVD players can be modified to be region-free, allowing playback of all discs. DVDs may use one code, multiple codes (multi-region), or all codes (region free). Region codes and countries Any combination of regions can be applied to a single disc. For example, a DVD designated Region 2/4 is suitable for playback in Europe, L ...
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Feathering
Feathering is a technique used in computer graphics software to smooth or blur the edges of a feature. The term is inherited from a technique of fine retouching using fine feathers. Paintbrush feathering Feathering is most commonly used on a paintbrush tool in computer graphics software. This form of feathering makes the painted area appear smooth. It may give the effect of an airbrush or spraypaint. Color is concentrated at the center of the brush area, and it blends out toward the edges. Selection feathering Feathering is not only used on paintbrushes in computer graphics software. Feathering may also blend the edges of a selected feature into the background of the image. When composing an image from pieces of other images, feathering helps make added features look "in place" with the background image. For instance, if someone were to want to add a leaf to a photograph of grass using computer graphics software, he or she might use feathering on the leaf to make it ble ...
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Amateur Photographer
''Amateur Photographer'' is a British photography magazine, published weekly by Kelsey Media. The magazine provides articles on equipment reviews, photographic technique, and profiles of professional photographers. About the magazine ''Amateur Photographer'' was first published on 10 October 1884 by Hazell, Watson and Viney, making it over 140 years old. It has established itself as the world's number one weekly photography magazine. Some of the most renowned photographers such as Alfred Stieglitz, Frank Meadow Sutcliffe, David Bailey and Bob Carlos Clarke have written for the magazine over the years. This magazine is now owned by Kelsey Media which acquired it (with '' World Soccer'') from Future plc (owner of competing titles ''Digital Camera'' and ''Digital Photographer'') after Future acquired TI Media, the previous owner of the magazine. Regular features ''AP'' (as it is referred to) is usually based around the following items: *''AP'' News - information on the ...
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Exposure (photography)
In photography, exposure is the amount of light per unit area reaching a frame (photography), frame of photographic film or the surface of an electronic image sensor. It is determined by shutter speed, lens f-number, and scene luminance. Exposure is measured in unit of measurement, units of lux-seconds (symbol lxs), and can be computed from exposure value (EV) and scene luminance in a specified region. An "exposure" is a single shutter cycle. For example, a long-exposure photography, long exposure refers to a single, long shutter cycle to gather enough dim light, whereas a multiple exposure involves a series of shutter cycles, effectively layering a series of photographs in one image. The accumulated ''photometric exposure'' (''H''v) is the same so long as the total exposure time is the same. Definitions Radiant exposure Radiant exposure of a ''surface'', denoted ''H''e ("e" for "energetic", to avoid confusion with Photometry (optics), photometric quantities) and measured in , i ...
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Clipping (photography)
In digital photography and digital video, clipping is a result of capturing or processing an image where the intensity in a certain area falls outside the minimum and maximum intensity which can be represented. It is an instance of signal clipping in the image domain. The clipped area of the image will typically appear as a uniform area of the minimum or maximum brightness, losing any image detail. The amount by which values were clipped, and the extent of the clipped area, affect the degree to which the clipping is visually noticeable or undesirable in the resulting image. In a color image, clipping may occur in any of the image's color channels separately, which negatively affects colour reproduction. Clipping can occur at many different stages. It may occur in the image sensor when initially capturing the image using a digital camera or scanner. It may occur due to internal image processing or color space conversion in the camera or scanner. It may also result fr ...
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Autofocus
An autofocus (AF) optical system uses a sensor, a control system and a motor to focus on an automatically or manually selected point or area. An electronic rangefinder has a display instead of the motor; the adjustment of the optical system has to be done manually until indication. Autofocus methods are distinguished as active, passive or hybrid types. Autofocus systems rely on one or more sensors to determine correct focus. Some AF systems rely on a single sensor, while others use an array of sensors. Most modern SLR cameras use through-the-lens optical sensors, with a separate sensor array providing light metering, although the latter can be programmed to prioritize its metering to the same area as one or more of the AF sensors. Through-the-lens optical autofocusing is usually speedier and more precise than manual focus with an ordinary viewfinder, although more precise manual focus can be achieved with special accessories such as focusing magnifiers. Autofocus accur ...
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Exposure Compensation
Exposure compensation is a technique for adjusting the exposure indicated by a photographic exposure meter, in consideration of factors that may cause the indicated exposure to result in a less-than-optimal image. Factors considered may include unusual lighting distribution, variations within a camera system, filters, non-standard processing, or intended underexposure or overexposure. Cinematographers may also apply exposure compensation for changes in shutter angle or film speed (as exposure index), among other factors. Many digital cameras have a display setting and possibly a physical dial whereby the photographer can set the camera to either over or under expose the subject by up to three f-stops (f-numbers) in 1/3 stop intervals. Each number on the scale (1,2,3) represents one f-stop, decreasing the exposure by one f-stop will halve the amount of light reaching the sensor. The dots in between the numbers represent 1/3 of an f-stop.
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Nikon FA
The Nikon FA is an advanced amateur-level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by the Japanese optics company Nippon Kogaku K. K. ( Nikon Corporation since 1988) in Japan from 1983 to 1987 (available new from dealer stock until circa 1989). The FA used a titanium-bladed, vertical-travel Nikon-designed, Copal-made focal plane shutter with a speed range of 1 to 1/4000th second plus Bulb and flash X-sync of 1/250th second. It was available in two colors: black with chrome trim and all black. The introductory US list price for the chrome body only (no lens) was $646. Note that SLRs usually sold for 30 to 40 percent below list price. The FA was the most sophisticated member of the remarkably long-lived, classic Nikon compact F-series SLRs and was built upon a compact but rugged copper-aluminum alloy chassis developed from the ones used by the earlier Nikon FM (introduced in 1977), FE (1978), FM2 (1982) and FE2 (1983) cameras. ...
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F-number
An f-number is a measure of the light-gathering ability of an optical system such as a camera lens. It is calculated by dividing the system's focal length by the diameter of the entrance pupil ("clear aperture").Smith, Warren ''Modern Optical Engineering'', 4th Ed., 2007 McGraw-Hill Professional, p. 183. The f-number is also known as the focal ratio, f-ratio, or f-stop, and it is key in determining the depth of field, diffraction, and Exposure (photography), exposure of a photograph. The f-number is dimensionless number, dimensionless and is usually expressed using a lower-case Ƒ, hooked f with the format ''N'', where ''N'' is the f-number. The f-number is also known as the inverse relative aperture, because it is the Multiplicative inverse, inverse of the relative aperture, defined as the aperture diameter divided by focal length. The relative aperture indicates how much light can pass through the lens at a given focal length. A lower f-number means a larger relative apertur ...
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Camera
A camera is an instrument used to capture and store images and videos, either digitally via an electronic image sensor, or chemically via a light-sensitive material such as photographic film. As a pivotal technology in the fields of photography and videography, cameras have played a significant role in the progression of visual arts, media, entertainment, surveillance, and scientific research. The invention of the camera dates back to the 19th century and has since evolved with advancements in technology, leading to a vast array of types and models in the 21st century. Cameras function through a combination of multiple mechanical components and principles. These include exposure control, which regulates the amount of light reaching the sensor or film; the lens, which focuses the light; the viewfinder, which allows the user to preview the scene; and the film or sensor, which captures the image. Several types of camera exist, each suited to specific uses and offering unique cap ...
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SLR Camera
In photography, a single-lens reflex camera (SLR) is a type of camera that uses a mirror and prism system to allow photographers to view through the lens and see exactly what will be captured. SLRs became the dominant design for professional and consumer-level cameras throughout the late 20th century, offering interchangeable lenses, through-the-lens (TTL) metering, and precise framing. Originating in the 1930s and popularized in the 1960s and 70s, SLR technology played a crucial role in the evolution of modern photography. Although digital single-lens reflex (DSLR) cameras succeeded film-based models, the rise of mirrorless cameras in the 2010s has led to a decline in SLR use and production. With twin lens reflex and rangefinder cameras, the viewed image could be significantly different from the final image. When the shutter button is pressed on most SLRs, the mirror flips out of the light path and allows light to pass through to the light receptor and the image to be capture ...
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