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Mein Herze Schwimmt Im Blut, BWV 199
Johann Sebastian Bach composed the church cantata (My heart swims in blood) 199 in Weimar between 1712 and 1713, and performed it on the eleventh Sunday after Trinity, 12 August 1714. It is a solo cantata for soprano. The text was written by Georg Christian Lehms and published in Darmstadt in 1711 in the collection , on the general topic of redemption. The librettist wrote a series of alternating recitatives and arias, and included as the sixth movement (of eight) the third stanza of Johann Heermann's hymn "". It is not known when Bach composed the work, but he performed it as part of his monthly cantata productions on the eleventh Sunday after Trinity, 12 August 1714. The solo voice is accompanied by a Baroque instrumental ensemble of oboe, strings and continuo. The singer expresses in a style similar to Baroque opera the dramatic development from feeling like a "monster in God's eyes" to being forgiven. Bach revised the work for later performances, leading to three edition ...
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Church Cantata (Bach)
Throughout his life as a musician, Johann Sebastian Bach composed Bach cantata, cantatas for both List of secular cantatas by Johann Sebastian Bach, secular and sacred use. He composed his church cantatas for use in the Lutheranism, Lutheran church, mainly intended for the occasions of the liturgical year. Bach's Nekrolog, Bach's ''Nekrolog'' mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), which would amount to at least 275 cantatas,Alfred Dörffel. Bach-Gesellschaft Ausgabe Volume 27: ''scores:Bach-Gesellschaft Ausgabe/Thematic Catalogue, Thematisches Verzeichniss der Kirchencantaten No. 1–120''. Breitkopf & Härtel, 1878. Introduction, p. VI or over 320 if all cycles would have been ideal cycles.Günther Zedler''Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung''.Books on Demand, 2011. p. 24–25/ref> The extant cantatas ...
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Baroque Instruments
Musical instruments used in Baroque music were partly used already before, partly are still in use today, but with no technology. The movement to perform music in a Historically informed performance, historically informed way, trying to recreate the sound of the period, led to the use of historic instruments of the period and to the reconstruction of instruments. The following table lists instruments, classified as brass instruments, Woodwind instrument, woodwinds, String instrument, strings, and basso continuo. The continuous bass is played by a group of instruments, depending on the given situation. Many instruments have an Italian or French name which is used as a common name also in English. The use of instruments by composers is shown in examples mostly by Johann Sebastian Bach. Table of instruments Baroque instrumentation The typical orchestra of the Baroque period was based on string instruments (violin, viola) and #Continuo, continuo. A continuous bass was the rule ...
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Widerstehe Doch Der Sünde, BWV 54
(Just resist sin), BWV 54, is a church cantata by Johann Sebastian Bach. He composed the solo cantata for alto in Weimar between 1711 and 1714, and probably performed it on the seventh Sunday after Trinity, 15 July 1714. It is Bach's first extant church cantata for a solo voice. The text of the short work was written by Georg Christian Lehms, for two arias and a connecting recitative. The topic is to resist sin, based on the Epistle of James. The text was published in a 1711 collection, dedicated to the Sunday Oculi. It is not known when Bach composed the work but is assumed that he performed it as part of his monthly cantata productions in 1714 on the seventh Sunday after Trinity, 15 July. The solo voice is accompanied by strings: two violin parts, two viola parts and continuo. The composition begins with a striking dissonant chord. History and words The history of the composition is not clear. The text was written by Georg Christian Lehms for Oculi, the third Su ...
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Darmstadt
Darmstadt () is a city in the States of Germany, state of Hesse in Germany, located in the southern part of the Frankfurt Rhine Main Area, Rhine-Main-Area (Frankfurt Metropolitan Region). Darmstadt has around 160,000 inhabitants, making it the fourth largest city in the state of Hesse after Frankfurt am Main, Wiesbaden, and Kassel. Darmstadt holds the official title "City of Science" () as it is a major centre of scientific institutions, universities, and high-technology companies. The European Organisation for the Exploitation of Meteorological Satellites (EUMETSAT) and the European Space Agency's European Space Operations Centre (ESA ESOC) are located in Darmstadt, as well as Gesellschaft für Schwerionenforschung, GSI Centre for Heavy Ion Research, where several chemical elements such as bohrium (1981), meitnerium (1982), hassium (1984), darmstadtium (1994), roentgenium (1994), and copernicium (1996) were discovered. The existence of the following elements was also confirmed ...
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Galante Poetinnen 0001
Galante is a surname. Notable people with the surname include: * Galante (pedigree), a family of Jewish scholars which flourished in the Middle Ages ** Abraham ben Mordecai Galante (died 1560), kabalist and author ** Mordecai Galante (died 1781), rabbi of Damascus ** Moses Galante (died 1806), rabbi of Damascus ** Moses Galante (the Elder) (or Moshe ben Mordechai Galante; died 1608), rabbi, disciple of Joseph Caro ** Moses Galante (the Younger) (or Moshe ben Yonatan Galante; 1621-1689), rabbi ** Mordecai Galante (died 1781), Chief rabbi of Damascus and author of Gedullat Mordekai ** Moses Galante (died 1806), chief rabbi of Damascus * Andrea Galante (born 1982), Argentine actress * Anyela Galante Salerno (born 1991), Venezuelan model and beauty pageant titleholder * Carmine Galante (1910-1979), a member of the Bonanno crime family * Cecilia (Plummer) Galante, American author * Fabio Galante (born 1973), Italian footballer * Forrest Galante (born 1988), American outdoor ...
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Pharisee And The Publican
The parable of the Pharisee and the Publican (or the ''Pharisee and the Tax Collector'') is a parable of Jesus that appears in the Gospel of Luke. In Luke 18:9–14, a self-righteous Pharisee, obsessed by his own virtue, is contrasted with a tax collector who humbly asks God for mercy. This parable primarily shows Jesus teaching that justification can be given by the mercy of God irrespective of the receiver's prior life and that conversely self-righteousness can prohibit being justified. Further coming as it does in a section of teaching on prayer it demonstrates the need to pray humbly. It immediately follows the Parable of the Unjust Judge, which is also about prayer. In the Eastern Orthodox Church, the ''Sunday of the Publican and the Pharisee'' commemorates the parable and begins the three-week pre-Lenten Season. Narrative To some who thought they were self righteous and regarded others with contempt, Jesus told this parable: “Two men went to the temple to pray: ...
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Gospel Of Luke
The Gospel of Luke is the third of the New Testament's four canonical Gospels. It tells of the origins, Nativity of Jesus, birth, Ministry of Jesus, ministry, Crucifixion of Jesus, death, Resurrection of Jesus, resurrection, and Ascension of Jesus, ascension of Jesus. Together with the Acts of the Apostles, it makes up a two-volume work which scholars call Luke–Acts, accounting for 27.5% of the New Testament. The combined work divides the Christianity in the 1st century, history of first-century Christianity into three stages, with the gospel making up the first two of these – the life of Jesus the messiah (Christ (title), Christ) from his birth to the beginning of his mission in the meeting with John the Baptist, followed by his ministry with events such as the Sermon on the Plain and its Beatitudes, and his Passion of Jesus, Passion, death, and resurrection. Most modern scholars agree that the main sources used for Luke were (1) the Gospel of Mark; (2) a hypothetical col ...
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Paul The Apostle
Paul, also named Saul of Tarsus, commonly known as Paul the Apostle and Saint Paul, was a Apostles in the New Testament, Christian apostle ( AD) who spread the Ministry of Jesus, teachings of Jesus in the Christianity in the 1st century, first-century world. For his contributions towards the New Testament, he is generally regarded as one of the most important figures of the Apostolic Age, and he also founded Early centers of Christianity, several Christian communities in Asia Minor and Europe from the mid-40s to the mid-50s AD. The main source of information on Paul's life and works is the Acts of the Apostles in the New Testament. Approximately half of its content documents his travels, preaching and miracles. Paul was not one of the Twelve Apostles, and did not know Jesus during his lifetime. According to the Acts, Paul lived as a Pharisees, Pharisee and participated in the Persecution of Christians in the Roman Empire, persecution of early Disciple (Christianity), disciples ...
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First Epistle To The Corinthians
The First Epistle to the Corinthians () is one of the Pauline epistles, part of the New Testament of the Christian Bible. The epistle is attributed to Paul the Apostle and a co-author, Sosthenes, and is addressed to the Christian church in Corinth. Scholars believe that Sosthenes was the amanuensis who wrote down the text of the letter at Paul's direction.Meyer, H. A. W. (1880)Meyer's NT Commentaryon 1 Corinthians 1, translated from the German sixth edition, ''BibleHub'', accessed May 17, 2022 It addresses various issues which had arisen in the Christian community at Corinth and is composed in a form of Koine Greek. Despite the name, it is not believed to be the first such letter written to the Corinthian church. Authorship There is a consensus among historians and theologians that Paul is the author of the First Epistle to the Corinthians, with Sosthenes as its co-author. Protestant commentator Heinrich Meyer notes that Sosthenes' inclusion in the opening wording sho ...
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Weinen, Klagen, Sorgen, Zagen, BWV 12
(Weeping, lamenting, worrying, fearing), 12, is a church cantata by Johann Sebastian Bach. He composed it in Weimar for Jubilate, the third Sunday after Easter, and led the first performance on 22 April 1714 in the , the court chapel of the ''Schloss'' in Weimar. Bach was appointed in Weimar in the spring of 1714, a position that called for the performance of a church cantata each month. He composed ''Weinen, Klagen, Sorgen, Zagen'' as the second cantata in the series, on a text probably written by court poet Salomon Franck. The work is structured in seven movements, an instrumental ''Sinfonia'', a choral passacaglia, a recitative on a Bible quotation, three arias and, as the closing chorale, the last stanza from Samuel Rodigast's hymn "" (1674). The cantata is scored for three vocal soloists, a four-part choir, trumpet, oboe, bassoon, two violins, two violas, and basso continuo. Bach performed the cantata again in his first year as  – director of church music – ...
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List Of Church Cantatas By Liturgical Occasion
The following is a list of church cantatas, sorted by the liturgical occasion for which they were composed and performed. The genre was particularly popular in 18th-century Lutheran Germany, although there are later examples. The liturgical calendar of the German Reformation era had, without counting Reformation Day and days between Palm Sunday and Easter, 72 occasions for which a cantata could be presented. Composers such as Telemann composed cycles of church cantatas comprising all 72 occasions (e.g. '' Harmonischer Gottes-Dienst''). Such a cycle is called an "ideal" cycle, while in any given liturgical year feast days could coincide with Sundays, and the maximum number of Sundays after Epiphany and the maximum number of Sundays after Trinity could not all occur. In some places, of which Leipzig in Johann Sebastian Bach's time is best known, no concerted music was allowed for the three last Sundays of Advent, nor for the Sundays of Lent (apart when Annunciation fell on a Sund ...
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Ernest Augustus I, Duke Of Saxe-Weimar-Eisenach
Ernst August I, Duke of Saxe-Weimar (German: ''Ernst August I''; 19 April 1688 – 19 January 1748), was a duke of Saxe-Weimar and, from 1741, of Saxe-Weimar-Eisenach. Biography He was the second but eldest surviving son of Johann Ernst III, Duke of Saxe-Weimar and his first wife Sophie Auguste of Anhalt-Zerbst. When his father died in 1707, Ernst August became co-ruler (''Mitherr'') of Saxe-Weimar, along with his uncle Wilhelm Ernst, but his title was only nominal, since Wilhelm Ernst was the actual ruler of the duchy. Only when Wilhelm Ernst died in 1728 did Ernst August begin to exercise true authority over Saxe-Weimar. Excesses Ernst August was a splendor-loving ruler, and his extravagances contributed to the eventual financial ruin of his duchy. Desperately in need of funds, he resorted to the practice of arresting wealthy subjects without cause, and setting them free only after they had renounced their fortunes to the duke, or had paid exorbitant ransoms. Some of th ...
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