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Max Schneider (music Historian)
Max Schneider (20 July 1875 – 5 May 1967) was a German music historian. Life Born in Eisleben, Schneider studied musicology at the University of Leipzig with Hermann Kretzschmar and Hugo Riemann and composition with Salomon Jadassohn. After his time as second Kapellmeister in Halle from 1897 to 1901, he continued his studies of music history with Kretzschmar. In 1904, he moved to Berlin, where he worked from 1905 to 1915 as a "scientific assistant" at the Alte Bibliothek. At the Royal Music Institute of Berlin, Schneider learnt orchestration and received the title of professor in 1913. In 1915, he accepted a professorship at the University of Breslau; two years later he obtained his doctorate with a dissertation on the beginnings of the basso continuo. From 1927, he was director of the in Breslau. In 1928, he succeeded Arnold Schering as professor for musicology at the Martin-Luther-University of Halle-Wittenberg. After 1933, Schneider was member of the organizations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Schneider
Maxwell George Schneider (born June 21, 1992), also known by his mononym Max (stylized in all caps), is an American singer and actor. He is best known for his 2016 single " Lights Down Low" (featuring gnash), which peaked within the top 20 of the ''Billboard'' Hot 100 and received triple platinum certification by the Recording Industry Association of America (RIAA). A sleeper hit, the song emerged from his second album, '' Hell's Kitchen Angel'' (2016), which was released by DCD2 Records and narrowly entered the ''Billboard'' 200. He signed with Arista Records to release his third album, '' Color Vision'' (2020). Schneider was nominated for Best New Pop Artist at the 2019 iHeartRadio Music Awards, and, in 2020, his single "Love Me Less" received gold certification by the RIAA and Music Canada (MC). Career Schneider was raised in Woodstock, New York. He began performing at age three and acquired his first agent at the age of 14. Schneider was a swing understudy in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Schering
Arnold Schering (2 April 1877 in Breslau, German Empire – 7 March 1941 in Berlin) was a German musicologist. He grew up in Dresden as the son of an art publisher. He learned violin at the from which he graduated in 1896. Thereafter he studied violin at the Berlin School of Music under Joseph Joachim. From 1898 until 1902 he studied music in Berlin and Leipzig and wrote his dissertation on the instrumental concertos of Antonio Vivaldi (in German, ''Geschichte des Instrumentalkonzertes bei Antonio Vivaldi'') and this work was influential in resurrecting the music of this composer. Fred K. Prieberg: ''Handbuch Deutsche Musiker 1933–1945'', CD-Rom-Lexikon, Kiel 2004, pages 6.084–6.086. In 1907 he made his habilitation and was made a professor of music in 1915. In 1920 Schering gathered evidence that composer Johann Sebastian Bach usually used 12 singers in his cantatas and other vocal works. This insight eventually became influential in the early music movement. From 1928 onwar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Performance Practice
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of classical music which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no sound recordings exist of music before the late 19th century, historically informed performance is largely derived from musicological analysis of texts. Historical treatises, pedagogic tutor books, and concert critiques, as well as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hallische Händel-Ausgabe
The ''Hallische Händel-Ausgabe'' ("Halle Handel Edition") is a multi-volume collection of the works of George Frideric Handel. It was first published in the 1950s: initially as an adjunct to the Händel-Gesellschaft, HG edition, but by 1958 as a collected edition in its own right. The collection's abbreviation of "HHA" can be used to identify individual works by Handel, for example Handel's ''Messiah (Handel), Messiah'' can be referred to as "HHA i/17" (with the Roman numeral "i" designating "series 1"). For practical use, the HHA numbering of Handel's works has been superseded by the Händel-Werke-Verzeichnis, HWV numbering system. Published by the George Frideric Handel Society, a major new edition comprising approximately 128 volumes is being released. It is expected to be completed by 2023 in the following configuration: See also *Händel-Gesellschaft (HG) *Händel-Werke-Verzeichnis (HWV) *List of compositions by George Frideric Handel References External links Officia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Händel-Jahrbuch
The ''Händel-Jahrbuch'' (HJb) is a music scientific journal dedicated to the composer George Frideric Handel. It is published annually by the international Handel-Gesellschaft in conjunction with the foundation Handel House in Halle. The "scientific secretary" of the Handel Society is also chief editor of the Jahrbuch, and since 2011 the musicologist Annette Landgraf. Publisher The Jahrbuch was first published by the musicologist Rudolf Steglich from Hannover for the new Handel-Gesellschaft in Leipzig, founded in 1925 by Hermann Abert. From 1928 to 1933, it was published in six volumes by Breitkopf & Härtel in Leipzig. From 1955, the Handel-Gesellschaft published it as a new series at the ''Deutscher Verlag für Musik'' in Leipzig. The first four volumes can be counted twice as a continuation of the old series. Between 1992 and 1995, Studio-Verlag in Cologne managed the publication. Since then, the Jahrbuch has been published by Bärenreiter-Verlag in Kassel. In 2008, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archiv Für Musikwissenschaft
The ''Archiv für Musikwissenschaft'' is a quarterly German-English-speaking trade magazine devoted to music history and historical musicology, which publishes articles by well-known academics and young scholars. It was founded in 1918 as the successor of the ''Sammelbände der Internationalen Musikgesellschaft'' by Max Seiffert, Johannes Wolf and Max Schneider, who were also the first editors. It was under the patronage of the Fürstliches Institut für musikwissenschaftliche Forschung zu Bückeburg. The first two volumes 1918/1919 and 1919/1920 were published by Breitkopf & Härtel, then the volumes 1921 to 1926 by . With the 8th volume the publication of the journal was stopped in 1927, but resumed in 1952 with the 9th volume. Publisher of the quarterly was Wilibald Gurlitt (in connection with Heinrich Besseler, Walter Gerstenberg and Arnold Schmitz), who assigned the editorship to Hans Heinrich Eggebrecht. With the 19th/20th volume 1962/1963 the Archive for Musicology w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breitkopf & Härtel
Breitkopf & Härtel () is a German Music publisher, music publishing house. Founded in 1719 in Leipzig by Bernhard Christoph Breitkopf, it is the world's oldest music publisher. Overview The catalogue contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. Breitkopf pianos were highly esteemed in the 19th century by such pianists as Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the ''Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported composers and had close editorial collaboration with Ludwig van Beethoven, Beethoven, Joseph Haydn, Haydn, Felix Mendelssohn, Mendelssohn, Robert Schumann, Schumann, Frédéric Chopin, Chopin, Franz Liszt, Liszt, Richard Wagner, Wagner a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neue Bachgesellschaft
The Neue Bachgesellschaft, or New Bach Society, is an organisation based in Leipzig, Germany, devoted to the music of the composer Johann Sebastian Bach. It was founded in 1900 as the successor to the Bach Gesellschaft, which between 1850 and 1900 produced a complete edition of Bach's works, publishing many pieces for the first time. On completion of these collected works (the ''Bach-Ausgabe''), the original Society dissolved itself. The new Society approved three enduring projects: * the annual edition of a ''Bach-Jahrbuch'' (Bach yearbook) * biannual (today: annual) ''Bachfeste'' (Bach festivals). The venues of the Bachfest have mainly been in Germany, but the 2012 Festival had an international dimension, being held in Görlitz-Zgorzelec on the German-Polish border. * the founding of a Bach museum. In 1907 the Society opened the first museum dedicated to Bach at Eisenach, the town where he was born. This Bachhaus is managed by the ''Bachhaus Eisenach gemeinnützige GmbH'', a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach-Jahrbuch
The ''Bach-Jahrbuch'' ("Bach yearbook" or according to the publication's website "Bach Annals") is an Periodical literature, annual publication related to the composer Bach. It is published in German by the Neue Bachgesellschaft in Leipzig. It is the most respected publication for international Bach research. The ''Bach-Jahrbuch'' contains contributions of notable Bach scholars related to recent research of Bach and his family. It also provides a Bach bibliography. Begun in 1904, it is the oldest periodical dedicated to one composer. The first editor was the musicologist Arnold Schering from 1904. The present editor is Peter Wollny. Editors * Arnold Schering (1904–1939) * Max Schneider (music historian), Max Schneider (1940–1952) * Alfred Dürr and Werner Neumann (1953–1974) * Hans-Joachim Schulze and Christoph Wolff (1975–2005) * Peter Wollny (from 2005) External links * Neue Bachgesellschaft {{italic title Annual publications Classical music publications ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emeritus
''Emeritus/Emerita'' () is an honorary title granted to someone who retires from a position of distinction, most commonly an academic faculty position, but is allowed to continue using the previous title, as in "professor emeritus". In some cases, the term is conferred automatically upon all persons who retire at a given rank, but in others, it remains a mark of distinguished performance (usually in the area of research) awarded selectively on retirement. It is also used when a person of distinction in a profession retires or hands over the position, enabling their former rank to be retained in their title. The term ''emeritus'' does not necessarily signify that a person has relinquished all the duties of their former position, and they may continue to exercise some of them. In descriptions of deceased professors emeriti listed at U.S. universities, the title ''emeritus'' is replaced by an indication of the years of their appointments, except in obituaries, where it may be us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free German Trade Union Federation
The Free German Trade Union Federation ( or ''FDGB'') was the sole national trade union centre of the German Democratic Republic (GDR or East Germany) which existed from 1946 to 1990. As a mass organisation of the GDR, nominally representing all workers, the FDGB was a constituent member of the National Front. The leaders of the FDGB were also senior members of the ruling Socialist Unity Party of Germany (SED). Structure 200px, Harry Tisch, FDGB chairman from 1975 to 1989. The bureaucratic union apparatus was a basic component and tool of the SED’s power structure, constructed on the same strictly centralist hierarchical model as all other major GDR organizations. The smallest unit was a , which nearly all workers in any organisation belonged to, including state leaders and party functionaries. They recommended trustworthy people as the lowest FDGB functionaries and voted for them in open-list ballots. The higher positions ranged from "Departmental Union Leader" (, AG ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Rosenberg
Alfred Ernst Rosenberg ( – 16 October 1946) was a Baltic German Nazi theorist and ideologue. Rosenberg was first introduced to Adolf Hitler by Dietrich Eckart and he held several important posts in the Nazi government. He was the head of the NSDAP Office of Foreign Affairs during the entire rule of Nazi Germany (1933–1945), and led Amt Rosenberg ("Rosenberg's bureau"), an official Nazi body for cultural policy and surveillance, between 1934 and 1945. During World War II, Rosenberg was the head of the Reich Ministry for the Occupied Eastern Territories (1941–1945). He helped direct the extermination of the Slavs. After the war, he was convicted of crimes against peace; planning, initiating and waging wars of aggression; war crimes; and crimes against humanity at the Nuremberg trials in 1946. He was sentenced to death by hanging and executed on 16 October 1946. The author of a seminal work of Nazi ideology, '' The Myth of the Twentieth Century'' (1930), Rosenber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
