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Mannerist Architecture
Mannerism is a Style (visual arts), style in Art of Europe, European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Giorgio Vasari, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant. Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is notable for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parmigianino - Madonna Dal Collo Lungo - Google Art Project
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes '' Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous '' Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Burckhardt
Carl Jacob Christoph Burckhardt (; ; 25 May 1818 – 8 August 1897) was a Swiss historian of art and culture and an influential figure in the historiography of both fields. His best known work is '' The Civilization of the Renaissance in Italy'' (1860). He is known as one of the major progenitors of cultural history. Sigfried Giedion described Burckhardt's achievement in the following terms: "The great discoverer of the age of the Renaissance, he first showed how a period should be treated in its entirety, with regard not only for its painting, sculpture and architecture, but for the social institutions of its daily life as well." Life The son of a Protestant clergyman, Burckhardt was born in Basel, where he studied theology in the hope of taking holy orders; however, under the influence of Wilhelm Martin Leberecht de Wette, he chose not to become a clergyman. He was a member of the patrician Burckhardt family. Burckhardt finished his degree in 1839 and went to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurentian Library
The Laurentian Library (Biblioteca Medicea Laurenziana or BML) is a historic library in Florence, Italy, containing more than 11,000 manuscripts and 4,500 early printed books. Built in a cloister of the Medicean Basilica di San Lorenzo di Firenze under the patronage of the Medici pope Clement VII, the library was built to emphasize that the Medici were no longer just merchants but members of intelligent and ecclesiastical society. It contains the manuscripts and books belonging to the private library of the Medici family. The library building is renowned for its architecture that was designed by Michelangelo and is an example of Mannerism.Fazio, Michael; Moffett, Marian; Wodehouse, Lawrence, ''Buildings across Time'' (London: Lawrence King Publishing Ltd, 2009), pp. 308–310.Lotz, Wolfgang; Howard, Deborah, ''Architecture in Italy, 1500–1600'' (New Haven: Yale University Press, 1995), pp. 91–94. All of the book-bound manuscripts in the library are identified in its ''Codex Laur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libyan Sibyl
The Libyan Sibyl was the prophetic priestess presiding over the Oracle of Zeus-Ammon ( Zeus represented with the Horns of Ammon) at Siwa Oasis in the Libyan Desert. The term ''sibyl'' comes (via Latin) from the ancient Greek word ''sibylla'', meaning prophetess. There were many Sibyls in the ancient world, but the Libyan Sibyl, in Classical mythology, foretold the "coming of the day when that which is hidden shall be revealed." In Pausanias' ''Description of Greece'', the Sibyl names her parents in her oracles: :I am by birth half mortal, half divine; :An immortal nymph was my mother, my father an eater of grain; :On my mother's side of Idaean birth, but my fatherland was red : Marpessus, sacred to the Mother, and the river Aidoneus. (Pausanias 10.12.3) The Greeks say she was the daughter of Lamia – a daughter of Poseidon – and Zeus. Euripides mentions the Libyan Sibyl in the prologue of the ''Lamia''. The Greeks further state that she was the first w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignudi
The Sistine Chapel ceiling (), painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance Renaissance art, art. The Sistine Chapel is the large papal chapel built within the Vatican City, Vatican between 1477 and 1480 by Pope Sixtus IV, for whom the chapel is named. The ceiling was painted at the commission of Pope Julius II. The ceiling's various painted elements form part of a larger scheme of decoration within the chapel. Prior to Michelangelo's contribution, the walls were painted by several leading artists of the late 15th century including Sandro Botticelli, Domenico Ghirlandaio, and Pietro Perugino. After the ceiling was painted, Raphael created Raphael Cartoons, a set of large tapestries (1515–1516) to cover the lower portion of the wall. Michelangelo returned to the chapel to create ''The Last Judgment (Michelangelo), The Last Judgment'', a large wall fresco situated behind the altar. The chapel's decoration illustrates m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terribilità
Terribilità, the modern Italian spelling, or terribiltà, as Michelangelo's 16th century contemporaries tended to spell it, is a quality ascribed to his art that provokes terror, awe, or a sense of the sublime in the viewer. It is perhaps especially applied to his sculptures, such as his figures of David (Michelangelo), ''David'' or in Moses (Michelangelo), ''Moses''. Pope Julius II was apparently the first to describe Michelangelo as a ''uomo terribile'' ("terror-inducing man"), apparently describing his difficult character as much as his art. This ''terribilità'' also references the Neoplatonism, neoplatonics of humanists such as Marsilio Ficino, who had known Michelangelo in his youth. Michelangelo's friend and collaborator Sebastiano del Piombo reported in a letter to him of 15 October 1520 on a private audience with Pope Leo X. After praising Michelangelo's work, the pope continued "But he is ''terribile'', as you see; one cannot deal with him". Sebastiano responded "that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Physiognomy
Physiognomy () or face reading is the practice of assessing a person's character or personality from their outer appearance—especially the face. The term can also refer to the general appearance of a person, object, or terrain without reference to its implied characteristics—as in the physiognomy of an individual plant (see plant life-form) or of a plant Community (ecology), community (see vegetation). Physiognomy as a practice meets the contemporary definition of pseudoscience and is regarded as such by academics because of its unsupported claims; popular belief in the practice of physiognomy is nonetheless still widespread and modern advances in artificial intelligence have sparked renewed interest in the field of study. The practice was well-accepted by Greek philosophy, ancient Greek philosophers, but fell into disrepute in the 16th century while practised by vagabonds and Charlatan, mountebanks. It revived and was popularised by Johann Kaspar Lavater, before falling from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manchester Art Gallery
Manchester Art Gallery, formerly Manchester City Art Gallery, is a publicly owned art museum on Mosley Street in Manchester city centre, England. The main gallery premises were built for a learned society in 1823 and today its collection occupies three connected buildings, two of which were designed by Sir Charles Barry. Both of Barry's buildings are Listed building, listed. The building that links them was designed by Hopkins Architects following an architectural design competition managed by RIBA Competitions. It opened in 2002 following a major renovation and expansion project undertaken by the art gallery. Manchester Art Gallery is free to enter and open six days a week, closed Mondays. It houses many works of local and international significance and has a collection of more than 25,000 objects. More than half a million people visited the museum in the period of a year, according to figures released in April 2014. History Royal Manchester Institution The Royal Manchester ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
