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Man Of Sorrows (Geertgen Tot Sint Jans)
''Man of Sorrows'' is a small Early Netherlandish oil on wood panel painting completed c. 1485–1495. It is attributed to Geertgen tot Sint Jans and in the tradition of the devotional images of the "Man of Sorrows", which typically show Christ before his crucifixion, naked above the waist, bearing the wounds of his Passion. The panel has an unusually complex and suffocating spatial design, and depicts the mocking of Jesus, and his grieving mother. The panel is steeped in both complex iconography and deep pathos. Christ is in obvious pain and holds his wounds up for the viewer. He looks out while white robed weeping angels bear the Arma Christi -objects associated with his crucifixion and death- float around him. The attending saints include Mary and the Magdalene. ''Man of Sorrows'' has been described as "one of the most moving... in Early Netherlandish art", and is usually considered a highly emotive and sorrowful work, especially in its description of Christ's pitiful, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geertgen Tot Sint Jans
Geertgen tot Sint Jans (c. 1465 – c. 1495), also known as Geertgen van Haarlem, Gerrit van Haarlem, Gerrit Gerritsz, Gheertgen, Geerrit, Gheerrit, or any other diminutive form of Gerald, was an Early Netherlandish painter from the northern Low Countries in the Holy Roman Empire. No contemporary documentation of his life has been traced, and the earliest published account of his life and work is from 1604, in Karel van Mander's '' Schilder-boeck''. According to van Mander, Geertgen was probably a pupil of Albert van Ouwater, one of the first oil painters in the northern Low Countries. Both painters lived in the city of Haarlem, where Geertgen was attached to the house of the Knights of Saint John, perhaps as a lay brother, for whom he painted an altarpiece. In van Mander's book he states that Geertgen took the name of St. John without joining the order, thus his last name "tot Sint Jans" was derived from the order's name and means "unto Saint John". Biography Though van Mand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geertgen Man Van Smarten (detail)
Geertgen is a given name. Notable people with the name include: * Geertgen tot Sint Jans ( 1465– 1495), Early Netherlandish painter * Geertgen Wyntges (1636–1712), Dutch Golden Age flower painter See also * Geertsen {{Unreferenced, date=December 2009 Geertsen is a common Family Name in the Netherlands. As a result of the migration of a small Dutch community to Denmark in the 16th or 17th century, it is also in use in Denmark (where it is not to be confused ... {{given name Dutch masculine given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrition
In Christianity, contrition or contriteness (, i.e. crushed by guilt) is repentance for sins one has committed. The remorseful person is said to be ''contrite''. A central concept in much of Christianity, contrition is regarded as the first step, through Christ, towards reconciliation with God. It consists of repentance for all one's sins, a desire for God over sin, and faith in Christ's redemption on the cross and its sufficiency for salvation (see regeneration and '' ordo salutis''). It is widely referred to throughout the Bible, e.g. Ezekiel 33:11, Psalms 6:7ff, Psalm 51:1–12, Luke 13:5, Luke 18:9–13, and the well-known parable of the prodigal son (Luke 15:11–32). In the Catholic Church Nature The Council of Trent defined contrition as "sorrow of soul, and a hatred of sin committed, with a firm purpose of not sinning in the future". It is also known as ''animi cruciatus'' (affliction of spirit) and ''compunctio cordis'' (repentance of heart). The word "contriti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geertgen Tot Sint Jans - Man Of Sorrows - WGA08517 Detail
Geertgen is a given name. Notable people with the name include: * Geertgen tot Sint Jans ( 1465– 1495), Early Netherlandish painter * Geertgen Wyntges (1636–1712), Dutch Golden Age flower painter See also * Geertsen {{Unreferenced, date=December 2009 Geertsen is a common Family Name in the Netherlands. As a result of the migration of a small Dutch community to Denmark in the 16th or 17th century, it is also in use in Denmark (where it is not to be confused ... {{given name Dutch masculine given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nail (relic)
Relics that are claimed to be the Holy Nails with which Jesus was crucified are objects of veneration among some Christians, particularly Roman Catholics and the Eastern Orthodox. In Christian symbolism and art, they figure among the '' Arma Christi'' or Instruments of the Passion, the objects associated with the Passion of Jesus. Like the other Instruments, the Holy Nails have become an object of veneration among many Christians and have been pictured in paintings. The authenticity of these relics is doubtful. The ''Catholic Encyclopedia'' wrote: Very little reliance can be placed upon the authenticity of the thirty or more holy nails which are still venerated, or which have been venerated until recent times, in such treasuries as that of Santa Croce in Rome, or those of Venice, Aachen, the Escurial, Nuremberg, Prague, etc. Probably the majority began by professing to be facsimiles which had touched or contained filings from some other nail whose claim was more ancient. Wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Sponge
The Holy Sponge is one of the Instruments of the Passion of Jesus. It was dipped in vinegar (; in some translations sour wine), most likely posca, a regular beverage of Roman soldiers, and offered to Jesus to drink from during the Crucifixion, according to Matthew 27:48, Mark 15:36, and John 19:29. History Jerusalem An object thought to be the Holy Sponge was venerated in Israel, in the Upper Room of the Constantinian basilica, where Sophronius of Jerusalem spoke of it : Rome In the Basilica di San Giovanni in Laterano in Rome, a brown sponge is venerated. Other pieces of sponge are present at the following: * the Basilica di Santa Maria Maggiore * the Basilica di Santa Maria in Trastevere * St. Mary in Campitelli Gerusalemme The Chapel of the Relics at Santa Croce in Gerusalemme houses another sponge: Constantinople and France In the 7th century, Nicetas took part in the conquest of Egypt from Phocas. He was famed for bringing items he claimed were the Holy Sponge and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seilern Triptych
''The Seilern Triptych'' (also known as ''Entombment ''), variously dated c. 1410-15 or c. 1420–25,Recht, 253 is a large oil and gold leaf on panel, fixed winged triptych altarpiece generally attributed to the Early Netherlandish painter Robert Campin.Jacobs, 48 It is the earliest of two known triptychs attributed to him, although the outer wing panels paintings are lost. The work details the events of Christ's passion; with iconography associated with the liturgy of Holy Week. The panels, which should be read from left to right, detail three stations of the cycle of the Passion of Jesus; the crucifixion, the burial and the resurrection.Blum, 8 Campin was one of the very early founders of the Northern Renaissance, and famed and successful in his lifetime for his breakthrough use of oil paints, but was largely forgotten during the early and early-modern period. He was rediscovered during the late nineteenth century, and has since been described as one of the most signific ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Campin
Robert Campin (c. 1375 – 26 April 1444), now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), was the first great master of Early Netherlandish painting. While the existence of a highly successful painter called Robert Campin is relatively well documented for the period, no works can be certainly identified as by him through a signature or contemporary documentation. A group of paintings, none dated, have been long attributed to him, and a further group were once attributed to an unknown "Master of Flémalle". It is now usually thought that both groupings are by Campin, but this has been a matter of some controversy for decades. Campbell, Lorne. "Robert Campin, the Master of Flémalle and the Master of Mérode". ''The Burlington Magazine'', Volume 116, No. 860, Nov. 1974. 634-646 A corpus of work is attached to the unidentified "Master of Flémalle,"Fragments remain probably from som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John The Evangelist
John the Evangelist ( grc-gre, Ἰωάννης, Iōánnēs; Aramaic: ܝܘܚܢܢ; Ge'ez: ዮሐንስ; ar, يوحنا الإنجيلي, la, Ioannes, he, יוחנן cop, ⲓⲱⲁⲛⲛⲏⲥ or ⲓⲱ̅ⲁ) is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, and John the Presbyter, although this has been disputed by most modern scholars. Identity The Gospel of John refers to an otherwise unnamed "disciple whom Jesus loved", who "bore witness to and wrote" the Gospel's message.Theissen, Gerd and Annette Merz. The historical Jesus: a comprehensive guide. Fortress Press. 1998. translated from German (1996 edition). Chapter 2. Christian sources about Jesus. The author of the Gospel of John seemed interested in maintaining the internal anonymity of the author's identity, although interpreting the Gospel in the light of the Synoptic Gospels and considering that the author n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary, Mother Of Jesus
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jews, Jewish woman of Nazareth, the wife of Saint Joseph, Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under titles of Mary, various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern Orthodox Church, Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Theotokos, Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Holy Bible, Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God in Christianity, God to annunciation, conceive Jesus through the Holy Spirit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Resurrection Of Jesus
The resurrection of Jesus ( grc-x-biblical, ἀνάστασις τοῦ Ἰησοῦ) is the Christian belief that God raised Jesus on the third day after his crucifixion, starting – or restoring – his exalted life as Christ and Lord. According to the New Testament writing, Jesus was firstborn from the dead, ushering in the Kingdom of God. He appeared to his disciples, calling the apostles to the Great Commission of forgiving sin and baptizing repenters, and ascended to Heaven. For the Christian tradition, the bodily resurrection was the restoration to life of a transformed body powered by spirit, as described by Paul and the Gospel authors, that led to the establishment of Christianity. In Christian theology, the resurrection of Jesus is "the central mystery of the Christian faith". It provides the foundation for that faith, as commemorated by Easter, along with Jesus' life, death and sayings. For Christians, his resurrection is the guarantee that all the Chr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alois Riegl
Alois Riegl (14 January 1858, Linz – 17 June 1905, Vienna) was an Austrian art historian, and is considered a member of the Vienna School of Art History. He was one of the major figures in the establishment of art history as a self-sufficient academic discipline, and one of the most influential practitioners of formalism. Life Riegl studied at the University of Vienna, where he attended classes on philosophy and history taught by Franz Brentano, Alexius Meinong, Max Büdinger, and Robert Zimmerman, and studied connoisseurship on the Morellian model with Moritz Thausing. His dissertation was a study of the Jakobskirche in Regensburg, while his habilitation, completed in 1889, addressed medieval calendar manuscripts. In 1886 Riegl accepted a curatorial position at the k.k. Österreichisches Museum für Kunst und Industrie (today the Museum für angewandte Kunst) in Vienna, where he would work for the next ten years, eventually as director of the textile department. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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