Madonna And Child With Saint Anne (Dei Palafrenieri)
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Madonna And Child With Saint Anne (Dei Palafrenieri)
The ''Madonna and Child with St. Anne (Dei Palafrenieri)'' or ''Madonna and the Serpent'''','' is one of the mature religious works of the Italian Baroque master Caravaggio, painted in 1605–1606, for the altar of the Archconfraternity of the Papal Grooms () in the Basilica of Saint Peter and taking its theme from Genesis 3:15.Spike, John T., Michelangelo Merisi da Caravaggio, and Michèle K. Spike. 2010. ''Caravaggio / John T. Spike ; with the Assistance of Michèle K. Spike.'' 2nd rev. ed. New York ;: Abbeville Press. The painting was briefly exhibited in the parish church for the Vatican, Sant'Anna dei Palafrenieri, before its removal, due to its unorthodox portrayal of the Virgin Mary. There are a lot of reasons why the piece may have been removed, such as the nudity of the child Jesus and the Virgin Mary revealing too much of her breast. The reputation of the model that Caravaggio used to portray the Virgin Mary could be another reason as to why this altarpiece was wi ...
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Caravaggio
Michelangelo Merisi da Caravaggio (also Michele Angelo Merigi or Amerighi da Caravaggio; 29 September 1571 – 18 July 1610), known mononymously as Caravaggio, was an Italian painter active in Rome for most of his artistic life. During the final four years of his life, he moved between Kingdom of Naples, Naples, Hospitaller Malta, Malta, and Kingdom of Sicily, Sicily. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferrin ...
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Original Sin
Original sin () in Christian theology refers to the condition of sinfulness that all humans share, which is inherited from Adam and Eve due to the Fall of man, Fall, involving the loss of original righteousness and the distortion of the Image of God. The biblical basis for the belief is generally found in Fall of man#Genesis 3, Genesis 3 (the story of the expulsion of Adam and Eve from the Garden of Eden), and in texts such as ("I was brought forth in iniquity, and in sin did my mother conceive me") and ("Therefore, just as sin entered the world through one man, and death through sin, and in this way death came to all people, because all sinned"). The specific doctrine of original sin was developed in the 2nd century struggle against Gnosticism by Irenaeus of Lyons, and was shaped significantly by Augustine of Hippo (354–430 AD), who was the first author to use the phrase "original sin". Influenced by Augustine, the Councils of Carthage (411–418 AD) and Council of Orange ...
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Paintings Of The Madonna And Child
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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Paintings In The Borghese Collection
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. Paintings can ...
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Paintings Of Saint Anne
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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1600s Paintings
Sixteen or 16 may refer to: *16 (number) *one of the years 16 BC, AD 16, 1916, 2016 Films * ''Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"Six7een", by Hori7on, 2023 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by Highly Suspect from ''MCI ...
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List Of Paintings By Caravaggio
Caravaggio, born Michelangelo Merisi da Caravaggio (also Michele Angelo Merigi or Amerighi da Caravaggio; , ; ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His inspiring effect on the new Baroque style that emerged from Mannerism was profound. His influence ...
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Co-Redemptrix
Co-Redemptrix (also spelled Coredemptrix; Co-Redemptress is an equivalent term) is a title used by some Catholics for the Blessed Virgin Mary, and refers to Mary's role in the redemption of all peoples. According to those who use the term, ''Co-Redemptrix'' refers to a subordinate but essential participation by the Blessed Virgin Mary in redemption, notably that she gave free consent to give life to the Redeemer, which meant sharing his life, suffering, and death, which were redemptive for the world. Related to this belief is the concept of Mary as Mediatrix, which is a separate concept but regularly included by Catholics who use the title ''Co-Redemptrix''. Some, in particular the adherents of the Amsterdam visions, have petitioned for a dogmatic definition, along with ''Mediatrix''. The concept was especially common in the late Middle Ages, when it was promoted heavily among the Franciscans, and often resisted by the Dominicans. By the early 16th century the hopes of the con ...
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Bodice
A bodice () is an article of clothing traditionally for women and girls, covering the torso from the neck to the waist. The term typically refers to a specific type of upper garment common in Europe during the 16th to the 18th century, or to the upper portion of a modern dress to distinguish it from the skirt and sleeves. The name ''bodice'' is etymologically an odd plural spelling of "body" and comes from an older garment called a ''pair of bodies'' (because the garment was originally made in two separate pieces that fastened together, frequently by lacing). Origin Frescoes produced by the Minoan civilization portray women wearing open bodices that displayed and accentuated their breasts; however, following the Late Bronze Age collapse, these garments would give way to the simpler clothes characteristic of Iron Age Greece. Contemporary European bodices are derived from the kirtle. A fitted bodice became fashionable in Europe around 1450. Classification The same word is ...
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Tenebrism
Tenebrism, from Italian ('dark, gloomy, mysterious'), also occasionally called dramatic illumination, is a style of painting using especially pronounced chiaroscuro, where there are violent contrasts of light and dark, and where darkness becomes a dominating feature of the image. The technique was developed to add drama to an image through a spotlight effect, and is common in Baroque paintings. Tenebrism is used only to obtain a dramatic impact while chiaroscuro is a broader term, also covering the use of less extreme contrasts of light to enhance the illusion of three-dimensionality. Baroque The artist Caravaggio is generally credited with the invention of the style, although this technique was also used by earlier artists such as Albrecht Dürer in his several self portraits; by Tintoretto in his dramatic religious paintings, such as The Miracle of St Mark; by El Greco, who painted three versions of a composition with a boy, a man, and a monkey grouped in darkness around ...
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Michelangelo Merisi Da Caravaggio - Madonna Palafrenieri (detail) - WGA04169
Michelangelo di Lodovico Buonarroti Simoni (6March 147518February 1564), known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early. Two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of 30. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes in the h ...
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