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Lester Leaps In
"Lester Leaps In" is a jazz standard originally recorded by Count Basie's Kansas City Seven in 1939. The composition, credited to the group's tenor saxophone player Lester Young, is a contrafact based on the chord progression of "I Got Rhythm", and serves as a vehicle for interweaving solos by Young and Basie. Eddie Jefferson, pioneer of vocalese, wrote lyrics for the composition, calling his version "I Got the Blues". Critical acclaim *"Lester Leaps In" is listed among the Milestone Recordings in American Music at the Three Perfect Minutes site. *jazz.com gives "Lester Leaps In" a 98, on a scale of 100 – "Classic performance. A 'must have' for jazz fans." , a jazz.com , retrieved 2013-10-23. Pe ...
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Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, his minimalist piano style, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Dennis Rowland, Thelma Carpenter, and Joe Williams (jazz singer), Joe Williams. As a composer, Basie is known for writing such jazz standards as "Blue and Sentimental", "Jumpin' at the Woodside" and "One O'Clock Jump" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocalese
Vocalese is a style of jazz singing in which words are added to an instrumental soloist's improvisation. Definition Vocalese uses recognizable lyrics that are sung to pre-existing instrumental solos, as opposed to scat singing, which uses nonsense words such as "bap ba dee dot bwee dee" in solos. In the "first wave" of vocalese creation, that sometimes took the form of a tribute to the original instrumentalist. The word "vocalese" is a play on the musical term " vocalise"; the suffix "-ese" is meant to indicate a sort of language. The term was attributed to Jon Hendricks by the jazz critic Leonard Feather to describe the first Lambert, Hendricks, and Ross album, '' Sing a Song of Basie''. Most vocalese lyrics are entirely syllabic, as opposed to melismatic. That may lead to the use of many words sung quickly in a given phrase, especially in the case of bebop. Notable vocalese performers King Pleasure recorded several pioneering examples of vocalese beginning in 1949. Vocales ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Depictions Of Jazz Musicians
Culture ( ) is a concept that encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, attitudes, and habits of the individuals in these groups.Tylor, Edward. (1871). ''Primitive Culture''. Vol 1. New York: J. P. Putnam's Son Culture often originates from or is attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs About Musicians
A song is a musical composition performed by the human voice. The voice often carries the melody (a series of distinct and fixed pitches) using patterns of sound and silence. Songs have a structure, such as the common ABA form, and are usually made of sections that are repeated or performed with variation later. A song without instruments is said to be a cappella. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in the classical tradition, it is called an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally by ear are often referred to as folk songs. Songs composed for the mass market, designed to be sung by professional singers who sell their recordings or live shows, are called popular songs. These songs, which have broad appeal, are oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MGM Records
MGM Records was a record label founded by the Metro-Goldwyn-Mayer film studio in 1946 for the purpose of releasing soundtrack recordings (later LP albums) of their musical films. It transitioned into a pop music label that continued into the 1970s. The company also released soundtrack albums of the music for some of their non-musical films as well, and on rare occasions, cast albums of off-Broadway musicals such as ''The Fantasticks'' and the 1954 revival of ''The Threepenny Opera''. In one instance, MGM Records released the highly successful soundtrack album of a film made by another studio, Columbia Pictures's '' Born Free'' (1966). Background There was also a short-lived Metro-Goldwyn-Mayer Records that began in 1928, which produced recordings of music featured in MGM movies, not sold to the general public but made to be played in movie theater lobbies. These Metro-Goldwyn-Mayer records were manufactured under contract with the studio by Columbia Records. History Soun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry James
Harry Haag James (March 15, 1916 – July 5, 1983) was an American musician who is best known as a trumpet-playing band leader who led a big band to great commercial success from 1939 to 1946. He broke up his band for a short period in 1947, but shortly after he reorganized and was active again with his band from then until his death in 1983. He was especially known among musicians for his technical proficiency as well as his Tone (musical instrument), tone, and was influential on new trumpet players from the late 1930s into the 1940s. He was also an actor in a number of films that usually featured his band. Early life James was born in Albany, Georgia, United States, the son of Everett Robert James, a bandleader in a traveling circus, the Mighty Haag Circus, and Myrtle Maybelle (Stewart), an acrobat and horseback rider. He started performing with the circus at an early age, first as a contortionist at the age of four, then playing the snare drum in the band from about the age ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jo Jones
Jonathan David Samuel Jones (October 7, 1911 – September 3, 1985) was an American jazz drummer. A band leader and pioneer in jazz percussion, Jones anchored the Count Basie Orchestra rhythm section from 1934 to 1948. He was sometimes known as Papa Jo Jones to distinguish him from younger drummer Philly Joe Jones. Biography Born in Chicago, Illinois, United States, Jones moved to Alabama, where he learned to play several instruments, including saxophone, piano, and drums. He worked as a drummer and tap-dancer at carnival shows until joining Walter Page's band, the Blue Devils in Oklahoma City in the late 1920s. He recorded with trumpeter Lloyd Hunter's Serenaders in 1931, and later joined pianist Count Basie's band in 1934. Jones, Basie, guitarist Freddie Green and bassist Walter Page were sometimes billed as an "All-American Rhythm section," an ideal team. Jones took a brief break for two years when he was in the military, but he remained with Basie until 1948. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Page
Walter Sylvester Page (February 9, 1900 – December 20, 1957) was an American jazz multi-instrumentalist and bandleader, best known for his groundbreaking work as a double bass player with Walter Page's Blue Devils and the Count Basie Orchestra. Feather, Leonard and Ira Gitler. ''The Biographical Encyclopedia of Jazz''. New York: Oxford University Press, 1999, p. 511 Early life Page was born in Gallatin, Missouri, on February 9, 1900, to parents Edward and Blanche Page. Page showed a love for music even as a child, perhaps due in part to the influence of his aunt Lillie, a music teacher. Page's mother, with whom he moved to Kansas City in 1910, exposed him to folksongs and spirituals, a critical foundation for developing his love of music. He gained his first musical experience as a bass drum and bass horn player in the brass bands of his neighborhood. Under the direction of Major N. Clark Smith, a retired military bandleader who provided Page his first formal training in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Green
Frederick William Green (March 31, 1911 – March 1, 1987) was an American swing jazz guitarist who played rhythm guitar with the Count Basie Orchestra for almost fifty years. Early life and education Green was born in Charleston, South Carolina on March 31, 1911. He was exposed to music from an early age, and learned the banjo before picking up the guitar in his early teenage years. A friend of his father by the name of Sam Walker taught Freddie to read music, and keenly encouraged him to keep up his guitar playing. Walker gave Freddie what was perhaps his first gig, playing with a local community group of which Walker was an organizer. Another member of the group was William "Cat" Anderson, who went on to become an established trumpeter, working with notable figures such as Duke Ellington. Career It was around this time that Green's parents died, and he moved to New York City to live with his aunt and continue his education. The move opened up a new musical world t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dicky Wells
William Wells (June 10, 1907 or 1909 – November 12, 1985), known professionally as Dicky Wells (sometimes Dickie Wells), was an American jazz trombonist. Early life Wells was born in Centerville, Tennessee. Early in his life, he lived in Centerville with his farmer father, George Washington Wells, and mother, Florence. Wells had a brother, Charlie or Henry Wells (musician), Henry Wells, and three sisters, Leona, Tenny, and Georgia.Wells, Dicky, and Stanley Dance. ''The Night People : The Jazz Life of Dicky Wells''. [Rev. and Expanded ed.]., Smithsonian Institution Press, 1991. Wells and his family moved to Nashville, Tennessee for some time where he started drinking whiskey from a bar. When Wells was ten years old his stepfather Felix Murray moved the family to Louisville, Kentucky. Wells' mother was absent as she was traveling with his stepfather so his sister, Leona, took care of him and his brother. Both of Wells' parents died within a year of each other which took its t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buck Clayton
Wilbur Dorsey "Buck" Clayton (November 12, 1911 – December 8, 1991) was an American jazz trumpeter who was a member of Count Basie's orchestra. His principal influence was Louis Armstrong, first hearing the record " Confessin' that I Love You" as he passed by a shop window. Early years Clayton learned to play the piano from the age of six. His father was an amateur musician associated with the family's local church, who was responsible for teaching his son the scales on a trumpet, which he did not take up until his teens. From the age of 17, Clayton was taught the trumpet by Bob Russell, a member of George E. Lee's band. In his early twenties he was based in California, and was briefly a member of Duke Ellington's Orchestra and worked with other leaders. Clayton was also taught at this time by trumpeter Mutt Carey, who later emerged as a prominent west-coast revivalist in the 1940s. He also met Louis Armstrong, while Armstrong was performing at Sebastian's Cotton Club, who t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
