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Lucien Durosoir
Lucien Durosoir (1878 – 5 December 1955) was a French composer and violinist whose works were rediscovered thanks to manuscripts found by his son Luc. Durosoir studied the violin with Joseph Joachim and Hugo Heermann in Germany before his first tour as a young virtuoso in 1899. In addition to giving the first performances of French music in Austria-Hungary and Germany ( Saint-Saëns, Fauré, Lalo, Widor, Bruneau), he also gave the French premiere of the Strauss violin concerto in 1901. His career as a violinist was cut short by World War I. Durosoir served in the Fifth Division, which took part in some of the bloodiest battles of the war (Douaumont, the Chemin des Dames, and Eparges). At the encouragement of General Mangin, Durosoir formed a string quartet with his fellow soldiers Henri Lemoine (second violin), André Caplet (viola), and Maurice Maréchal (cello). After his demobilization in February, 1919, he began to compose at his home in southwest France. For the next t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quartet
The term string quartet refers to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two Violin, violinists, a Viola, violist, and a Cello, cellist. The string quartet was developed into its present form by the Austrian composer Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since that time, the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical music era, Classical era, and Wolfgang Amadeus Mozart, Mozart, Ludwig van Beethoven, Beethoven and Franz Schubert, Schubert each wrote a number of them. Many Romantic era music, Romantic and 20th-century classical music, early-twentieth-century composers composed string quarte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Berthelier
Henri Berthelier (real name Jean-Baptiste, 27 December 1856 – 1918) was a French classical violinist and pedagogue. Biography Born in Limoges, Berthelier graduated from the Conservatoire de Paris, where he was a pupil of Jean-Pierre Maurin. From 1881, he played in the Orchestre de la Société des concerts du Conservatoire of Paris, where between 1887 and 1895, he held the post of concert master. At the same time, he was part of a trio with Isidore Philipp, pianist and Jules-Léopold Loeb, cellist (1852-1933). This trio premiered Camille Saint-Saëns's (1892). Berthelier also performed in chamber music ensembles with the participation of wind instruments under the direction of Paul Taffanel. In the years 1894–1915, he taught at the Conservatoire de Paris, succeeding his teacher Jean-Pierre Maurin. Among his students were Lucien Durosoir, , Axel Theodor Schiøler, Sigrid Lindberg, , Jeanne Gautier, Georges Frey, Isabella Beaton, Darius Milhaud, Renée Chemet,E. Win ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conservatoire Supérieur De Paris
A music school is an educational institution specialized in the study, training, and research of music. Such an institution can also be known as a school of music, music academy, music faculty, college of music, music department (of a larger institution), conservatory, conservatorium or conservatoire ( , ). Instruction consists of training in the performance of musical instruments, singing, musical composition, conducting, musicianship, as well as academic and research fields such as musicology, music history and music theory. Music instruction can be provided within the compulsory general education system, or within specialized children's music schools such as the Purcell School. Elementary-school children can access music instruction also in after-school institutions such as music academies or music schools. In Venezuela El Sistema of youth orchestras provides free after-school instrumental instruction through music schools called ''núcleos''. The term "music school" can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyrhythms
Polyrhythm () is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic layers may be the basis of an entire piece of music (cross-rhythm), or a momentary section. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm. Concurrently in this context means within the same rhythmic cycle. The underlying pulse, whether explicit or implicit can be considered one of the concurrent rhythms. For example, the son clave is poly-rhythmic because its 3 section suggests a different meter from the pulse of the entire pattern. In western art music In some European art music, polyrhythm periodically contradicts the prevailing meter. For example, in Mozart's opera ''Don Giovanni'', two orchestras are heard playi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of Musical instrument, instruments—traditionally a group that could fit in a Great chamber, palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestral Suite
A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a prelude. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical "overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, but in a differ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Quintet
In classical music, a piano quintet is a work of chamber music written for piano and four other instruments, most commonly (since 1842) a string quartet (i.e., two violins, viola, and cello). The term also refers to the group of musicians that plays a piano quintet. The genre flourished during the nineteenth century. Until the middle of the nineteenth century, most piano quintets were scored for piano, violin, viola, cello, and double bass. Following the success of Robert Schumann's Piano Quintet (Schumann), Piano Quintet in E major, Op. 44 in 1842, which paired the piano with a string quartet, composers increasingly adopted Schumann's instrumentation, and it was this form of the piano quintet that dominated during the second half of the nineteenth century and into the twentieth century. Among the best known and most frequently performed piano quintets, aside from Schumann's, are Schubert's Trout quintet and the piano quintets of Piano Quintet (Brahms), Johannes Brahms, Piano Q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Sonata
A piano sonata is a sonata written for a solo piano. Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement (Liszt, Scriabin, Medtner, Berg), others with two movements (Haydn, Beethoven), some contain five ( Brahms' Third Piano Sonata, Czerny's Piano Sonata No. 1, Godowsky's Piano Sonata) or even more movements. The first movement is generally composed in sonata form. The Baroque keyboard sonata In the Baroque era, the use of the term "sonata" generally referred to either the sonata da chiesa (church sonata) or sonata da camera (chamber sonata), both of which were sonatas for various instruments (usually one or more violins plus basso continuo). The keyboard sonata was relatively neglected by most composers. The sonatas of Domenico Scarlatti (of which there are over 500) were the hallmark of the Baroque keyboard sonata, though they were, for the most part, unpublished during Scarlatti's lifetim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The violoncello ( , ), commonly abbreviated as cello ( ), is a middle pitched bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef; the tenor clef and treble clef are used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music, such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Maréchal
Maurice Maréchal (3 October 1892 – 19 April 1964) was a French classical cellist. Maurice Maréchal was born in Dijon at the home of his parents, Jules Jacques Maréchal, an employee for Posts and Telegraphs, and Martha Justine Morier. After studying at the conservatory in his hometown, in 1905 he entered the Paris Conservatory where he studied with Jules-Leopold Loeb and won his first cello award in 1911 at the age of 19. World War I Three years later, France entered World War I, and Maréchal was drafted. He recorded his daily routine from August 1914 to February 1919 in his diaries, and recounted how two carpenter comrades carved him a rudimentary wooden cello from an ammunition box, with which he played for religious services and for officers. While in the service he met other musicians, including Gustave Cloëz, Lucien Durosoir, André Caplet and Henri Lemoine, and formed with them a small ensemble that performed before the officer staff. Maréchal was awarded the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
