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Love And Other Demons
''Love and Other Demons'' is an opera in two acts by Hungarian composer Péter Eötvös to a libretto by the Hungarian author Kornél Hamvai. It premiered on 10 August 2008 at the Glyndebourne Festival. The libretto is based on the novel '' Of Love and Other Demons'' (1994) by Gabriel García Márquez. The opera is the result of a commission by Glyndebourne and the BBC; it was broadcast in full on BBC Radio 3 on Saturday, 11 October 2008. Plot Maria is living with her father who is not taking care of her. She prefers to be with the servants and slaves. She is bitten by a dog with rabies. She suffers no reaction; nevertheless, she is brought to a convent where Father Delaura is supposed to take care of her. He is supposed to exorcise her of demons but falls in love with her. As this is recognized she is removed from the convent and the bishop himself will exorcise her demons. She dies in the process. Roles At Glyndebourne, the performance lasted for 3 hours 50 minutes, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Péter Eötvös
Péter Eötvös ( hu, Eötvös Péter, ; born 2 January 1944) is a Hungarian composer, conductor and teacher. Eötvös was born in Székelyudvarhely, Transylvania, then part of Hungary, now Romania. He studied composition in Budapest and Cologne. From 1962, he composed for film in Hungary. Eötvös played regularly with the Stockhausen Ensemble between 1968 and 1976. He was a founding member of the Oeldorf Group in 1973, continuing his association until the late 1970s. From 1979 to 1991, he was musical director and conductor of the Ensemble InterContemporain (EIC). From 1985 to 1988, he was principal guest conductor of the BBC Symphony Orchestra. Early life As a child, Eötvös received a thorough musical education, including works by Béla Bartók. He felt a strong link between Hungarian grammar and Bartók's music, claiming that the specific "Hungarian" interpretations of music by Bartók and Kodály (as well as other Hungarian conductors such as Szell, Fricsay, Ormandy, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marquess
A marquess (; french: marquis ), es, marqués, pt, marquês. is a nobleman of high hereditary rank in various European peerages and in those of some of their former colonies. The German language equivalent is Markgraf (margrave). A woman with the rank of a marquess or the wife (or widow) of a marquess is a marchioness or marquise. These titles are also used to translate equivalent Asian styles, as in Imperial China and Imperial Japan. Etymology The word ''marquess'' entered the English language from the Old French ("ruler of a border area") in the late 13th or early 14th century. The French word was derived from ("frontier"), itself descended from the Middle Latin ("frontier"), from which the modern English word '' march'' also descends. The distinction between governors of frontier territories and interior territories was made as early as the founding of the Roman Empire when some provinces were set aside for administration by the senate and more unpacified or vuln ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrumentation
Instrumentation a collective term for measuring instruments that are used for indicating, measuring and recording physical quantities. The term has its origins in the art and science of scientific instrument-making. Instrumentation can refer to devices as simple as direct-reading thermometers, or as complex as multi-sensor components of industrial control systems. Today, instruments can be found in laboratories, refineries, factories and vehicles, as well as in everyday household use (e.g., smoke detectors and thermostats) History and development The history of instrumentation can be divided into several phases. Pre-industrial Elements of industrial instrumentation have long histories. Scales for comparing weights and simple pointers to indicate position are ancient technologies. Some of the earliest measurements were of time. One of the oldest water clocks was found in the tomb of the ancient Egyptian pharaoh Amenhotep I, buried around 1500 BCE. Improvements were incorpo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lithuanian National Opera And Ballet Theatre
Lithuanian National Opera and Ballet Theatre (LNOBT) ( lt, Lietuvos nacionalinis operos ir baleto teatras) is an opera house and ballet theatre in Vilnius, Lithuania. It is the largest theatre of the country, committed to organising the creation and production of scenic works for musical theatre and assuring their public performance on the highest artistic level. The theatre operates as an institution founded by the Ministry of Culture of the Republic of Lithuania. The venue of the theatre, designed by the architect Elena Nijolė Bučiūtė, was opened in 1974. The theatre contains a 1142-seat main auditorium, and offers services and facilities supplied with modern equipment. The symbol of the theatre is a twig of the rue. The season lasts 10 months (September – June). LNOBT aims to nurture, initiate and cultivate traditions of national musical theatre, develop traditions of contemporary musical theatre and present them to the wide community, seek the artistic embodiment of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramaturgy
Dramaturgy is the study of dramatic composition and the representation of the main elements of drama on the stage. The term first appears in the eponymous work ''Hamburg Dramaturgy'' (1767–69) by Gotthold Ephraim Lessing. Lessing composed this collection of essays on the principles of drama while working as the world's first dramaturge at the Hamburg National Theatre. Dramaturgy is distinct from play writing and directing, although the three may be practiced by one individual. Some dramatists combine writing and dramaturgy when creating a drama. Others work with a specialist, called a dramaturge, to adapt a work for the stage. Dramaturgy may also be broadly defined as "adapting a story to actable form." Dramaturgy gives a performance work foundation and structure. Often the dramaturge's strategy is to manipulate a narrative to reflect the current Zeitgeist through cross-cultural signs, theater- and film-historical references to genre, ideology, questions of gender and racial r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Philharmonic Orchestra
The London Philharmonic Orchestra (LPO) is one of five permanent symphony orchestras based in London. It was founded by the conductors Sir Thomas Beecham and Malcolm Sargent in 1932 as a rival to the existing London Symphony and BBC Symphony Orchestras. The founders' ambition was to build an orchestra the equal of any European or American rival. Between 1932 and the Second World War the LPO was widely judged to have succeeded in this regard. After the outbreak of war, the orchestra's private backers withdrew and the players reconstituted the LPO as a self-governing cooperative. In the post-war years, the orchestra faced challenges from two new rivals; the Philharmonia and the Royal Philharmonic, founded respectively in 1946 and 1947, achieved a quality of playing not matched by the older orchestras, including the LPO. By the 1960s the LPO had regained its earlier standards, and in 1964 it secured a valuable engagement to play in the Glyndebourne Festival during the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Rigby
Jean Rigby (born 22 December 1954) is an English opera and concert singer. A mezzo-soprano, she is a long-time principal with the English National Opera. Biography Born in Fleetwood, Lancashire, Rigby studied at the Birmingham School of Music and the Royal Academy of Music. She made her debut with the English National Opera in 1977. She has sung with the Royal Opera and has been for many years a regular guest at the Glyndebourne Festival. At the 2008 Glyndebourne festival, she created the role of Martina Laborde in Peter Eötvös' opera ''Love and Other Demons''. In the field of concert music, she has been a frequent soloist at the BBC Promenade Concerts. She is an opera coach at the Royal Academy of Music and a Patron of Bampton Classical Opera Bampton Classical Opera is an opera company based in Bampton, Oxfordshire and founded in 1993. It specialises in the production of lesser known opera from the Classical period. Performances are always sung in English. ''Opera today'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felicity Palmer
Dame Felicity Joan Palmer, (born 6 April 1944), is an English mezzo-soprano and music professor. She sang soprano roles until 1983. Palmer was born in Cheltenham and educated at Erith Grammar School, now named Erith School. She studied at the Guildhall School of Music and Drama in London and under Marianne Schech's guidance at the Munich College for Music and Theatre. In April 1970, she won first prize in the Kathleen Ferrier Memorial Scholarship. She made her operatic debut in 1971 as Dido in ''Dido and Aeneas'' with the Kent Opera. In 1973, she made her US debut with the Houston Grand Opera and her Metropolitan Opera debut was in 2000 as Waltraute (''Götterdämmerung''). Having made her debut with English National Opera (ENO) in 1975, her performance with the company forty years later, as the Countess in The Queen of Spades, was widely applauded and described as 'mesmerising' and 'astonishing'. Palmer has performed and recorded Gilbert and Sullivan operas, as Katisha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abbess
An abbess (Latin: ''abbatissa''), also known as a mother superior, is the female superior of a community of Catholic nuns in an abbey. Description In the Catholic Church (both the Latin Church and Eastern Catholic), Eastern Orthodox, Coptic and Anglican abbeys, the mode of election, position, rights, and authority of an abbess correspond generally with those of an abbot. She must be at least 40 years old and have been a nun for 10 years. The age requirement in the Catholic Church has evolved over time, ranging from 30 to 60. The requirement of 10 years as a nun is only eight in Catholicism. In the rare case of there not being a nun with the qualifications, the requirements may be lowered to 30 years of age and five of those in an "upright manner", as determined by the superior. A woman who is of illegitimate birth, is not a virgin, has undergone non-salutory public penance, is a widow, or is blind or deaf, is typically disqualified for the position, saving by permission of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nathan Gunn
Nathan T. Gunn (born November 26, 1970, in South Bend, Indiana) is an American operatic baritone who performs regularly around the world. He is an alumnus of the University of Illinois at Urbana-Champaign where he is currently a professor of voice. He has appeared in many of the world's well-known opera houses, including the Metropolitan Opera in New York City, the San Francisco Opera, Lyric Opera of Chicago, Houston Grand Opera, Seattle Opera, the Dallas Opera, the Opera Company of Philadelphia, the Pittsburgh Opera, The Santa Fe Opera, The Royal Opera in London, the Paris Opéra, the Bavarian State Opera in Munich, Theater an der Wien in Vienna, Opera Theatre of Saint Louis, Teatro Real in Madrid, and the Théâtre Royal de la Monnaie in Brussels. He has also appeared at the Glyndebourne Festival near London, the Ravinia Festival near Chicago, and the Mostly Mozart Festival in New York City. In 2011, Gunn was featured as a guest star in the Mormon Taberna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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