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Lorenzo Ghiberti
Lorenzo Ghiberti (, , ; 1378 – 1 December 1455), born Lorenzo di Bartolo, was an Italian Renaissance sculptor from Florence, a key figure in the Early Renaissance, best known as the creator of two sets of bronze doors of the Florence Baptistery, the later one called by Michelangelo the ''Gates of Paradise''. Trained as a goldsmith and sculptor, he established an important workshop for sculpture in metal. His book of ''Commentarii'' contains important writing on art, as well as what may be the earliest surviving autobiography by any artist. Ghiberti's career was dominated by his two successive commissions for pairs of bronze doors to the Florence Baptistery (Battistero di San Giovanni). They are recognized as a major masterpiece of the Early Renaissance, and were famous and influential from their unveiling. Early life Ghiberti was born in 1378 in Pelago, a comune 20 km from Florence. It is said that Lorenzo was the son of Cione di Ser Buonaccorso Ghiberti and Fiore Ghib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence Baptistery
The Florence Baptistery, also known as the Baptistery of Saint John (), is a religious building in Florence, Italy. Dedicated to the patron saint of the city, John the Baptist, it has been a focus of religious, civic, and artistic life since its completion. The octagonal baptistery stands in both the Piazza del Duomo, Florence, Piazza del Duomo and the Piazza San Giovanni, between Florence Cathedral and the Archbishop's Palace. Florentine infants were originally baptized in large groups on Holy Saturday and Pentecost in a five-basin baptismal font located at the center of the building. Over the course of the 13th century, individual baptisms soon after birth became common, so less apparatus was necessary. Around 1370 a small font was commissioned, which is still in use today. The original font, disused, was dismantled in 1577 by Francesco I de' Medici to make room for grand-ducal celebrations, an act deplored by Florentines at the time. The Baptistery serves as a focus for the ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gherardo Starnina
Gherardo Starnina (c. 1360–1413) was an Italian painter from Florence in the Quattrocento era. According to the biographer Giorgio Vasari, Starnina initially trained with Antonio Veneziano (painter), Antonio Veneziano, then with Agnolo Gaddi. He is claimed to have participated in the painting of the frescos in the ''Castellani Chapel'' in Basilica di Santa Croce, Florence, Basilica di Santa Croce, Florence. He is also said to have moved to Spain in 1380 to work under Juan I of Castile, and is attributed some painting in the ''San Blas chapel'' of the Cathedral of Toledo. Several paintings formerly attributed to the Master of the Bambino Vispo are now attributed to Gherardo Starnina, and the two artists may have been the same person. References External links See also * List of Italian painters 1413 deaths 15th-century Italian painters Painters from Florence Gothic painters Quattrocento painters Italian male painters Year of birth unknown Year of birth uncertain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Del Pollaiuolo
Antonio del Pollaiuolo ( , , ; 17 January 1429/14334 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian Renaissance painter, sculptor, engraver, and goldsmith, who made important works in all these media, as well as designing works in others, for example vestments, metal embroidery being a medium he worked in at the start of his career. His most characteristic works in his main media show largely naked male figures in complicated poses of violent action, drawing from classical examples and often centred on a heroic Hercules. He, or possibly his brother, was also an innovative painter of wide landscape backgrounds, perhaps having learnt from Early Netherlandish painting. His two papal tombs were the only monuments to survive the demolition of Old St Peter's in the next century and be reconstructed in the present St Peter's Basilica. He very often worked in collaboration with his younger brother Piero d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Uccello
Paolo Uccello ( , ; 1397 – 10 December 1475), born Paolo di Dono, was an Italian Renaissance painter and mathematician from Florence who was notable for his pioneering work on visual Perspective (graphical), perspective in art. In his book ''Lives of the Most Excellent Painters, Sculptors, and Architects'', Giorgio Vasari wrote that Uccello was obsessed by his interest in perspective and would stay up all night in his study trying to grasp the exact vanishing point. Uccello used perspective to create a feeling of depth in his paintings. His best known works are the The Battle of San Romano, three paintings representing the battle of San Romano, which were wrongly entitled the ''Battle of Sant'Egidio of 1416'' for a long period of time. Paolo worked in the International Gothic, Late Gothic tradition, emphasizing colour and pageantry rather than the classical realism that other artists were pioneering. His style is best described as idiosyncratic, and he left no school of followers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masolino
Lordship of Perugia , death_date = , death_place = Florence, Republic of Florence , nationality = Italian , field = Painting, fresco , training = , movement = Italian Renaissance , works = frescoes in the Brancacci Chapel , patrons = Pipo of OzoraCardinal Branda Castiglione Tommaso di Cristoforo Fini ( – ), known by his nickname Masolino da Panicale (), was an Italian painter. His best known works are probably his collaborations with Masaccio: '' Madonna with Child and St. Anne'' (1424) and the frescoes in the Brancacci Chapel (1424–1428). Biography Masolino was possibly born in Panicale, present-day Umbria. He may have been an assistant to Ghiberti in Florence between 1403 and 1407. In 1423, he joined the Florentine guild ''Arte dei Medici e Speziali'' (Doctors and Apothecaries), which included painters as an independent branch. He may have been the first artist to create oil paintings in the 1420s, rather than J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), known mononymously as Donatello (; ), was an Italian Renaissance sculpture, Italian sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and used his knowledge to develop an Early Renaissance style of sculpture. He spent time in other cities, where he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy the techniques he had developed in the course of a long and productive career. His ''David (Donatello, bronze), David'' was the first freestanding Nude (art), nude male sculpture since antiquity; like much of his work it was commissioned by the Medici family. He worked with stone, bronze, wood, clay, stucco, and wax, and used glass in inventive ways. He had several assistants, with four perhaps being a typical number. Although his best-known works are mostly statues executed in the round, he developed a ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Binding Of Isaac
The Binding of Isaac (), or simply "The Binding" (), is a story from Book of Genesis#Patriarchal age (chapters 12–50), chapter 22 of the Book of Genesis in the Hebrew Bible. In the biblical narrative, God in Abrahamic religions, God orders Abraham to sacrifice his son Isaac on the mountain called Jehovah-jireh in the region of Moriah. As Abraham begins to comply, having bound Isaac to an altar, he is stopped by the Angel of the Lord; a ram appears and is slaughtered in Isaac's stead, as God commends Abraham's pious obedience to offer his son as a human sacrifice. Especially in art, the episode is often called the Sacrifice of Isaac, although in the end Isaac was not sacrificed. Various scholars suggest that the original story of Abraham and Isaac may have been of a completed human sacrifice, later altered by redactors to substitute a ram for Isaac, while some traditions, including certain Jewish and Christian interpretations, maintain that Isaac actually was sacrificed. In ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Testament
The New Testament (NT) is the second division of the Christian biblical canon. It discusses the teachings and person of Jesus in Christianity, Jesus, as well as events relating to Christianity in the 1st century, first-century Christianity. The New Testament's background, the first division of the Christian Bible, is called the Old Testament, which is based primarily upon the Hebrew Bible; together they are regarded as Sacred Scripture by Christians. The New Testament is a collection of 27 Christianity, Christian texts written in Koine Greek by various authors, forming the second major division of the Christian Bible. It includes four Gospel, gospels, the Acts of the Apostles, epistles attributed to Paul the Apostle, Paul and other authors, and the Book of Revelation. The Development of the New Testament canon, New Testament canon developed gradually over the first few centuries of Christianity through a complex process of debate, rejection of Heresy, heretical texts, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Testament
The Old Testament (OT) is the first division of the Christian biblical canon, which is based primarily upon the 24 books of the Hebrew Bible, or Tanakh, a collection of ancient religious Hebrew and occasionally Aramaic writings by the Israelites. The second division of Christian Bibles is the New Testament, written in Koine Greek. The Old Testament consists of many distinct books by various authors produced over a period of centuries. Christians traditionally divide the Old Testament into four sections: the first five books or Pentateuch (which corresponds to the Jewish Torah); the history books telling the history of the Israelites, from their conquest of Canaan to their defeat and exile in Babylon; the poetic and wisdom literature, which explore themes of human experience, morality, and divine justice; and the books of the biblical prophets, warning of the consequences of turning away from God. The Old Testament canon differs among Christian denominations. The Ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brunelleschi
Filippo di ser Brunellesco di Lippo Lapi (1377 – 15 April 1446), commonly known as Filippo Brunelleschi ( ; ) and also nicknamed Pippo by Leon Battista Alberti, was an Italian architect, designer, goldsmith and sculptor. He is considered to be a founding father of Renaissance architecture. He is recognized as the first modern engineer, planner, and sole construction supervisor. In 1421, Brunelleschi became the first person to receive a patent in the Western world. He is most famous for designing the dome of the Florence Cathedral, and for the mathematical technique of perspective (graphical), linear perspective in art which governed pictorial depictions of space until the late 19th century and influenced the rise of modern science. His accomplishments also include other architectural works, sculpture, mathematics, engineering, and ship design. Most surviving works can be found in Florence. Biography Early life Brunelleschi was born in Florence, Italy, in 1377. His father was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' () is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently '' buon fresco'' technology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
