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Long Journey Home (Live In Liverpool)
''Long Journey Home (Live in Liverpool)'' is an album by the Canadian alt-country band Cowboy Junkies Cowboy Junkies are an alternative country and folk rock band formed in Toronto, Ontario, Canada in 1985 by Alan Anton (bassist), Michael Timmins (songwriter, guitarist), Peter Timmins (drummer) and Margo Timmins (vocalist). The three Timminses ..., recorded in Liverpool, England in 2004 and released in 2006. The release includes a concert DVD along with a CD. Only 11 tracks of the 18 that are on the DVD appear on the CD. Track listing CD DVD ;DVD bonus features *Interview with Mike Timmins and Margo Timmins *Interview with Jaro Czerwinec and Jeff Bird *Interview with Alan Anton and Peter Timmins *Soundcheck and behind-the-scenes footage References External links * {{Authority control 2006 live albums Cowboy Junkies live albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cowboy Junkies
Cowboy Junkies are an alternative country and folk rock band formed in Toronto, Ontario, Canada in 1985 by Alan Anton (bassist), Michael Timmins (songwriter, guitarist), Peter Timmins (drummer) and Margo Timmins (vocalist). The three Timminses are siblings, and Anton worked with Michael Timmins during their first couple of bands. John Timmins was a member of the band but left the group before the recording of their debut studio album. The band line-up has never changed since, although they use several guest musicians on many of their studio albums, including multi-instrumentalist Jeff Bird who has performed on every album except the first. Cowboy Junkies' 1986 debut studio album, produced by Canadian producer Peter Moore, was the blues-inspired '' Whites Off Earth Now!!'', recorded in the family garage using a single ambisonic microphone. The band gained wide recognition with their second studio album, '' The Trinity Session'' (1988), recorded in 1987 at Toronto's Church of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
32-20 Blues
"32-20 Blues" is a blues song by Delta blues musician Robert Johnson. It was recorded during his second recording session in San Antonio, Texas, United States, on November 26, 1936. The title refers to .32-20 Winchester ammunition, which could be used in handguns as well as smaller rifles. The song is based on the Skip James song "22-20 Blues". The song was released in April the following year on Vocalion Records as a 78 rpm record. It was included on the first reissue of Johnson's songs, '' King of the Delta Blues Singers'' in 1961. In 1990, it was released on compact disc as part of '' The Complete Recordings'' box set. The song has been recorded by many artists, including Muddy Waters, the New York Dolls, Phil Manning, Bob Dylan, John Hammond Jr., Eric Clapton, Alexis Korner, Colin Hodgkinson (playing bass), Flamin' Groovies, Johnny Winter, Gov't Mule, Rory Block, the Peter Green Splinter Group The Peter Green Splinter Group were a blues band formed i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Harrison
George Harrison (25 February 1943 – 29 November 2001) was an English musician, singer and songwriter who achieved international fame as the lead guitarist of the Beatles. Sometimes called "the quiet Beatle", Harrison embraced Culture of India, Indian culture and helped broaden the scope of popular music through his incorporation of Indian instrumentation and Hindu-aligned spirituality in the Beatles' work. Although most of the band's songs were written by Lennon–McCartney, John Lennon and Paul McCartney, most Beatles albums from 1965 onwards contained at least two Harrison compositions, including "Taxman", "Within You Without You", "While My Guitar Gently Weeps", "Something (Beatles song), Something" and "Here Comes the Sun". Harrison's earliest musical influences included George Formby and Django Reinhardt; subsequent influences were Carl Perkins, Chet Atkins and Chuck Berry. By 1965, he had begun to lead the Beatles into folk rock through his interest in Bob Dylan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lou Reed
Lewis Allan Reed (March 2, 1942October 27, 2013) was an American musician and songwriter. He was the guitarist, singer, and principal songwriter for the rock band the Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground came to be regarded as one of the most influential bands in the history of underground music, underground and alternative rock music. Reed's distinctive deadpan voice, poetic and Transgressive art, transgressive lyrics, and experimental guitar playing were trademarks throughout his long career. Having played guitar and sung in doo-wop groups in high school, Reed studied poetry at Syracuse University under Delmore Schwartz, and served as a radio DJ, hosting a late-night avant-garde music program while at college. After graduating from Syracuse, he went to work for Pickwick Records in New York City, a low-budget record company that specialized in sound-alike recording ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet Jane
"Sweet Jane" is a song by American rock band the Velvet Underground. Appearing on their fourth studio album '' Loaded'' (1970), the song was written by band leader and primary songwriter Lou Reed, who continued to incorporate the piece into live performances after he left the band. When ''Loaded'' was originally released in 1970, the song's bridge was cut. The box set '' Peel Slowly and See'' (1995) and reissue ''Loaded: Fully Loaded Edition'' restored the missing section. The song also appears on the albums '' Live at Max's Kansas City''; '' 1969: The Velvet Underground Live''; '' Peel Slowly and See''; '' Live MCMXCIII''; '' Loaded: Fully Loaded Edition''; ''American Poet''; '' Rock 'n' Roll Animal''; '' Live: Take No Prisoners''; '' Live in Italy''; ''The Concert for the Rock and Roll Hall of Fame''; '' Rock and Roll: an Introduction to The Velvet Underground''; '' NYC Man (The Ultimate Collection 1967–2003)''; ''Live on Letterman: Music from The Late Show''; and '' Berlin: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neil Young
Neil Percival Young (born November 12, 1945) is a Canadian and American singer-songwriter. After embarking on a music career in Winnipeg in the 1960s, Young moved to Los Angeles, forming the folk rock group Buffalo Springfield. Since the beginning of his solo career, often backed by the band Crazy Horse (band), Crazy Horse, he released critically acclaimed albums such as ''Everybody Knows This Is Nowhere'' (1969), ''After the Gold Rush'' (1970), ''Harvest (Neil Young album), Harvest'' (1972), ''On the Beach (Neil Young album), On the Beach'' (1974), and ''Rust Never Sleeps'' (1979). He was also a part-time member of Crosby, Stills, Nash & Young, with whom he recorded the chart-topping 1970 album ''Déjà Vu (Crosby, Stills, Nash & Young album), Déjà Vu''. Young's guitar work, deeply personal lyrics and signature high tenor singing voice define his long career. He also plays piano and harmonica on many albums, which frequently combine folk music, folk, rock music, rock, count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helpless (Crosby, Stills, Nash & Young Song)
"Helpless" is a song written by Canadian singer-songwriter Neil Young, recorded by Crosby, Stills, Nash & Young (CSNY) on their 1970 album ''Déjà Vu''. Young played the song with The Band in the group's final concert with its original lineup, ''The Last Waltz'', on American Thanksgiving Day 1976 at San Francisco's Winterland Ballroom, with Joni Mitchell providing backing vocals offstage. Composition and lyrics In 1951, there was a polio epidemic in Canada and Neil Young contracted polio at the age of five. The left side of his body was permanently damaged, leaving him with a slight limp to this day. He later processed his memories of this time in the song Helpless. The "northern Ontario town" mentioned in the first line of the song has often been assumed to be Young's Ontario hometown. Young said in a 1995 interview in Mojo magazine: The song had already been recorded with Young's band Crazy Horse in early 1969. After Young joined the band CSNY in mid-1969, his new bandmates ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Johnson
Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His singing, guitar playing and songwriting on his landmark 1936 and 1937 recordings have influenced later generations of musicians. Although his recording career spanned only seven months, he is recognized as a master of the blues, particularly the Delta blues style, and as one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as perhaps "the first ever rock star". As a traveling performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He had only two recording sessions both produced by Don Law, one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes). These songs, recorded solo in improvised studios, were the sum of his recorded output. Most were released a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Country
Alternative country (commonly abbreviated to alt-country; also known as alternative country rock, insurgent country, Americana, or y'allternative) is a loosely defined subgenre of country music and/or country rock that includes acts that differ significantly in style from mainstream country music, mainstream country rock, and country pop. Alternative country artists are often influenced by alternative rock. Most frequently, the term has been used to describe certain country music and country rock bands and artists that are also defined as or have incorporated influences from alternative rock, indie rock, punk rock, heartland rock, Southern rock, progressive country, outlaw country, neotraditional country, Texas country, Red Dirt, roots rock, indie folk, folk rock, rockabilly, bluegrass, and honky tonk. Definitions and characteristics In the 1990s, the term ''alternative country'', paralleling alternative rock, began to be used to describe a diverse group of musicia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canadians
Canadians () are people identified with the country of Canada. This connection may be residential, legal, historical or cultural. For most Canadians, many (or all) of these connections exist and are collectively the source of their being ''Canadian''. Canada is a multilingual and multicultural society home to people of groups of many different ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. Following the initial period of French and then the much larger British colonization, different waves (or peaks) of immigration and settlement of non-indigenous peoples took place over the course of nearly two centuries and continue today. Elements of Indigenous, French, British, and more recent immigrant customs, languages, and religions have combined to form the culture of Canada, and thus a Canadian identity and Canadian values. Canada has also been strongly influenced by its linguistic, geograph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
At The End Of Paths Taken
''At the End of Paths Taken'' is the tenth studio album by the Canadian alt-country band Cowboy Junkies, released in 2007. Track listing Reception Per PopMatters, the album's emphasis is on family. The musicians are at the point in their lives where their time is divided between their children and their aging parents. One example of ''At the End of Paths Taken'' showcasing family is by having the Timmins' father narrate a segment from his book on "Mountain". Per No Depression, the album does not have a coherent style, with lilting ballads, junkyard clang, gloomy experimentalism, folk, and hymn-like music. Despite the disparate styles, the album is held together by the distinctive voice of Margo Timmins, and somehow the different styles feed off each other, making the album feel like a full and fated journey. Per exclaim!, the album's theme is of slowly unravelling family ties. Margo's voice continues to be the centerpiece of the sound, but on this album it is augmented by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
