Loggia Della Mercanzia (Genova)
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Loggia Della Mercanzia (Genova)
The Loggia della Mercanzia (also known as Loggia di Banchi or Loggia dei Mercanti) is one of the most representative buildings in the historical centre of Genoa. It is located in Piazza Banchi, at the corner with Via San Luca, in the ancient sestiere of the Maddalena, not far from the church of San Pietro in Banchi, Genoa, San Pietro in Banchi, in the commercial heart of the ancient city. History The origins of this building date back to the Middle Ages, when in the area adjacent to the Port of Genoa, port goods and currencies were traded. The construction of the building was ordered by the ''Padri del Comune'', the city's administrators, in the context of the urban planning of Piazza Banchi (so called because of the presence of the currency exchange banks), after a fire at the end of the 14th century.
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Columns
A column or pillar in architecture and structural engineering is a structural element that transmits, through compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member. The term ''column'' applies especially to a large round support (the shaft of the column) with a capital and a base or pedestal, which is made of stone, or appearing to be so. A small wooden or metal support is typically called a '' post''. Supports with a rectangular or other non-round section are usually called '' piers''. For the purpose of wind or earthquake engineering, columns may be designed to resist lateral forces. Other compression members are often termed "columns" because of the similar stress conditions. Columns are frequently used to support beams or arches on which the upper parts of walls or ceilings rest. In architecture, "column" refers to such a structural element that also has certain proportional and decorative fe ...
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Taddeo Carlone
Taddeo Carlone (died 25 March 1613) was a Swiss-Italian sculptor and architect. His father, Giovanni, was a sculptor from Como. A native of Rovio, in Ticino, he moved with his father to Genoa. Taddeo's brother Giuseppe was a sculptor with his brother, and later in Lombardy. Taddeo married Geronima Verra in Genoa.Dizionario geografico-storico-statistico-commerciale degli stati del Re di Sardegna
Volume 7, by Goffredo Casalis, Turin (1840), page 727-728. He became the head of an important family of artists, including his sons and
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Bassorilievo
Relief is a sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term ''relief'' is from the Latin verb , to raise (). To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires chiselling away of the background, which can be time-intensive. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs are mad ...
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Republic Of Genoa
The Republic of Genoa ( ; ; ) was a medieval and early modern Maritime republics, maritime republic from the years 1099 to 1797 in Liguria on the northwestern Italy, Italian coast. During the Late Middle Ages, it was a major commercial power in both the Mediterranean Sea, Mediterranean and Black Sea. Between the 16th and 17th centuries, it was one of the major financial centres of Europe. Throughout its history, the Genoese Republic established Genoese colonies, numerous colonies throughout the Mediterranean and the Black Sea, including Corsica from 1347 to 1768, Monaco, Gazaria (Genoese colonies), Southern Crimea from 1266 to 1475, and the islands of Lesbos and Chios from the 14th century to 1462 and 1566, respectively. With the arrival of the early modern period, the Republic had lost many of its colonies, and shifted its focus to banking. This was successful for Genoa, which remained a hub of capitalism, with highly developed banks and trading companies. Genoa was known as ' ...
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Coat Of Arms
A coat of arms is a heraldry, heraldic communication design, visual design on an escutcheon (heraldry), escutcheon (i.e., shield), surcoat, or tabard (the last two being outer garments), originating in Europe. The coat of arms on an escutcheon forms the central element of the full achievement (heraldry), heraldic achievement, which in its whole consists of a shield, supporters, a crest (heraldry), crest, and a motto. A coat of arms is traditionally unique to the armiger (e.g. an individual person, family, state, organization, school or corporation). The term "coat of arms" itself, describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail "surcoat" garment used in combat or preparation for the latter. Roll of arms, Rolls of arms are collections of many coats of arms, and since the early Modern Age centuries, they have been a source of information for public showing and tracing the membership of a nobility, noble family, a ...
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Patron Saints
A patron saint, patroness saint, patron hallow or heavenly protector is a saint who in Catholicism, Anglicanism, Eastern Orthodoxy or Oriental Orthodoxy is regarded as the heavenly advocate of a nation, place, craft, activity, class, clan, family, or person. The term may be applied to individuals to whom similar roles are ascribed in other religions. In Christianity Saints often become the patrons of places where they were born or had been active. However, there were cases in medieval Europe where a city which grew to prominence obtained for its cathedral the remains or some relics of a famous saint who had lived and was buried elsewhere, thus making them the city's patron saint – such a practice conferred considerable prestige on the city concerned. In Latin America and the Philippines, Spanish and Portuguese explorers often named a location for the saint on whose feast or commemoration day they first visited the place, with that saint naturally becoming the area's patron. ...
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Pietro Sorri
Pietro Sorri (1558-1622) was an Italian painter active in Siena. Biography He first studied under Arcangelo Salimbeni (father of Ventura Salimbeni, Ventura), and afterwards under Cavaliere Domenico Passignano, whom he accompanied to Venice. Several of his works are in Florence and other cities of Tuscany, particularly at Pisa; he painted landscapes and portraits as well as history. Among his pupils were Giovanni Stefano Rossi, Bernardo Strozzi, and Astolfo Petrozzi. He was also active in Lucca, Genoa, Milan, and Pavia. He painted an altarpiece for the church of San Ambrogio in Massa, Tuscany, Massa di Carrara.Gli artisti italiani e stranieri negli stati estensi catalogo storico ...
By Giuseppe Campori, page 447.


Works

*''Death of Saint Anthony the Abbot'' (around 1602) ...
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Fresco
Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' () is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently '' buon fresco'' technology ...
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Doric Order
The Doric order is one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of the columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Doric tem ...
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Vault (architecture)
In architecture, a vault (French ''voûte'', from Italian ''volta'') is a self-supporting arched form, usually of stone or brick, serving to cover a space with a ceiling or roof. As in building an arch, a temporary support is needed while rings of voussoirs are constructed and the rings placed in position. Until the topmost voussoir, the Keystone (architecture), keystone, is positioned, the vault is not self-supporting. Where timber is easily obtained, this temporary support is provided by centering consisting of a framed truss with a semicircular or Circular segment, segmental head, which supports the voussoirs until the ring of the whole arch is completed. The Mycenaean Greece, Mycenaeans (ca. 18th century BC, 1800–1050s BC, 1050 BC) were known for their Tholos (architecture), tholos tombs, also called beehive tombs, which were underground structures with conical vaults. This type of vault is one of the earliest evidences of curved brick architecture without the use of ston ...
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Genoa
Genoa ( ; ; ) is a city in and the capital of the Italian region of Liguria, and the sixth-largest city in Italy. As of 2025, 563,947 people live within the city's administrative limits. While its metropolitan city has 818,651 inhabitants, more than 1.5 million people live in the wider metropolitan area stretching along the Italian Riviera. On the Gulf of Genoa in the Ligurian Sea, Genoa has historically been one of the most important ports on the Mediterranean: it is the busiest city in Italy and in the Mediterranean Sea and twelfth-busiest in the European Union. Genoa was the capital of one of the most powerful maritime republics for over seven centuries, from the 11th century to 1797. Particularly from the 12th century to the 15th century, the city played a leading role in the history of commerce and trade in Europe, becoming one of the largest naval powers of the continent and considered among the wealthiest cities in the world. It was also nicknamed ''la S ...
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