|
Live At The BBC (Beatles Album)
''Live at the BBC'' is a 1994 compilation album featuring performances by the Beatles that were originally broadcast on various BBC Light Programme radio shows from 1963 to 1965. The mono album, available in multiple formats but most commonly as a two-CD set, consists of 56 songs and 13 tracks of dialogue; 30 of the songs had never been issued previously by the Beatles. It was the first official release by the Beatles of previously unreleased performances since '' The Beatles at the Hollywood Bowl'' in 1977 and the first containing previously unreleased songs since their final studio album, '' Let It Be'', in 1970. Although the songs were recorded ahead of broadcast, allowing for retakes and occasional overdubbing, they are essentially "live in studio" performances. Most of the songs are cover versions of material from the late 1950s and early 1960s, reflecting the stage set they developed before Beatlemania. Before the album's release, comprehensive collections of the Beatles' B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one Performing arts#Performers, performer or by several performers. If the recordings are from one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If the recordings are from several artists, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beatles Bootleg Recordings
The Beatles' bootleg recordings (also known as Beatlegs) are recordings of performances by the Beatles that have attained some level of public circulation without being available as a legal release. The term most often refers to audio recordings, but also includes video performances. Starting with vinyl releases in the 1970s, through CD issues in the late 1980s, and continuing with digital downloads starting in the mid-1990s, the Beatles have been, and continue to be, among the most bootlegged artists. Bootleg recordings arise from a multitude of sources, including radio and TV broadcast performances, live shows, studio outtakes and session tapes, alternate mixes, test discs, and home demos. The largest single source of Beatles bootleg material is the set of Nagra audio tapes from the 1969 filming of the ''Get Back'' / ''Let It Be'' rehearsal and recording sessions. Historical overview The 1970s saw the first Beatle bootlegs issued on vinyl records. The first Beatles bootle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dream Baby (How Long Must I Dream)
"Dream Baby (How Long Must I Dream)" is a song written by Cindy Walker which was first recorded and released by Roy Orbison originally as a non-album single in 1962. It was a big international hit for Orbison, reaching number 2 in both the Australian and the UK singles charts and number 4 in the U.S. ''Billboard''. It was also a top ten hit in Canada and Norway. Five months later, "Dream Baby" was included on Orbison's ''Greatest Hits'' compilation LP. Chart history Weekly charts Year-end charts Personnel Musicians: *Roy Orbison - vocal * Fred Carter, Jr. - rhythm guitar * Grady Martin - electric guitar *Bob Moore - double bass *Buddy Harman - drums *Boots Randolph - saxophone *unknown - piano Glen Campbell version American country music artist Glen Campbell covered "Dream Baby" in 1971. It was released in March of that year as the lead single from his album '' The Last Time I Saw Her''. The song peaked at number 7 on the U.S. ''Billboard'' Hot Country Singles chart. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Orbison
Roy Kelton Orbison (April 23, 1936 – December 6, 1988) was an American singer, songwriter, and guitarist known for his distinctive and powerful voice, complex song structures, and dark, emotional ballads. Orbison's most successful periods were in the early 1960s and the late 1980s. He was nicknamed "The Enrico Caruso, Caruso of Rock" and "The Big O." Many of Orbison's songs conveyed vulnerability at a time when most male rock-and-roll performers projected strength. He performed with minimal motion and in black clothes, matching his dyed black hair and dark sunglasses. Born in Texas, Orbison began singing in a Country music, country-and-western band as a teenager. He was signed by Sam Phillips of Sun Records in 1956 after being urged by Johnny Cash. Elvis was leaving Sun and Phillips was looking to replace him. His first Sun recording, "Dick Penner#Ooby Dooby, Ooby Dooby", was a direct musical sound-a-like of Elvis's early Sun recordings. He had some success at Sun, but en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York Times
''The New York Times'' (''NYT'') is an American daily newspaper based in New York City. ''The New York Times'' covers domestic, national, and international news, and publishes opinion pieces, investigative reports, and reviews. As one of the longest-running newspapers in the United States, the ''Times'' serves as one of the country's Newspaper of record, newspapers of record. , ''The New York Times'' had 9.13 million total and 8.83 million online subscribers, both by significant margins the List of newspapers in the United States, highest numbers for any newspaper in the United States; the total also included 296,330 print subscribers, making the ''Times'' the second-largest newspaper by print circulation in the United States, following ''The Wall Street Journal'', also based in New York City. ''The New York Times'' is published by the New York Times Company; since 1896, the company has been chaired by the Ochs-Sulzberger family, whose current chairman and the paper's publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Radio 1
BBC Radio 1 is a British national radio station owned and operated by the BBC. It specialises in modern popular music and Contemporary hit radio, current chart hits throughout the day. The station provides alternative genres at night, including electronica, dance, Hip hop music, hip hop and Independent music, indie, while its sister station BBC Radio 1Xtra, 1Xtra plays Black music, Black contemporary music, including hip hop and Rhythm and blues, R&B. Radio 1 also runs two online streams, BBC Radio 1 Dance, Radio 1 Dance, dedicated to dance music, and BBC Radio 1 Anthems, Radio 1 Anthems, dedicated to throwback music; both are available to listen only on BBC Sounds. Radio 1 broadcasts throughout the UK on FM band, FM between and , Digital radio in the United Kingdom, digital radio, Digital television in the United Kingdom, digital TV and BBC Sounds. It was launched in 1967 to meet the demand for music generated by pirate radio stations, when the average age of the UK population ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beeb's Lost Beatles Tapes
''The Beeb's Lost Beatles Tapes'' was a music documentary series presented by Richard Skinner, comprising 14 half-hour episodes, broadcast on BBC Radio 1 between 1 October – 31 December 1988. Each episode was broadcast on Saturday evening with a repeat on the following Monday. Overview The series presented rarely broadcast and unreleased BBC recordings of the Beatles made between 1963 and 1968. This included sessions from '' Saturday Club'', '' Easy Beat'' and '' Pop Go the Beatles''. As well as the songs, the programme included much of the Beatles' chat and interview material from the various programmes, much of it involving Brian Matthew and Kenny Everett. There are also contemporary interviews with people who were involved in the original programmes. Howlett had previously co-produced a two hour programme for Radio 1 in 1982, ''The Beatles at the Beeb'', which was the first airing of some of the same material, but focused on the early years and used only radio programme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound On Sound
''Sound on Sound'' is a monthly music technology magazine. The magazine includes product tests of electronic musical performance and recording devices, and interviews with industry professionals. Due to its technical focus, it is predominantly aimed at the professional recording studio market as well as artist project studios and home recording enthusiasts. Independently owned, the magazine is published by SOS Publications Group in Cambridge, United Kingdom. History The magazine was conceived, created and founded by brothers Ian and Paul Gilby and their friend Godfrey Davies in 1985. It was originally launched in 1985 on the UK Channel 4 television programme, '' The Tube'', championing the convergence of MIDI, computer technology and recording equipment. At the time of its launch, text for the magazine was edited on BBC Model B computers and pages were physically pasted together with wax. The modern magazine is full-colour throughout and led the way in using colour as much a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multitrack Recording
Multitrack recording (MTR), also known as multitracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete ''tracks'' on the same reel-to-reel tape was developed. A ''track'' was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or Synchronization, synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monaural
Monaural sound or monophonic sound (often shortened to mono) is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or ''stereo'', which uses two separate audio channels to reproduce sound from two microphones on the right and left side, which is reproduced with two separate loudspeakers to give a sense of the direction of sound sources. In mono, only one loudspeaker is necessary, but, when played through multiple loudspeakers or headphones, identical audio signals are fed to each speaker, resulting in the perception of one-channel sound "imaging" in one sonic space between the speakers (provided that the speakers are set up in a proper symmetrical critical-listening placement). Monaural recordings, like stereo ones, typically use multiple microphones fed into multiple channels on a recording console, but each channel is " panned" to the center. In the final stage, the various center-panned signal paths are usually mix ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abbey Road Studios
Abbey Road Studios (formerly EMI Recording Studios) is a music recording studio at 3 Abbey Road, London, Abbey Road, St John's Wood, City of Westminster, London. It was established in November 1931 by the Gramophone Company, a predecessor of British music company EMI, which owned it until Universal Music Group (UMG) took control of part of it in 2013. It is ultimately owned by UMG subsidiary Virgin Records Limited. The studio's most notable client was the Beatles, who used the studio – particularly its Studio Two room – as the venue for many of the Recording practices of the Beatles, innovative recording techniques that they adopted throughout the 1960s. In 1976, the studio was renamed from ''EMI'' to ''Abbey Road''. In 2009, Abbey Road came under threat of sale to property developers. In response, the British Government protected the site, granting it English Heritage Listed building, Grade II listed status in 2010, thereby preserving the building from any major alterati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Go The Beatles
''Pop Go the Beatles'' was a weekly radio show that ran for fifteen episodes on the BBC Light Programme from June to September 1963. Hosted by Lee Peters for the first four episodes and Rodney Burke for the following eleven, the show would feature a guest band and then a conversation with and performance by the Beatles. Background The show was first pitched by studio manager Vernon Lawrence to his assistant Donald MacLean on 30 April 1963. At first only four episodes were booked, but eleven more were later added due to the show's success. The first four episodes of the show were hosted by disc jockey Lee Peters, whom the Beatles secretly referred to as "Pee Litres" behind his back, and the following eleven were hosted by Rodney Burke. It was produced by Terry Henebery for the first thirteen episodes and Ian Grant for the final two, with a budget of £100 per episode. The BBC estimated at the time that the show was heard by 5.3% of the British population, or 2.8 million peop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
