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Live At Ali's Alley
''Live at Ali's Alley'' is a live album by trumpeter Ahmed Abdullah, listed simply as "Abdullah" on the cover. It was recorded on April 24, 1978, at New York City's Ali's Alley, and released on vinyl in 1980 by Cadence Jazz Records as the label's inaugural release. On the album, Abdullah is joined by saxophonist Chico Freeman, hornist Vincent Chancey, cellist Muneer Abdul Fatah, bassist Jerome Hunter, and drummer Rashied Sinan. Reception A reviewer for AllMusic stated that the album is "symbolic of the decade's 'loft' jazz, a free-wheeling date with uneven but often compelling solos, as well as periods of rambling, unproductive, and ragged ensemble work. Freeman's blistering tenor sax is uniformly inspired, while Abdullah's solos are also aggressive and energetic." The authors of ''MusicHound Jazz: The Essential Album Guide'' called the recording "a loft-jazz classic with an unusual instrumentation including French horn and cello plus tenor saxophonist Chico Freeman in an inspire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahmed Abdullah
Ahmed Abdullah (born Leroy Bland; May 10, 1946) is an American jazz trumpeter who was a prominent member of Sun Ra's band. Biography He began playing the trumpet at age 13 in his native New York City. One of the first groups he performed with was the Master Brotherhood. By the 1970s, he was performing in New York's loft scene with various groups including the Melodic Art-Tet (Charles Brackeen, Roger Blank and Ronnie Boykins, later William Parker) and joined the Sun Ra Arkestra. Ahmed Abdullah formed his own band in 1972 ,and joined the Sun Ra Arkestra in 1975, working there on and off until 1993, when Sun Ra died. He stayed on with the Arkestra after Sun Ra's demise working under the leadership of John Gilmore and then Marshall Allen. During his time with the Arkestra, Abdullah participated in more than 25 recordings and traveled extensively with Sun Ra.Ahmed Abdullah with Louis Reyes Rivera"Excerpts from A Strange Celestial Road (Traveling the Spaceways)" Ahmedian.com; accessed M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as All-Music Guide by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1980 Live Albums
__NOTOC__ Year 198 (CXCVIII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sergius and Gallus (or, less frequently, year 951 ''Ab urbe condita''). The denomination 198 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire *January 28 **Publius Septimius Geta, son of Septimius Severus, receives the title of Caesar. **Caracalla, son of Septimius Severus, is given the title of Augustus. China *Winter – Battle of Xiapi: The allied armies led by Cao Cao and Liu Bei defeat Lü Bu; afterward Cao Cao has him executed. By topic Religion * Marcus I succeeds Olympianus as Patriarch of Constantinople (until 211). Births * Lu Kai (or Jingfeng), Chinese official and general (d. 269) * Quan Cong, Chinese general and advisor (d. 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Loesser
Frank Henry Loesser (; June 29, 1910 – July 28, 1969) was an American songwriter who wrote the music and lyrics for the Broadway musicals '' Guys and Dolls'' and '' How to Succeed in Business Without Really Trying'', among others. He won a Tony Award for ''Guys and Dolls'' and shared the Pulitzer Prize for Drama for ''How to Succeed''. He also wrote songs for over 60 Hollywood films and Tin Pan Alley, many of which have become standards, and was nominated for five Academy Awards for best song, winning once for Baby, It's Cold Outside. Early years Frank Henry Loesser was born to a Jewish family in New York City to Henry Loesser, a pianist,Frank Loesser biography pbs.org, accessed December 5, 2008 and Julia Ehrlich. He grew up in a house on West 107th Street i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inchworm (song)
"Inchworm", also known as "The Inch Worm", is a song originally performed by Danny Kaye in the 1952 film ''Hans Christian Andersen''. It was written by Frank Loesser. Lyrics The song's lyrics express a carpe diem sentiment, with the singer noting that the inchworm of the title has a "business-like mind", and is blind to the beauty of the flowers it encounters: :''Two and two are four'' :''Four and four are eight'' :''That’s all you have on your business-like mind'' :''Two and two are four'' :''Four and four are eight'' :''How can you be so blind?'' Subsequent verses include the lines "Measuring the marigolds, you and your arithmetic / You’ll probably go far" and "Seems to me you’d stop and see / How beautiful they are" Loesser wrote a counterpoint chorus that, sung by itself, has become popular as a children's song because of its arithmetical chorus: :''Two and two are four'' :''Four and four are eight'' :''Eight and eight are sixteen'' :''Sixteen and sixteen are thirty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mingus
Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz upright bassist, pianist, composer, bandleader, and author. A major proponent of collective improvisation, he is considered to be one of the greatest jazz musicians and composers in history,See the 1998 documentary ''Triumph of the Underdog'' with a career spanning three decades and collaborations with other jazz musicians such as Louis Armstrong, Duke Ellington, Charlie Parker, Dizzy Gillespie, and Herbie Hancock. Mingus' compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty, and Mingus Orchestra, to the high school students who play the charts and compete in the Charles Mingus High School Competition. In 1993, the Library of Congress acquired Mingus' collected papers—including scores, sound recordings, correspondence and photos—in what they described as "the most important acquisition of a manuscript collection relating t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the ''Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Hunter
Jerome Hunter (born January 14, 1942, Spartanburg, South Carolina) is an American jazz double-bassist. Jerome learned to play guitar in his youth but switched to stand-up bass at age 12, studying formally in both classical and jazz styles. He worked early in the 1960s with Ray Bryant, Roy Haynes, and Philly Joe Jones, then moved increasingly toward free jazz, playing with Marzette Watts in 1964 and Byard Lancaster in 1966–1967. Following this he worked with Ahmed Abdullah, Dorothy Donegan, Johnny Hammond, J. R. Mitchell, Sam Rivers, Sonny Sharrock, and Grover Washington, Jr. He played with Jamaaladeen Tacuma in 1993. Discography With Ahmed Abdullah * ''Life's Force'' (About Time, 1979) * ''Live at Ali's Alley'' (Cadence, 1980) With Byard Lancaster * ''It's Not Up to Us'' (Vortex, 1966 968 * ''Live at Macalester College'' (Dogtown, 1972) with J. R. Mitchell References *Gary W. Kennedy, "Jerome Hunter". '' The New Grove Dictionary of Jazz''. 2nd edition, ed. Barry Kernfeld ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Chancey
Vincent Chancey (born February 4, 1950) is an American jazz hornist. Early life and education Chancey was born and raised in Chicago. He earned a Bachelor of Arts degree in music from the SIUC School of Music in 1973 and studied under Julius Watkins in New York City. Career Chancey began playing professionally in the 1970s, mostly with large ensembles such as the Sun Ra Arkestra, Lester Bowie's Brass Fantasy, David Murray Big Band, Carla Bley Big Band, and the Richard Abrams orchestra. He later performed and recorded with the Mingus Orchestra, Dave Douglas, Wayne Shorter, Herbie Hancock, Shirley Horn, Diana Krall, Elvis Costello, Mose Allison, Aretha Franklin, and Cassandra Wilson. Discography As leader *''Welcome Mr. Chancey'' (1993) *''Next Mode'' (1998, DIW Records) As sideman With Ahmed Abdullah * '' Life's Force'' (About Time, 1979) * '' Live at Ali's Alley'' (Cadence, 1980) With Muhal Richard Abrams *'' Mama and Daddy'' ( Black Saint, 1980) *'' Blues F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chico Freeman
Chico Freeman (born Earl Lavon Freeman Jr.; July 17, 1949) is a modern jazz tenor saxophonist and trumpeter and son of jazz saxophonist Von Freeman. He began recording as lead musician in 1976 with ''Morning Prayer'', won the New York Jazz Award in 1979 and earned the Stereo Review Record of the Year in 1981 for his album ''The Outside Within''. Early years He was born in Chicago, Illinois, United States. Freeman was introduced to the trumpet by his brother Everett, who found a trumpet in the family basement. Freeman began playing, inspired by artists such as Miles Davis. He went to Northwestern University in 1967 with a scholarship for mathematics and played the trumpet in the school, but did not begin playing the saxophone until his junior year. After practicing eight to ten hours per day and trying out for the saxophone section, Freeman quickly changed his major to music, and graduated in 1972. By that time he was proficient in saxophone, trumpet, and piano. After graduatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
