Listed Buildings In Papplewick
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Listed Buildings In Papplewick
Papplewick is a civil parish in the Borough of Gedling, Gedling district of Nottinghamshire, England. The parish contains 32 Listed building#England and Wales, listed buildings that are recorded in the National Heritage List for England. Of these, two are listed at Grade I, the highest of the three grades, one is at Grade II*, the middle grade, and the others are at Grade II, the lowest grade. The parish contains the village of Papplewick and the surrounding countryside. Most of the listed buildings are in the village, and they consist of a church and items in the churchyard, a English country house, country house and associated structures, houses, cottages and associated structures, farmhouses and farm buildings, and a public house. In the eastern part of the parish is Papplewick Pumping Station, which contains a number of listed buildings. Elsewhere, two boundary stones and two commemorative obelisks are listed. __NOTOC__ Key Buildings References Citat ...
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Papplewick
Papplewick is a village and civil parish in Nottinghamshire, England, north of Nottingham and south of Mansfield. It had a population of 756 at the 2011 census (which included a rural unparished area south of and including Burntstump Hill), and 651 at the 2021 census. In the Middle Ages, the village marked the southern gateway to Sherwood Forest. Papplewick has numerous community and social groups, a village hall, a pub, The Griffin's Head, and an ancient church. Tourist attractions in the parish include the village conservation area, 18th-century cottages and Papplewick Hall. Papplewick Pumping Station is a working museum comprising steam-powered pumping engines, cooling pond and grounds in open agricultural land 1 mile (2 km) east of the village. Surrounding areas of woodland are accessible to the public by a network of footpaths. A local legend dictates that the body of Alan-a-Dale, one of Robin Hood's men, was buried in Papplewick. Papplewick is included in Not ...
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Parapet
A parapet is a barrier that is an upward extension of a wall at the edge of a roof, terrace, balcony, walkway or other structure. The word comes ultimately from the Italian ''parapetto'' (''parare'' 'to cover/defend' and ''petto'' 'chest/breast'). Where extending above a roof, a parapet may simply be the portion of an exterior wall that continues above the edge line of the roof surface, or may be a continuation of a vertical feature beneath the roof such as a fire wall or party wall. Parapets were originally used to defend buildings from military attack, but today they are primarily used as guard rails, to conceal rooftop equipment, reduce wind loads on the roof, and to prevent the spread of fires. Parapet types Parapets may be plain, embattled, perforated or panelled, which are not mutually exclusive terms. *Plain parapets are upward extensions of the wall, sometimes with a coping at the top and corbel below. *Embattled parapets may be panelled, but are pierced, if not ...
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Pantile
A pantile is a type of fired roof tile, normally made from clay. It is S-shaped in profile and is single lap, meaning that the end of the tile laps only the course immediately below. Flat tiles normally lap two courses. A pantile-covered roof is considerably lighter than a flat-tiled equivalent and can be laid to a lower pitch. In Britain, pantiles are found in eastern coastal parts of England and Scotland including Norfolk, East Yorkshire, County Durham, Perthshire, Angus, Lothian and Fife, where they were first imported from the Netherlands in the early 17th century. They are rarely used in western England or western Scotland, except in Bristol and the Somerset town of Bridgwater. In paving Roofing pantiles are not to be confused with the paving tiles also named "pantiles." The Pantiles in Royal Tunbridge Wells is named for the paving tiles installed there in 1699 — one-inch-thick square tiles made from heavy weald The Weald () is an area of South East England b ...
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Quoin (architecture)
Quoins ( or ) are masonry blocks at the corner of a wall. Some are structural, providing strength for a wall made with inferior stone or rubble, while others merely add aesthetic detail to a corner. According to one 19th-century encyclopedia, these imply strength, permanence, and expense, all reinforcing the onlooker's sense of a structure's presence. Stone quoins are used on stone or brick buildings. Brick quoins may appear on brick buildings, extending from the facing brickwork in such a way as to give the appearance of generally uniformly cut ashlar blocks of stone larger than the bricks. Where quoins are decorative and non-load-bearing a wider variety of materials is used, including timber, stucco, or other cement render. Techniques Ashlar blocks In a traditional, often decorative use, large rectangular ashlar stone blocks or replicas are laid horizontally at the corners. This results in an alternate, quoining pattern. Alternate cornerstones Courses of large and s ...
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Plinth
A pedestal or plinth is a support at the bottom of a statue, vase, column, or certain altars. Smaller pedestals, especially if round in shape, may be called socles. In civil engineering, it is also called ''basement''. The minimum height of the plinth is usually kept as 45 cm (for buildings). It transmits loads from superstructure to the substructure and acts as the retaining wall for the filling inside the plinth or raised floor. In sculpting, the terms base, plinth, and pedestal are defined according to their subtle differences. A base is defined as a large mass that supports the sculpture from below. A plinth is defined as a flat and planar support which separates the sculpture from the environment. A pedestal, on the other hand, is defined as a shaft-like form that raises the sculpture and separates it from the base. An elevated pedestal or plinth that bears a statue, and which is raised from the substructure supporting it (typically roofs or corniches), is some ...
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Relief
Relief is a sculpture, sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term ''wikt:relief, relief'' is from the Latin verb , to raise (). To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background Plane (geometry), plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires chiselling away of the background, which can be time-intensive. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the bac ...
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Chamfer
A chamfer ( ) is a transitional edge between two faces of an object. Sometimes defined as a form of bevel, it is often created at a 45° angle between two adjoining right-angled faces. Chamfers are frequently used in machining, carpentry, furniture, concrete formwork, mirrors, and to facilitate assembly of many mechanical engineering designs. Terminology In materials and manufacturing, a ''chamfer'' is used to "ease" otherwise sharp edges, both for safety and to prevent damage to the edges; it may also be a primarily decorative feature. In general terms it may be regarded as a type of ''bevel'', and the terms are often used interchangeably. However, in machining, only the term chamfer is used for the specific technique, practice, and result. In carpentry, a lark's tongue is a chamfer which ends short of the end of a piece in a gradual outward curve, leaving the remainder of the edge as a right angle. Chamfers may be formed in either inside or outside adjoining faces of an ...
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Fleur-de-lys
The ''fleur-de-lis'', also spelled ''fleur-de-lys'' (plural ''fleurs-de-lis'' or ''fleurs-de-lys''), is a common heraldic charge in the (stylized) shape of a lily (in French, and mean and respectively). Most notably, the ''fleur-de-lis'' is depicted on the flag of Quebec and on the traditional coat of arms of France that was used from the High Middle Ages until the French Revolution in 1792, and then again in brief periods in the 19th century. This design still represents France and the House of Bourbon in the form of Heraldry#Marshalling, marshalling in the arms of Coat of arms of Spain, Spain, Coat of arms of Quebec, Quebec, and Coat of arms of Canada, Canada — for example. Other European nations have also employed the symbol. The ''fleur-de-lis'' became "at one and the same time, religious, political, dynastic, artistic, emblematic, and symbolic", especially in French heraldry. The Mary, mother of Jesus, Virgin Mary and Saint Joseph are among saints often depicted wit ...
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Quatrefoil
A quatrefoil (anciently caterfoil) is a decorative element consisting of a symmetrical shape which forms the overall outline of four partially overlapping circles of the same diameter. It is found in art, architecture, heraldry and traditional Christian symbolism. The word 'quatrefoil' means "four leaves", from the Latin , "four", plus , "leaf"; the term refers specifically to a four-leafed clover, but applies in general to four-lobed shapes in various contexts. In recent years, several luxury brands have attempted to fraudulently assert creative rights related to the symbol, which naturally predates any of those brands' creative development. A similar shape with three rings is called a trefoil, while a shape with five is a cinquefoil. History The quatrefoil enjoyed its peak popularity during the Gothic architecture, Gothic and Renaissance eras. It is most commonly found as tracery, mainly in Gothic architecture, where a quatrefoil often may be seen at the top of a Gothic arch, ...
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Gable
A gable is the generally triangular portion of a wall between the edges of intersecting roof pitches. The shape of the gable and how it is detailed depends on the structural system used, which reflects climate, material availability, and aesthetic concerns. The term gable wall or gable end more commonly refers to the entire wall, including the gable and the wall below it. Some types of roof do not have a gable (for example hip roofs do not). One common type of roof with gables, the 'gable roof', is named after its prominent gables. A parapet made of a series of curves (shaped gable, see also Dutch gable) or horizontal steps (crow-stepped gable) may hide the diagonal lines of the roof. Gable ends of more recent buildings are often treated in the same way as the Classic pediment form. But unlike Classical structures, which operate through post and lintel, trabeation, the gable ends of many buildings are actually bearing-wall structures. Gable style is also used in the design of ...
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Pediment
Pediments are a form of gable in classical architecture, usually of a triangular shape. Pediments are placed above the horizontal structure of the cornice (an elaborated lintel), or entablature if supported by columns.Summerson, 130 In ancient architecture, a wide and low triangular pediment (the side angles 12.5° to 16°) typically formed the top element of the portico of a Greek temple, a style continued in Roman temples. But large pediments were rare on other types of building before Renaissance architecture. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The cornice continues round the top of the pediment, as well as below it; the rising sides are often called the "raking cornice". The tympanum is the triangular area within the pediment, which is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. ...
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Tympanum (architecture)
A tympanum ( tympana; from Greek and wiktionary:tympanum#Latin, Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architecture, architectural styles include this element, although it is most commonly associated with Romanesque architecture, Romanesque and Gothic architecture, Gothic architecture. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. Tympanums in antiquity and the Early Middle Ages Tympanums are by definition inscriptions enclosed by a pediment, however the evolution of tympanums gives them more specific implications. Pediments first emerged early in Classical Greece around 700-480 BCE, with early examples such as the Parthenon remaining famous to this day. Pediments spread across the Hellenistic world with the rest of classical architecture. T ...
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