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List Of Tone Rows And Series
This is a list of tone rows and series. For a list of permutation (music), unordered collections, see set (music), Forte number, list of set classes, and trope (music). Twelve tone rows Other lengths Fewer than twelve ;Five ;Six ;Eight ;Nine ;Ten ;Eleven More than twelve ;Thirteen ;Fourteen ;Seventeen ;Twenty-two ;Twenty-four See also *Aggregate (music), Aggregate *Atonality *Complement (music)#Aggregate complementation, Complementation *Distance model *List of dodecaphonic and serial compositions *Serialism *Twelve-tone technique Sources {{Twelve-tone technique Contemporary music lists Music theory lists, Tone rows and series Tone rows ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tone Row
In music, a tone row or note row ( or '), also series or set, is a non-repetitive ordering of a set of pitch-classes, typically of the twelve notes in musical set theory of the chromatic scale, though both larger and smaller sets are sometimes found. History and usage Tone rows are the basis of Arnold Schoenberg's twelve-tone technique and most types of serial music. Tone rows were widely used in 20th-century contemporary music, like Dmitri Shostakovich's use of twelve-tone rows, "without dodecaphonic transformations." A tone row has been identified in the A minor prelude, BWV 889, from book II of J.S. Bach's '' The Well-Tempered Clavier'' (1742) and by the late eighteenth century it is found in works such as Mozart's C major String Quartet, K. 157 (1772), String Quartet in E-flat major, K. 428, String Quintet in G minor, K. 516 (1790), and the Symphony in G minor, K. 550 (1788). Beethoven also used the technique but, on the whole, "Mozart seems to have employed seria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berg - Chamber Concerto Twelve-tone Material
Berg may refer to: People *Berg (surname), a surname (including a list of people with the name) * General Berg (other) *Berg Ng (born 1960), Hong Kong actor * Berg (footballer, born 1963), Ninimbergue dos Santos Guerra, Brazilian footballer * Berg (footballer, born 1964), Rosemberg Barbosa, Brazilian footballer * Berg (footballer, born 1978), Lindberg Mota da Silva, Brazilian footballer * Berg (footballer, born 1989), Waldenberg Messias Coelho, Brazilian footballer Former states *Berg (state), county and duchy of the Holy Roman Empire *Grand Duchy of Berg, state of the Napoleonic period Places Antarctica *Berg Peak, Victoria Land * Berg Bay, Victoria Land * Berg Ice Stream Austria *Berg, Lower Austria * Berg im Drautal, in Carinthia * Berg bei Rohrbach, in Upper Austria * Berg im Attergau, in Upper Austria France *Berg, Bas-Rhin, a municipality in the Arrondissement of Saverne *Berg-sur-Moselle, a commune in the Moselle department Germany *Berg (state), a medieval te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Quarterly
''The Musical Quarterly'' is the oldest academic journal on music in America. Originally established in 1915 by Oscar Sonneck, the journal was edited by Sonneck until his death in 1928. Sonneck was succeeded by a number of editors, including Carl Engel (1930–1944), Gustave Reese (1944–45), Paul Henry Lang (1945–1973), Joan Peyser (1977–1984), and Eric Salzman (1984–1991). Since 1993, ''The Musical Quarterly'' has been edited by Leon Botstein, president of Bard College and principal conductor of the American Symphony Orchestra. Originally published by G. Schirmer, Inc., it is now published by Oxford University Press. References Further reading * External links * Articles published before 1923at the Internet Archive The Internet Archive is an American 501(c)(3) organization, non-profit organization founded in 1996 by Brewster Kahle that runs a digital library website, archive.org. It provides free access to collections of digitized media including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony, or Mahler's Second Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Piston
Walter Hamor Piston, Jr. (January 20, 1894 – November 12, 1976), was an American composer of classical music, music theorist, and professor of music at Harvard University. Life Piston was born in Rockland, Maine at 15 Ocean Street to Walter Hamor Piston, a bookkeeper, and Leona Stover. He was the second of four children. His paternal grandfather was a sailor named Antonio Pistone, who changed his name to Anthony Piston when he came to Maine from Genoa, Italy. In 1905 the composer's father, Walter Piston Sr, moved with his family to Boston, Massachusetts. Walter Jr first trained as an engineer at the Mechanical Arts High School in Boston, but was artistically inclined. After graduating in 1912, he enrolled in the Massachusetts Normal Art School, where he completed a four-year program in fine art in 1916. During the 1910s, Piston made a living playing piano and violin in dance bands and later playing violin in orchestras led by Georges Longy. During World War I, he joined ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Jakobsleiter
''Die Jakobsleiter'' (''Jacob's Ladder'') is an oratorio by Arnold Schoenberg that marks his transition from a contextual or free atonality to the twelve-tone technique anticipated in the oratorio's use of hexachords. Though unfinished by Schoenberg, the piece was ultimately completed and prepared for performance by Schoenberg student Winfried Zillig at the request of Gertrude Schoenberg. Schoenberg began the libretto in 1914-15, which he published as a stand-alone text in 1917. He began the music in 1915, finishing most of his work on it in 1926, and finished a small amount of orchestration in 1944, leaving 700 measures at his death. The piece is also notable for its use of developing variation. The fragment received a partial premiere (1958) of only 160 bars or measures, and was premiered as far as possible in Vienna on June 16, 1961, conducted by Rafael Kubelik. All performances before 1968 were concert performances; the American premiere took place in 1968 at the Sant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agon (ballet)
''Agon'' is a 22-minute ballet for twelve dancers with music by Igor Stravinsky. It was choreographed by George Balanchine. Stravinsky began composition in December 1953 but was interrupted the next year; he resumed work in 1956 and concluded on April 27, 1957. The music was premiered in Los Angeles at UCLA's Royce Hall on June 17, 1957, conducted by Robert Craft. Stravinsky himself conducted the sessions for the work's first recording the following day on June 18, 1957. ''Agon'' was first performed on stage by the New York City Ballet at the City Center of Music and Drama on December 1, 1957. The composition's long gestation period covers an interesting juncture in Stravinsky's composing career, in which he moved from a diatonic musical idiom to one based on twelve-tone technique; the music of the ballet thus demonstrates a unique symbiosis of musical idioms. The ballet has no story, but consists of a series of dance movements in which various groups of dancers interact in pair ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Webern Variations Op
Anton Webern (; 3 December 1883 – 15 September 1945) was an Austrian composer, conductor, and musicologist. His music was among the most radical of its milieu in its lyrical, poetic concision and use of then novel atonal and twelve-tone techniques. His approach was typically rigorous, inspired by his studies of the Franco-Flemish School under Guido Adler and by Arnold Schoenberg's emphasis on structure in teaching composition from the music of Johann Sebastian Bach, the First Viennese School, and Johannes Brahms. Webern, Schoenberg, and their colleague Alban Berg were at the core of what became known as the Second Viennese School. Webern was arguably the first and certainly the last of the three to write music in an aphoristic and expressionist style, reflecting his instincts and the idiosyncrasy of his compositional process. He treated themes of love, loss, nature, and spirituality, working from his experiences. Unhappily peripatetic and typically assigned light music or ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Morris (composer)
Robert Daniel Morris (born October 19, 1943) is a British-born American composer and music theorist. Early life and education Born in Cheltenham, England, in 1943, Morris received his musical education at the Eastman School of Music (B.M. in composition with distinction) and the University of Michigan (M.M. and D.M.A. in composition and ethnomusicology), where he studied composition with John La Montaine, Leslie Bassett, Ross Lee Finney, and Eugene Kurtz. Career As a Margret Lee Crofts Fellow, Morris worked with Gunther Schuller. Morris has taught composition, electronic music, and music theory at the University of Hawaiʻi at Mānoa and Yale University, where he was chairman of the Composition Department and director of the Yale Electronic Music Studio. He was also director of the Computer and Electronic Studio, director of graduate (music) Studies, and associate professor of Music at the University of Pittsburgh. In 1980 Morris joined the faculty of the Eastman School ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspectives Of New Music
''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory Music theory is the study of theoretical frameworks for understanding the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory": The first is the "Elements of music, ... and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). ''Perspectives'' was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.David Carson Berry, "''Journal of Music Theory'' under Allen Forte's Editorship," '' Journal of Music Theory'' 50/1 (2006), 21, n49. The first issue was favorably reviewed in the '' Journal of Music Theory'', which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay precedin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suite For Piano (Schoenberg)
Arnold Schoenberg's Suite for Piano (German: ), Opus number, Op. 25, is a Twelve-tone technique, 12-tone Musical composition, piece for piano composed between 1921 and 1923. The work is the earliest in which Schoenberg employs a row of "12 tones related only to one another" in every Movement (music), movement: the earlier ''5 Stücke'', Op. 23 (1920–23) employs a 12-tone row only in the final waltz movement, and the ''Serenade'', Op. 24, uses a single row in its central ''Sonnet''. The basic tone row of the suite consists of the following pitches: E–F–G–D–G–E–A–D–B–C–A–B. In form and style, the work echoes many features of the Baroque suite. There are six movements: A typical performance of the entire suite takes around 16 minutes. In this work, Schoenberg employs Transposition (music), transpositions and Melodic inversion, inversions of the row for the first time: the sets employed are P-0, I-0, P-6, I-6 and their retrogrades. Arnold Whittall has sugges ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Cryptogram
A musical cryptogram is a cryptogrammatic sequence of musical symbols which can be taken to refer to an extra-musical text by some 'logical' relationship, usually between note names and letters. The most common and best known examples result from composers using musically translated versions of their own or their friends' names (or initials) as themes or motifs in their compositions. These are not really rigorous cipher algorithms in the formal sense, but more like musical monograms. The methods used historically by composers were either too incomplete (i.e., did not include all of the letters of the alphabet) or too simplistic to meaningfully encrypt long text messages. There is a separate history of music ciphers utilizing music notation to encode messages for reasons of espionage or personal security that involved encryption and/or steganography. Because of the multitudinous ways in which notes and letters can be related, detecting hidden ciphers in music and proving acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
