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List Of Tarantellas
The tarantella is a traditional dance form, and accompanying music, with a distinctive rhythm, from the south of Italy. Tarantellas appear in many pieces of classical music, in literature, and in popular culture. Classical music * Mily Balakirev has a "Tarantella in B major". * Agustín Barrios wrote a "Tarantella for guitar (Recuerdos de Nápoles)". * Ludwig van Beethoven's " Kreutzer" Violin Sonata, third movement, is a tarantella. * Ludwig van Beethoven's Piano Sonata No. 18, fourth movement, is a tarantella. * Benjamin Britten wrote a tarantella as the third and final movement of his '' Sinfonietta'', Op. 1. * Mario Castelnuovo-Tedesco wrote a ''tarantella'' for solo guitar, Op. 87b. * Frédéric Chopin wrote a Tarantelle in A-flat, Op. 43 with the characteristic time signature. It was inspired specifically by Rossini's's song "La Danza". * Giuseppe Martucci wrote two tarantelle: Op. 9 (1873), and Op. 44, No. 6 (1880, orchestrated in 1908 titled "Danza"). * John Coriglian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarantella
() is a group of various southern Italian folk dances originating in the regions of Calabria, Campania and Puglia. It is characterized by a fast upbeat tempo, usually in time (sometimes or ), accompanied by tambourines. It is among the most recognized forms of traditional southern Italian music. The specific dance-name varies with every region, for instance ''Sonu a ballu'' in Calabria, ''tammurriata'' in Campania, and '' pizzica'' in Salento. Tarantella is popular in Southern Italy and Argentina. The term may appear as in a linguistically masculine construction. History In the Italian province of Taranto, Apulia, the bite of a locally common type of wolf spider, named "tarantula" after the region, was popularly believed to be highly venomous and to lead to a hysterical condition known as tarantism. This became known as the "tarantella". R. Lowe Thompson proposed that the dance is a survival from a " Dianic or Dionysiac cult", driven underground. John Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for ''A Midsummer Night's Dream'' (which includes his " Wedding March"), the '' Italian Symphony'', the ''Scottish Symphony'', the oratorio '' St. Paul'', the oratorio '' Elijah'', the overture '' The Hebrides'', the mature Violin Concerto and the String Octet. The melody for the Christmas carol " Hark! The Herald Angels Sing" is also his. Mendelssohn's '' Songs Without Words'' are his most famous solo piano compositions. Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Chr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
César Cui
César Antonovich Cui ( rus, Це́зарь Анто́нович Кюи́, , ˈt͡sjezərʲ ɐnˈtonəvʲɪt͡ɕ kʲʊˈi, links=no, Ru-Tsezar-Antonovich-Kyui.ogg; french: Cesarius Benjaminus Cui, links=no, italic=no; 13 March 1918) was a Russian composer and music critic, member of the Belyayev circle and The Five – a group of composers combined by the idea of creating a specifically Russian type of music. As an officer of the Imperial Russian Army he rose to the rank of Engineer-General (equivalent to full General), taught fortifications in Russian military academies and wrote a number of monographs on the subject. Biography Upbringing and career Cesarius-Benjaminus Cui was born in Wilno, Vilna Governorate of the Russian Empire (now Vilnius, Lithuania) into a Roman Catholic family of French and Polish–Lithuanian descent, the youngest of five children. The original French spelling of his surname was "Queuille". His French father, Antoine (Anton Leonardovic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Dargomizhsky
Alexander Sergeyevich Dargomyzhsky ( rus, link=no, Александр Сергеевич Даргомыжский, Aleksandr Sergeyevich Dargomyzhskiy., ɐlʲɪkˈsandr sʲɪrˈɡʲe(j)ɪvʲɪdʑ dərɡɐˈmɨʂskʲɪj, Ru-Aleksandr-Sergeevich-Dargomyzhsky.ogg; ) was a 19th-century Russian composer. He bridged the gap in Russian opera composition between Mikhail Glinka and the later generation of The Five and Pyotr Ilyich Tchaikovsky. Biography Dargomyzhsky was born in village Troitskoye, Belyov uyezd, Tula Governorate (now Arsenyevsky District, Tula Oblast), and educated in Saint Petersburg. He was already known as a talented musical amateur when in 1833 he met Mikhail Glinka and was encouraged to devote himself to composition. His opera ''Esmeralda'' (libretto by composer, based on Victor Hugo's ''The Hunchback of Notre Dame'') was composed in 1839 (performed 1847), and his ''Rusalka'' was performed in 1856; but he had little success or recognition either at home or abroad, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Auber
Daniel-François-Esprit Auber (; 29 January 178212 May 1871) was a French composer and director of the Paris Conservatoire. Born into an artistic family, Auber was at first an amateur composer before he took up writing operas professionally when the family's fortunes failed in 1820. He soon established a professional partnership with the librettist Eugène Scribe that lasted for 41 years and produced 39 operas, most of them commercial and critical successes. He is mostly associated with opéra-comique and composed 35 works in that genre. With Scribe he wrote the first French grand opera, ''La Muette de Portici'' (The Dumb Woman of Portici) in 1828, which paved the way for the large-scale works of Giacomo Meyerbeer. Auber held two important official musical posts. From 1842 to 1871 he was director of France's premier music academy, the Paris Conservatoire, which he expanded and modernised. From 1852 until the fall of the Second Empire in 1870 he was director of the imperial chap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioacchino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. Durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Années De Pèlerinage
''Années de pèlerinage'' (French for ''Years of Pilgrimage'') ( S.160, S.161, S.162, S.163) is a set of three suites for solo piano by Franz Liszt. Much of it derives from his earlier work, ''Album d'un voyageur'', his first major published piano cycle, which was composed between 1835 and 1838 and published in 1842. ''Années de pèlerinage'' is widely considered as the masterwork and summation of Liszt's musical style. The third volume is notable as an example of his later style. Composed well after the first two volumes, it displays less virtuosity and more harmonic experimentation. The title ''Années de pèlerinage'' refers to Goethe's famous novel of self-realization, '' Wilhelm Meister's Apprenticeship'', and especially its sequel '' Wilhelm Meister's Journeyman Years'' (whose original title ''Wilhelm Meisters Wanderjahre'' meant ''Years of Wandering'' or ''Years of Pilgrimage'', the latter being used for its first French translation). Liszt clearly places these compositi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a ''Ritter'' (knight) by Emperor Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helmut Lachenmann
Helmut Friedrich Lachenmann (born 27 November 1935) is a German composer of contemporary classical music. His work has been associated with "instrumental musique concrète". Life and works Lachenmann was born in Stuttgart and after the end of the Second World War (when he was 11) started singing in his local church choir. Showing an early aptitude for music, he was already composing in his teens. He studied piano with Jürgen Uhde and composition and theory with Johann Nepomuk David at the Musikhochschule Stuttgart from 1955 to 1958 and was the first private student of the Italian composer Luigi Nono in Venice from 1958 to 1960. He also worked briefly at the electronic music studio at the University of Ghent in 1965, composing his only published tape piece ''Szenario'' during that period, but thereafter focused almost exclusively on purely instrumental music. The brutality of his music led Francisco Estévez to compare his work to the paintings of Francis Bacon. Lachenm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oleg Karavaychuk
Oleg Nikolayevich Karavaichuk (russian: Оле́г Никола́евич Каравайчу́к; 28 December 1927 – 13 June 2016) was a Soviet and Russian composer, author of music for many films and theater performances. Biography Karavaychuk was born on 28 December 1927 in Kyiv, into the family of a violinist who was arrested when Oleg was two years old. From early childhood, he composed music. He attended the School of Music at the Leningrad State Conservatory where he was under mentorship from Dmitri Shostakovich and Sviatoslav Richter, from which he graduated in 1945. In March 1943, he took part in a concert of young musicians in celebration of the 80th anniversary of the Conservatory in Tashkent. From 1945 to 1951 he studied at the Leningrad State Conservatory piano class (teacher Samarii Savshinsky). Since 1953 he wrote music for films, although he claims that he began in movie industry because it was the only work which was not prohibited by the KGB. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Moreau Gottschalk
Louis Moreau Gottschalk (May 8, 1829 – December 18, 1869) was an American composer and pianist, best known as a virtuoso performer of his own romantic piano works. He spent most of his working career outside the United States. Life and career Gottschalk was born in New Orleans, Louisiana, to a prosperous merchant and businessman from London (Edward Gottschalk) and a Louisiana Creole mother (Aimée Marie Bruslé). He had six brothers and sisters, five of whom were half-siblings by his father's biracial mistress. His family lived for a time in a tiny cottage at Royal and Esplanade in the Vieux Carré. Louis later moved in with relatives at 518 Conti Street; his maternal grandmother Bruslé and his nurse Sally were both Saint Dominican Creoles. He was therefore exposed to a variety of musical traditions, and played the piano from an early age. He was soon recognized as a prodigy by the New Orleans bourgeois establishment, making his informal public debut in 1840 at the new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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