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List Of Pre-1920 Jazz Standards
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written before 1920 that are considered standards by at least one major fake book publication or reference work. Some of the tunes listed were instant hits and quickly became well-known standards, while others were popularized later. The time of the most influential recordings of a song, where appropriate, is indicated on the list. From its conception at the change of the twentieth century, jazz was music intended for dancing. This influenced the choice of material played by early jazz groups: King Oliver's Creole Jazz Band, New Orleans Rhythm Kings and others included many Tin Pan Alley popular songs in their repertoire, and record companies often used their power to dictate which songs were to be recorded by their artists. Certain songs were pushed by recording executives and therefore quickly achieved s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spiritual (music)
Spirituals (also known as Negro spirituals, African American spirituals, Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade and for centuries afterwards, through the domestic slave trade. Spirituals encompass the "sing songs", work songs, and plantation songs that evolved into the blues and gospel songs in church. In the nineteenth century, the word "spirituals" referred to all these subcategories of folk songs. While they were often rooted in biblical stories, they also described the extreme hardships endured by African Americans who were enslaved from the 17th century until the 1860s, the emancipation altering mainly the nature (but not continuation) of slavery for many. Many new derivative music genres such as the blues emerged from the spirituals songcraft. Prior ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Redman
Donald Matthew Redman (July 29, 1900 – November 30, 1964) was an American jazz musician, arranger, bandleader, and composer. Biography Redman was born in Piedmont, Mineral County, West Virginia, United States. His father was a music teacher, his mother was a singer. Beginning by playing the trumpet at the age of three, Redman joined his first band at the age of six and by the age of 12 was proficient on all wind instruments ranging from trumpet to oboe as well as piano. He studied at Storer College in Harper's Ferry and at the Boston Conservatory, then joined Billy Page's Broadway Syncopaters in New York City. He was the uncle of saxophonist Dewey Redman, and thus great-uncle of saxophonist Joshua Redman and trumpeter Carlos Redman. Career In 1923, Redman joined the Fletcher Henderson orchestra, mostly playing clarinet and saxophones. He began writing arrangements, and Redman did much to formulate the sound that was to become swing. A trademark of Redman's arrangement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong received numerous accolades including the Grammy Award for Best Male Pop Vocal Performance, Grammy Award for Best Male Vocal Performance for ''Hello, Dolly! (song), Hello, Dolly!'' in 1965, as well as a posthumous win for the Grammy Lifetime Achievement Award in 1972. His influence crossed musical genres, with inductions into the DownBeat, ''DownBeat'' Jazz Hall of Fame, the Rock and Roll Hall of Fame, and the National Rhythm & Blues Hall of Fame, among others. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, he was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Careless Love
"Careless Love" is a traditional song, with several popular blues versions. It has been called a "nineteenth-century ballad and Dixieland standard". The death referenced in an old version was the son of a Kentucky governor. Although published accounts have cited 1926 as the copyright date, W. C. Handy copyrighted "Loveless Love" in 1921 under Pace & Handy Music Co. A recording by Bessie Smith titled "Careless Love Blues" was very popular in 1925. The same year it was recorded by Papa Celestin and his Tuxedo Dixieland Jazz Band and released as a single by OKeh. New Orleans cornetist Chris Kelly was famous for his emotional rendition of the piece. See also *List of pre-1920 jazz standards Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written before 1920 that are considered standards by at least one ma ... References {{Authority control Americ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballard MacDonald
Ballard MacDonald (October 15, 1882 – November 17, 1935) was an American lyricist, who was one of the writers of Tin Pan Alley. Born in Portland, Oregon, he was a charter member of the American Society of Composers, Authors and Publishers (ASCAP). MacDonald wrote lyrics for a song called "Play That Barber-Shop Chord" in 1910, which became a hit with revised lyrics when it was sung in the ''Ziegfeld Follies'' by vaudeville star Bert Williams. He subsequently worked with composer Harry Carroll on "On the Mississippi" (1912) and " The Trail of the Lonesome Pine" (1912, based on the novel of the same name). He also partnered with James F. Hanley, which produced the 1917 hit " (Back Home Again in) Indiana". In the early 1920s, MacDonald turned his attention to Broadway revues, which in 1924 brought him his most notable musical collaborator in George Gershwin. In 1921 he wrote the lyrics to the musical '' Love Birds''. In 1926, MacDonald teamed up with Walter Donaldson to w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James F
James may refer to: People * James (given name) * James (surname) * James (musician), aka Faruq Mahfuz Anam James, (born 1964), Bollywood musician * James, brother of Jesus * King James (other), various kings named James * Prince James (other) * Saint James (other) Places Canada * James Bay, a large body of water * James, Ontario United Kingdom * James College, a college of the University of York United States * James, Georgia, an unincorporated community * James, Iowa, an unincorporated community * James City, North Carolina * James City County, Virginia ** James City (Virginia Company) ** James City Shire * James City, Pennsylvania * St. James City, Florida Film and television * ''James'' (2005 film), a Bollywood film * ''James'' (2008 film), an Irish short film * ''James'' (2022 film), an Indian Kannada-language film * "James", a television episode of ''Adventure Time'' Music * James (band), a band from Manchester ** ''James'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Creamer
Henry Sterling Creamer (June 21, 1879 – October 14, 1930) was a popular song lyricist and theater producer. He was born in Richmond, Virginia, and died in New York. He co-wrote many popular songs in the years from 1900 to 1929, often collaborating with Turner Layton, with whom he also appeared in vaudeville. He was African American. Career Creamer was a singer, dancer, songwriter and stage producer/director. He first performed on the vaudeville circuit in the U.S. and in Europe as a duo with pianist Turner Layton, with whom he also co-wrote songs. Two of their most enduring songs, for which Creamer wrote the lyrics, are " After You've Gone" (1918), which was popularized by Sophie Tucker, and " Way Down Yonder in New Orleans" (1922), which was included in the soundtrack for one of the dance numbers in the Fred Astaire / Ginger Rogers 1939 movie '' The Story of Vernon and Irene Castle''. Way Down Yonder in New Orleans became a hit again in 1959 when the rocked up recording by F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turner Layton
Turner Layton (July 2, 1894 – February 6, 1978), born John Turner Layton, Jr., was an American singer, songwriter and pianist. He frequently worked with Henry Creamer. Life Born in Washington, D.C., United States, in 1894, he was the son of John Turner Layton, "a bass singer, music educator and hymn composer."Peterson, Bernard L. ''Profiles of African American Stage Performers and Theatre People, 1816-1890)'', Greenwood Press, 2000, p. 164 After receiving a musical education from his father, he attended the Howard University Dental School, later coming to New York City in the early 1900s, where he met future songwriting partner, lyricist Henry Creamer. Layton is best known for his many compositions with Creamer, the best known of which is the standard " After You've Gone", written in 1918 and first popularized by Sophie Tucker. Turner and Creamer had another hit with " Way Down Yonder in New Orleans" in 1922. It was recorded in 1927 by Frank Trumbauer (with Bix Beiderbecke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaudeville
Vaudeville (; ) is a theatrical genre of variety entertainment which began in France in the middle of the 19th century. A ''vaudeville'' was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs and dances. Vaudeville became popular in the United States and Canada from the early 1880s until the early 1930s, while changing over time. In some ways analogous to music hall from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, illustrated songs, jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and films. A vaudeville performer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Some Of These Days
"Some of These Days" is a popular song, written and composed by Shelton Brooks, published in 1910, and associated with the performer Sophie Tucker. Background Shelton Brooks and "Some of These Days" was brought to Sophie Tucker's attention in 1910 by her maid, who insisted she meet Brooks and hear the song. Tucker instantly recognized its hit potential, performed and recorded many versions throughout the years, and eventually it became her signature song—including landing movie appearances to perform it. Tucker first recorded the song along with others on wax cylinder format in 1910–11. In 1926, on 78 RPM record format and backed by Ted Lewis and his band, Tucker recorded her classic, million-selling 1926 version, which stayed in the #1 position on the charts for five weeks beginning November 23, 1926, and re-affirmed her lasting association with the song. "Some of These Days" has been recorded by many other artists, including Billy "Uke" Carpenter, Ethel Waters, Louis A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
