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List Of Pipe Organ Stops
An organ stop can be one of three things: *the control on an organ console that selects a particular sound *the row of organ pipes used to create a particular sound, more appropriately known as a ''rank'' *the sound itself Organ stops are sorted into four major types: principal, string, reed, and flute. This is a sortable list of names that may be found associated with electronic and pipe organ stops. Countless stops have been designed over the centuries, and individual organs may have stops, or names of stops, used nowhere else. This non-comprehensive list deals mainly with names of stops found on numerous Baroque The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from ..., classical and romantic organs. Here are a few of the most common ones: See also * Abbatial church of N ...
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Organ Stop
An organ stop is a component of a pipe organ that admits pressurized air (known as ''wind'') to a set of organ pipes. Its name comes from the fact that stops can be used selectively by the organist; each can be "on" (admitting the passage of air to certain pipes), or "off" (''stopping'' the passage of air to certain pipes). The term can also refer to the control that operates this mechanism, commonly called a stop tab, stop knob, or drawknob. On electric or electronic organs that imitate a pipe organ, the same terms are often used, with the exception of the Hammond organ and clonewheel organs, which use the term " drawbar". The term is also sometimes used as a synonym for register, referring to rank(s) of pipes controlled by a single stop. Registration is the art of combining stops to produce a certain sound. The phrase "pull out all the stops", which once only meant to engage all of the voices on the organ, has entered general usage, for deploying all available means to ...
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Cornet (organ Stop)
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B. There is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying valves to it in the 1820s. Initially using Stölzel valves, by the 1830s, Parisian makers were using the improved Périnet piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valv ...
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Fundamental Frequency
The fundamental frequency, often referred to simply as the ''fundamental'' (abbreviated as 0 or 1 ), is defined as the lowest frequency of a Periodic signal, periodic waveform. In music, the fundamental is the musical pitch (music), pitch of a note that is perceived as the lowest Harmonic series (music)#Partial, partial present. In terms of a superposition of Sine wave, sinusoids, the fundamental frequency is the lowest frequency sinusoidal in the sum of harmonically related frequencies, or the frequency of the difference between adjacent frequencies. In some contexts, the fundamental is usually abbreviated as 0, indicating the lowest frequency Zero-based numbering, counting from zero. In other contexts, it is more common to abbreviate it as 1, the first harmonic. (The second harmonic is then 2 = 2⋅1, etc.) According to Benward and Saker's ''Music: In Theory and Practice'': Explanation All sinusoidal and many non-sinusoidal waveforms repeat exactly over time – they are per ...
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Oboe
The oboe ( ) is a type of double-reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common type of oboe, the soprano oboe pitched in C, measures roughly long and has metal Key (instrument), keys, a conical Bore (wind instruments), bore and a flared bell. Sound is produced by blowing into the Reed (instrument), reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word ''oboe'' is used alone, it is generally taken to mean the soprano member rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in Orchestra, symphony orchestras, concert bands and chamber music, chamber ensembles. The oboe is especially used in classical music, film music, some ge ...
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Ophicleide (organ Stop)
Ophicleide ( ) and Contra Ophicleide are powerful pipe organ reed pipes used as organ stops. The name comes from the early brass instrument, the ophicleide, forerunner of the euphonium. The Ophicleide is generally at 16 ft pitch, and the Contra Ophicleide at 32 ft. While they can be 8 ft or 16 ft reeds in a manual division, they are most commonly found in the pedal division of the organ. Voiced to develop both maximum fundamental tone (as in the Bombarde) and overtone series (as in the Posaune), if the classic voicing technique and use of terminology are followed, the Ophicleide and Contra Ophicleide are among the most powerful and loudest organ stops. Generally the only types of stop more powerful are the various forms of Trompette ''en chamade''. However, the Ophicleides require an extremely large instrument to balance their sound, and so are rarely built today, except into the largest of organs (about one hundred ranks and up). The Grand Ophicleide in the Boardwal ...
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Mixture (organ Stop)
A mixture is an organ stop, usually of principal tone quality, that contains multiple ranks of pipes including at least one mutation stop. It is designed to be drawn with a combination of stops that forms a complete chorus, for example, principals of 8 foot (8), 4, and 2 pitches. The mixture emphasizes upper harmonics of each note of the keyboard; the individual pitches in the mixture are not distinguished by the listener, but reinforce the fundamental (lowest) pitch, adding volume, timbre (colour) and brilliance to the sound. Because pipes playing upper harmonics produce their own set of harmonic overtones, an element of harmonic dissonance is introduced, giving mixtures their characteristic tonal texture as they enrich the ensemble. Historically, the mixture descends from the medieval Blockwerk concept, an organ in which there were no stops and all the ranks sounded simultaneously. Nomenclature Mixture stops are typically labeled with Roman numerals with the number of ranks ...
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Mutation Stop
An organ stop is a component of a pipe organ that admits pressurized air (known as ''wind'') to a set of organ pipes. Its name comes from the fact that stops can be used selectively by the organist; each can be "on" (admitting the passage of air to certain pipes), or "off" (''stopping'' the passage of air to certain pipes). The term can also refer to the control that operates this mechanism, commonly called a stop tab, stop knob, or drawknob. On electric or electronic organs that imitate a pipe organ, the same terms are often used, with the exception of the Hammond organ and clonewheel organs, which use the term " drawbar". The term is also sometimes used as a synonym for register, referring to rank(s) of pipes controlled by a single stop. Registration is the art of combining stops to produce a certain sound. The phrase "pull out all the stops", which once only meant to engage all of the voices on the organ, has entered general usage, for deploying all available means to purs ...
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Oxford University Press
Oxford University Press (OUP) is the publishing house of the University of Oxford. It is the largest university press in the world. Its first book was printed in Oxford in 1478, with the Press officially granted the legal right to print books by decree in 1586. It is the second-oldest university press after Cambridge University Press, which was founded in 1534. It is a department of the University of Oxford. It is governed by a group of 15 academics, the Delegates of the Press, appointed by the Vice Chancellor, vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, Walton Street, Oxford, opposite Somerville College, Oxford, Somerville College, in the inner suburb of Jericho, Oxford, Jericho. ...
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Aristide Cavaillé-Coll
Aristide Cavaillé-Coll (; 4 February 1811 – 13 October 1899) was a French organ builder. He has the reputation of being the most distinguished organ builder of the 19th century. He pioneered innovations in the art and science of organ building that permeated the profession and influenced the course of organ building, composing and improvising through the early 20th century. As the author of scientific journal articles about the organ construction details, he published the results of his research and experiments. He was the inventor of the symphonic organ being able to follow smooth and immediate dynamic changes like a symphonic orchestra. His most famous organs were built in Paris in Saint-Denis Basilica (1841), Église de la Madeleine, Sainte-Clotilde Basilica (1859), Saint-Sulpice church (his largest instrument; behind the classical façade), Notre-Dame Cathedral (behind the classical façade), baron Albert de L'Espée's residence in Biarritz (moved finally to the ...
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Resultant (organ)
A combination tone (also called resultant tone or subjective tone)Combination Tone
, ''Britannica.com''. Accessed September 2015.
is a phenomenon of an additional tone or tones that are artificially perceived when two real tones are sounded at the same time. Their discovery is credited to the violinist , so they are also called Tartini tones. There are two types of combination tones: sum tones whose

Gedackt
Gedackt (also spelled gedeckt) is the name of a family of stops in pipe organ building. They are one of the most common types of organ flue pipe. The name stems from the Middle High German word ''gedact'', meaning "capped" or "covered". History The concept of the stopped flute pipe (of which gedackt is a prime example) is almost as old as organ construction. As early as 1600, in Germanic organs, stopped flutes were common additions to the specification. Besides giving a distinct flute-like tone (in contrast to the more open and expressive tone of the diapason, the organ's basic voice) the stopped flutes offer a perfect ensemble stop for making combinations. Stopped flutes like the gedackt are extremely versatile in an organ specification. Certain types of organ stops go in and out of fashion over the centuries, but the stopped flute ranks like the gedackt are always present on instruments of all sizes. Even the very smallest pipe organs frequently have some form of stopped flu ...
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Viol
The viola da gamba (), or viol, or informally gamba, is a bowed and fretted string instrument that is played (i.e. "on the leg"). It is distinct from the later violin family, violin, or ; and it is any one of the earlier viol family of bow (music), bowed, fretted, and stringed instruments , stringed instruments with hollow wooden bodies and Tuning mechanisms for stringed instruments, pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Although treble, tenor and bass were most commonly used, viols came in different sizes, including (high treble, developed in 18th century), treble, alto, small tenor, tenor, bass and contrabass (called ). These members of the viol family are distinguished from later bowed string instruments, such as the violin family, by both appearance and orientation when played—as typically the neck is oriented upwards and the rounded bottom downwards to settle on the lap or between the knees. ...
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