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List Of Operas By Adam
This is a list of the complete operas of the French opera composer Adolphe Adam (1803–1856). Unless otherwise noted, all premieres took place in Paris. Best known for his opéras comiques, of which he wrote 36, Adam actually began his career with a series of 19 vaudevilles. He also composed three opéras, two opérettes, two pasticcios, one drame lyrique, one opéra-ballet and one scène-prologue, in addition to works variously designated as drama, drama with songs, historical melodrama and military spectacle. List References ;Notes ;Sources * Forbes, Elizabeth (1992), 'Adam, Adolphe' in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie. London: Macmillan. . * Walsh, T. J. (1981). ''Second Empire Opera: The Théâtre Lyrique, 1851–1870''. London: John Calder. . * Warrack, John John Hamilton Warrack (born 1928, in London) is an English music critic, writer on music, and oboist. Warrack is the son of Scottish conductor and composer Guy Warrack. He was educated at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe De Leuven
Adolphe de Leuven (30 September 1802 – 14 April 1884) was a French theatre director and a librettist. Also known as Grenvallet, and Count Adolph Ribbing. He was the illegitimate son of Adolph Ribbing, who was involved in the assassination of Gustav III of Sweden in 1792, and Jeanne-Claude Billard. He took his name as a variation of that of his paternal grandmother, Eva Löwen. He produced over 170 plays and librettos, with operatic settings by Adam including ''Le postillon de Lonjumeau'', Clapisson, Félicien David (''Le Saphir'') and Thomas.Wright L A"Leuven, Adolphe de"in ''The New Grove Dictionary of Opera'', four volumes, edited by Stanley Sadie. London & New York, Macmillan, 1997. He was associated with the Opéra-Comique for fifty years and was director (with Eugène Ritt as administrator) from 1862 to 1870 and co-director with Camille du Locle from 1870-1874. He resigned in protest at the on-stage murder in ''Carmen ''Carmen'' () is an opera in four acts by the Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Wolfgang Von Goethe
Johann Wolfgang von Goethe (28 August 1749 – 22 March 1832) was a German poet, playwright, novelist, scientist, statesman, theatre director, and critic. His works include plays, poetry, literature, and aesthetic criticism, as well as treatises on botany, anatomy, and colour. He is widely regarded as the greatest and most influential writer in the German language, his work having a profound and wide-ranging influence on Western literary, political, and philosophical thought from the late 18th century to the present day.. Goethe took up residence in Weimar in November 1775 following the success of his first novel, '' The Sorrows of Young Werther'' (1774). He was ennobled by the Duke of Saxe-Weimar, Karl August, in 1782. Goethe was an early participant in the '' Sturm und Drang'' literary movement. During his first ten years in Weimar, Goethe became a member of the Duke's privy council (1776–1785), sat on the war and highway commissions, oversaw the reopening of sil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salle de la Bourse
The Salle de la Bourse was a Parisian theatre located on the rue Vivienne in the 2nd arrondissement, across from the Paris Bourse, hence the name. It was successively the home of the Théâtre des Nouveautés (1827–1832), the Opéra-Comique (1832–1840), and the Théâtre du Vaudeville (1840–1869). The theatre was demolished in 1869. Théâtre des Nouveautés (1827–1832) The Salle de la Bourse was built to the designs of the French architect François Debret for the first Théâtre des Nouveautés, which opened there on 1 March 1827. The founder was Cyprien Bérard, a former director of the Théâtre du Vaudeville. The programs consisted of ballads, opéras comiques (Hector Berlioz was a chorister there for a few months), satires and political plays. The theatre suffered the prohibitions of censorship and had recurrent difficulties with the Opéra-Comique, which refused to share its privileges. However, for other reasons Bérard was forced to close his theatre on 15 Feb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London
London is the capital and List of urban areas in the United Kingdom, largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Roman Empire, Romans as ''Londinium'' and retains its medieval boundaries.See also: Independent city#National capitals, Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national Government of the United Kingdom, government and Parliament of the United Kingdom, parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the Counties of England, counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Desnoyer
Charles-Louis-François Desnoyer, or Desnoyers, (6 April 1806 – 6 February 1858) was a 19th-century French actor, playwright and theatre manager. He also wrote under the pen name Anatole de Beaulieu. Short biography He made his debut as actor and author in 1827 with a comédie en vaudeville, ''Je serai comédien''. He wrote many plays, comedies, dramas and melodramas for theaters on the boulevard du Crime in collaboration with other authors such as Eugène Nus, Léon Beauvallet or Adolphe d'Ennery. General manager of the Théâtre du Gymnase Marie Bell, Théâtre du Gymnase then at the Comédie-Française from 1841 to 1847, he became directing manager of the Théâtre de l'Ambigu-Comique in May 1852Gustave Vapereau, ''Dictionnaire universel des contemporains'', op.cit. When he died, ''La Presse (France), La Presse'' read: Works Theatre *1825: ''L’Amour et la Guerre'', vaudeville in 1 act by Charles Varin, Étienne Arago and Desnoyer, Théâtre du Vaudeville (22 Aug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Monnais
Désiré Guillaume Édouard Monnais (27 May 1798 – 25 February 1868) was a French journalist, theater director, playwright and librettist. Life and career Édouard Monnais was born in Paris and began his career as a journalist. In 1835, he became chief editor of the ''Revue et Gazette musicale de Paris''. In 1836 he took a position at the Interior Ministry and in 1838 became Commissioner of Opera and soon afterward, the Paris Conservatory. From 15 November 1839 to the end of May 1841, he co-directed the Paris Opera with Henri Duponchel. Monnais wrote as a critic for ''Revue et gazette musicale de Paris'' and '' Le Courrier français'', during which time he reviewed the work of artists including Balzac and Verdi. He was active in the support of music and opera, serving as Vice-chairman of the Association of Artists-Musicians, and also on juries, artistic committees and in support of competitions including the Prix de Rome. Monnais sometimes wrote under the pseudonym of Paul Sm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salle Ventadour
The Salle Ventadour, a former Parisian theatre in the rue Neuve-Ventadour, now the rue Méhul (2nd arrondissement of Paris), was built between 1826 and 1829 for the Opéra-Comique, to designs by Jacques-Marie Huvé, a prominent architect. The original theatre had a capacity of 1,106, but was subsequently taken over by the Théâtre-Italien and expanded to a capacity of 1,295 in 1841, thereafter becoming perhaps most noteworthy as the theatre in which the majority of the operas of the Italian composer Giuseppe Verdi were first performed in France. When the Théâtre-Italien company went out of business in 1878, the theatre was converted to offices. Opéra-Comique The Opéra-Comique first performed at the Salle Ventadour on 20 April 1829. The opening night audience was a distinguished one and found the new theatre luxurious and comfortable. The program included the one-act opera ''Les deux mousquetaires'' by Henri Montan Berton, the overture to Étienne Méhul's opera ''Le jeune He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Duport
Nicolas-Paul Duport (22 April 1798 – 26 December 1866) was a French dramatist and librettiste who also wrote under the pen names M. P. D., Paulin and Erbert. Theatre * 1824 : ''Le Beau-frère, ou la Veuve à 2 maris'', comédie-vaudeville in 1 act, with Auguste Duport and Amable de Saint-Hilaire * 1824 : ''Une journée de Charles V'', comedy in 1 act in prose, with A. Duport * 1825 : ''Kettly ou le Retour en Suisse'' vaudeville in 1 act by Duvert and Paulin, Vaudeville (28 January) * 1827 : ''L'Arbitre, ou les Séductions'', comédie-vaudeville in two acts by Théaulon and Paulin, Théâtre de Madame (7 May) * 1835 : ''Alda'', one-act opera-comique by Bayard and Paul Duport, music by Alphonse Thys, Opéra-Comique, salle des Nouveautés (8 July) * 1837 : ''La Champmeslé'', comédie anecdotique in two acts mixed with songs by Erbert and Ancelot, vaudeville (11 February) * 1838 : ''Le Perruquier de la Régence'', opera in three acts by Eugène de Planard and Paul Duport, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
