List Of Compositions By Samuel Barber
This is a list of compositions by Samuel Barber sorted by genre, opus number In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among composit ..., date of composition, and title. References External links Samuel Barber website* {{Samuel Barber Barber, Samuel, List of compositions by ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Samuel Barber
Samuel Osmond Barber II (March 9, 1910 – January 23, 1981) was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the 20th century. The music critic Donal Henahan said, "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim." Principally influenced by nine years' composition studies with Rosario Scalero at the Curtis Institute and more than 25 years' study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of musical modernism in favor of traditional 19th-century harmonic language and formal structure embracing lyricism and emotional expression. However, he adopted elements of modernism after 1940 in some of his compositions, such as an increased use of dissonance and chromaticism in the '' Cello Concerto'' (1945) and ''Medea's Dance of Vengeance'' (1955); and the use of tonal ambiguity and a narrow use of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Adagio For Strings
''Adagio for Strings'' is a work by Samuel Barber, arguably his best known, arranged for string orchestra from the second movement of his String Quartet, Op. 11. Barber finished the arrangement in 1936, the same year that he wrote the quartet. It was performed for the first time on November 5, 1938, by Arturo Toscanini conducting the NBC Symphony Orchestra in a radio broadcast from NBC Studio 8H. Toscanini also conducted the piece on his South American tour with the NBC Symphony in 1940. Its reception has generally been positive, with Alexander J. Morin writing that ''Adagio for Strings'' is "full of pathos and cathartic passion" and that it "rarely leaves a dry eye". The music is the setting for Barber's 1967 choral arrangement of ''Agnus Dei''. ''Adagio for Strings'' has been featured in many TV and movie soundtracks. History Barber's ''Adagio for Strings'' was originally the second movement of his String Quartet, Op. 11, composed in 1936 while he was spending a summer ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mary Louise Curtis
Mary Louise Curtis (August 6, 1876 in Boston, Massachusetts – January 4, 1970 in Philadelphia, Pennsylvania)Bok, Edward W. (1920) ''The Americanization of Edward Bok''. Lakeside Classics edition, R.R. Donnelley & Sons Co., Chicago, Illinois, pp. 149, 199-200. was the founder of the Curtis Institute of Music in Philadelphia. She was the only child of the magazine and newspaper magnate Cyrus H. K. Curtis and Louisa Knapp Curtis, the founder and editor of the ''Ladies' Home Journal''. She has also been credited with funding many of the landscape improvements made to the inner waterfront of the Rockport, Maine village harbor during the early to mid-1900s. Early life and first marriage Aged 13, writing under her mother's maiden name (as Mary L. Knapp), she was one of sixteen people on the staff of ''Ladies' Home Journal'' in 1890, the first year of Edward W. Bok's long tenure as editor of the magazine. In 1896, at the age of nineteen, she married Bok, who was fourteen ye ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Academy Of Music (Philadelphia)
The Academy of Music, also known as American Academy of Music, is a concert hall and opera house located at 240 S. Broad Street in Philadelphia, Pennsylvania. Its location is between Locust and Manning Streets in the Avenue of the Arts area of Center City. The hall was built in 1855–57 and is the oldest opera house in the United States that is still used for its original purpose. Known as the "Grand Old Lady of Locust Street," the venue is the home of the Philadelphia Ballet and Opera Philadelphia. It was also home to the Philadelphia Orchestra from its inception in 1900 until 2001, when the orchestra moved to the new Kimmel Center for the Performing Arts. The Philadelphia Orchestra still retains ownership of the Academy. The hall was designated a National Historic Landmark in 1962.Charles E. Shedd Jr., et al. (December 1979) , National Park Service and History The Academy of Music held an inaugural ball on January 26, 1857. At the time ''The New York Times'' described ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cello Concerto (Barber)
Samuel Barber's Concerto for Violoncello and Orchestra, Op. 22, completed on 27 November 1945, was the second of his three concertos (the first being his Violin Concerto and the third his Piano Concerto). Barber was commissioned to write his cello concerto for Raya Garbousova, an expatriate Russian cellist, by Serge Koussevitzky on behalf of Garbusova and the Boston Symphony Orchestra. Funds for the commission were supplied, however, by John Nicholas Brown, an amateur cellist and a trustee of the Boston Symphony Orchestra. The score is dedicated to John and Anne Brown. Barber was still on active duty with the U. S. Army at the time he received the commission, and before beginning work asked Garbousova to play through her repertoire for him so that he could understand her particular performing style and the resources of the instrument. Garbousova premiered it with the Boston Symphony Orchestra in Symphony Hall, Boston, on 5 April 1946, followed by New York performances at the Brook ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Capricorn Concerto
''Capricorn'' Concerto, Op. 21, is a composition for flute, oboe, trumpet, and strings by Samuel Barber, completed on September 8, 1944. A typical performance lasts approximately 14 minutes. History The concerto was written when Barber was still serving in the U.S. Army but when he was granted time and freedom to compose. Hence the piece was composed in and named after the house "Capricorn" in Mount Kisco, acquired by Barber and Gian Carlo Menotti in 1943 and so-named for the maximum sunshine it got during the winter. It is therefore "a nostalgic piece that expresses Barber’s desire to return to a situation where he could compose without the constant interruption of military requirements", and was the last piece Barber wrote before his discharge from military duty. The work was composed for Daniel Saidenberg but it is not certain whether or not it was also under the aegis of the Office of War Information—the Army unit to which Barber was assigned. It was premiered by the Sa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Violin Concerto (Barber)
Samuel Barber completed his Violin Concerto, Op. 14, in 1939. It is a work in three movements, lasting about 22 minutes. History In 1939, Philadelphia industrialist Samuel Simeon Fels commissioned Barber to write a violin concerto for his ward, Iso Briselli, a graduate from the Curtis Institute of Music the same year as Barber, 1934. The Barber biographies written by Nathan Broder (1954) and Barbara B. Heyman (1992) discuss the genesis of the concerto during the period of its commission and the subsequent year leading up to the first performance. Heyman interviewed Briselli and others familiar with the history in her publication. In late 2010, previously unpublished letters written by Fels, Barber, and Albert Meiff (Briselli's violin coach in that period) from the Samuel Simeon Fels Papers archived at the Historical Society of Pennsylvania became available to the public. Barber accepted Fels's advance and went to Switzerland to work on the concerto. Barber started working on the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Third Essay For Orchestra (Barber)
The ''Third Essay for Orchestra'', Op. 47, is a short orchestral work composed by Samuel Barber in 1978. The score is dedicated to Audrey Sheldon. History Barber's ''Third Essay for Orchestra'' was the eventual product of a suggestion made in the spring of 1976 by Eugene Ormandy, who had been approached by an anonymous patron offering a commission of $75,000 from the Merlin Foundation for a large-scale work to be premiered by the Philadelphia Orchestra, as well as to support recordings of works of Barber’s choice. The mysterious benefactor eventually was revealed to be Audrey Sheldon Poon, an American socialite, daughter of Huntington D. Sheldon and Magda Merck, the youngest daughter of George Merck, founder of the pharmaceutical firm Merck & Co. Although a contract was signed, a series of misunderstandings between the parties involved resulted in protracted and ultimately fruitless negotiations with the Philadelphia Orchestra Association, who could not accept some of the condi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Westbury, New York
The Incorporated Village of Westbury is a village in the Town of North Hempstead in Nassau County, on Long Island, in New York, United States. It is located about east of Manhattan. The population was 15,404 at the 2020 census. History The first settlers arrived in 1658 in the region known as the Hempstead Plains. Many of the early settlers were Quakers. Westbury's Jericho Turnpike, which provides connection to Mineola and Syosset as well as to the Long Island Expressway (or LIE), was once a trail used by the Massapequa Indians. As far back as the 17th century, it served as a divider between the early homesteads north of the Turnpike and the Hempstead Plains to its south. Today, it serves as a state highway complex. In 1657, Captain John Seaman purchased from the Algonquian Tribe of the Massapequa Indians. In 1658, Richard Stites and his family built their homestead in this area. Theirs was the only family farm until an English Quaker, Edmond Titus, and his son Samuel ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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James Joyce
James Augustine Aloysius Joyce (2 February 1882 – 13 January 1941) was an Irish novelist, poet, and literary critic. He contributed to the Modernism, modernist avant-garde movement and is regarded as one of the most influential and important writers of the 20th century. Joyce's novel ''Ulysses (novel), Ulysses'' (1922) is a landmark in which the episodes of Homer's ''Odyssey'' are paralleled in a variety of literary styles, particularly Stream of consciousness (narrative mode), stream of consciousness. Other well-known works are the short-story collection ''Dubliners'' (1914), and the novels ''A Portrait of the Artist as a Young Man'' (1916) and ''Finnegans Wake'' (1939). His other writings include three books of poetry, a play, letters, and occasional journalism. Joyce was born in Dublin into a middle-class family. He attended the Jesuit Clongowes Wood College in County Kildare, then, briefly, the Christian Brothers-run O'Connell School. Despite the chaotic family life impose ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Finnegans Wake
''Finnegans Wake'' is a novel by Irish writer James Joyce. It is well known for its experimental style and reputation as one of the most difficult works of fiction in the Western canon. It has been called "a work of fiction which combines a body of fables ... with the work of analysis and deconstruction". Written in Paris over a period of seventeen years and published in 1939, ''Finnegans Wake'' was Joyce's final work. The entire book is written in a largely idiosyncratic language, which blends standard English words with neologistic portmanteau words, Irish mannerisms and puns in multiple languages to unique effect. Many critics believe the technique was Joyce's attempt to recreate the experience of sleep and dreams, reproducing the way concepts, people and places become amalgamated in dreaming. It is an attempt by Joyce to combine many of his aesthetic ideas, with references to other works and outside ideas woven into the text; Joyce declared that "Every syllable can be just ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Medea's Dance Of Vengeance
''Medea's Dance of Vengeance'' is a composition (1955, Op. 23a) by the American composer Samuel Barber, derived from his earlier ballet suite ''Medea'' and loosely based on the play ''Medea'' by Euripides. Barber first created a seven- movement concert suite from this ballet (''Medea'', Op. 23), and five years later reduced this concert suite down to a single-movement concert piece using what he felt to be the strongest portions of the work. He originally titled it ''Medea's Meditation and Dance of Vengeance'', but shortly before his death, he changed the title to simply ''Medea's Dance of Vengeance''. Instrumentation ''Dance of Vengeance'' is scored for a larger orchestra than either preceding version (ballet or concert suite), being made up of the following: Woodwinds *3 Flutes (3rd doubling Piccolo) *2 Oboes *English Horn * Clarinet in E♭ *2 Clarinets in Bb (and A) *Bass Clarinet *2 Bassoons *Contrabassoon Brass *4 Horns in F *3 Trumpets in C *3 Trombones *Tu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |