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List Of Compositions By George Gershwin
This is a list of compositions by George Gershwin, a Broadway theatre, Broadway songwriter and a American classical music, classical composer. His works are grouped thematically in this list, and in chronological order according to the dates of compositions in the same group. Classical works ''Note: All orchestral/operatic pieces are orchestration, orchestrated by Gershwin unless otherwise specified.'' * ''Lullaby'' (1919), a meditative piece for string quartet. Originally, a class assignment from his music theory teacher. * ''Blue Monday (opera), Blue Monday'' (1922), a one-act opera featured in ''George White's Scandals, George White's Scandals of 1922'' at the Lunt-Fontanne Theatre, Globe Theatre, Paul Whiteman conducting, orchestrated by Will Vodery. ** Reorchestrated by Ferde Grofé and retitled ''135th Street'' in 1925 for a performance at Carnegie Hall. ** A suite from ''Blue Monday'' was later arranged for piano by pianist and Gershwin scholar Alicia Zizzo and has been ...
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George Gershwin 1937
George may refer to: Names * George (given name) * George (surname) People * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Papagheorghe, also known as Jorge / GEØRGE * George, stage name of Giorgio Moroder * George, son of Andrew I of Hungary Places South Africa * George, South Africa, a city ** George Airport United States * George, Iowa, a city * George, Missouri, a ghost town * George, Washington, a city * George County, Mississippi * George Air Force Base, a former U.S. Air Force base located in California Computing * George (algebraic compiler) also known as 'Laning and Zierler system', an algebraic compiler by Laning and Zierler in 1952 * GEORGE (computer), early computer built by Argonne National Laboratory in 1957 * GEORGE (operating system), a range of operating systems (George 1–4) for the ICT 1900 range of computers in the 1960s * GEORGE (programming language), an autocode system invented by Charles Leonard Hamblin ...
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Rhapsody In Blue
''Rhapsody in Blue'' is a 1924 musical composition for solo piano and jazz band by George Gershwin. Commissioned by bandleader Paul Whiteman, the work combines elements of classical music with jazz-influenced effects and premiered in a concert titled "An Experiment in Modern Music" on February 12, 1924, in Aeolian Building (42nd Street), Aeolian Hall, New York City. Whiteman's band performed the Rhapsody (music), rhapsody with Gershwin playing the piano. Whiteman's arranger Ferde Grofé orchestrated the rhapsody several times, including the 1924 original scoring, the 1926 pit orchestra scoring, and the 1942 symphony orchestra, symphonic scoring. The rhapsody is one of Gershwin's most recognizable creations and a key composition that defined the Jazz Age. Gershwin's piece inaugurated a new era in America's musical history, established his reputation as an eminent composer and became one of the most popular of all concert works. In the ''American Heritage (magazine), American He ...
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Atonal
Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. More narrowly, the term ''atonality'' describes music that does not conform to the system of tonal hierarchies that characterized European classical music between the seventeenth and nineteenth centuries. "The repertory of atonal music is characterized by the occurrence of pitches in novel combinations, as well as by the occurrence of familiar pitch combinations in unfamiliar environments". The term is also occasionally used to describe music that is neither tonal nor serial, especially the pre- twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern. However, "as a cat ...
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Polytonal
Polytonality (also polyharmony) is the musical use of more than one key (music), key simultaneity (music), simultaneously. Bitonality is the use of only two different keys at the same time. Polyvalence or polyvalency is the use of more than one diatonic function, harmonic function, from the same key, at the same time. Some examples of bitonality superimpose fully harmony, harmonized sections of music in different keys. History In traditional music Lithuanian traditional singing style sutartines is based on polytonality. A typical sutartines song is based on a six-bar melody, where the first three bars contain melody based on the notes of the triad of a major key (for example, in G major), and the next three bars is based on another key, always a major second higher or lower (for example, in A major). This six-bar melody is performed as a canon (music), canon, and repetition starts from the fourth bar. As a result, parts are constantly singing in different tonality (key) simulta ...
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Strike Up The Band (musical)
''Strike Up the Band'' is a 1927 musical with a book by Morrie Ryskind, lyrics by Ira Gershwin and music by George Gershwin. It first ran as a satirical show in Philadelphia that year, unsuccessfully, and on Broadway in 1930 after the original book by George S. Kaufman was revised by Ryskind. The show concerned a cheese manufacturer who sponsors a war against Switzerland because it will be named after him. Much of the satire of the 1927 version was replaced in the new version by silliness, leading Ryskind to recall, "What I had to do, in a sense, was to rewrite ''War and Peace'' for the Three Stooges." In the 1930 version the opening of Act I of the musical was reset from a cheese factory to a chocolate factory, and much of the work was re-imagined as occurring during a dream sequence. Aside from the title tune, the 1940 Judy Garland-Mickey Rooney musical film ''Strike Up the Band'' had no relation to the stage production. The overture is often performed as a stand-alone conc ...
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Walter Damrosch
Walter Johannes Damrosch (January 30, 1862December 22, 1950) was a Prussian-born American conductor and composer. He was the director of the New York Symphony Orchestra and conducted the world premiere performances of various works, including Aaron Copland's Symphony for Organ and Orchestra, George Gershwin's Piano Concerto in F and ''An American in Paris'', and Jean Sibelius' ''Tapiola''. Damrosch was also instrumental in the founding of Carnegie Hall. He also conducted the first performance of Rachmaninoff's Piano Concerto No. 3 with the composer himself as soloist. Life and career Damrosch was born in Breslau, Silesia, to Helene von Heimburg, a former opera singer, and the conductor Leopold Damrosch. His brother Frank Damrosch became a music conductor and sister Clara Mannes a music teacher. His parents were Lutheran, although his paternal grandfather was Jewish. He exhibited an interest in music at an early age and was instructed by his father in harmony, and also studi ...
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New York Symphony Orchestra
The New York Symphony Orchestra was founded as the New York Symphony Society in New York City by Leopold Damrosch in 1878. For many years it was a rival to the older Philharmonic Symphony Society of New York. It was supported by Andrew Carnegie, who built Carnegie Hall (opened in 1891) expressly for the orchestra. The Symphony was known for performing more colorful French and Russian works than the Philharmonic, which excelled in German repertoire. Upon his death in 1885, Leopold Damrosch was succeeded as musical director by his son Walter Damrosch. In 1903, during a reorganization, it was renamed the New York Symphony Orchestra, and its first recordings were made that year as the "Damrosch Orchestra" for Columbia Records (of which only one was commercially issued, the prelude to Georges Bizet's ''Carmen''). In 1920 it became the first American orchestra to tour Europe, and radio broadcasts of its concerts began in 1923. In 1928, the orchestra merged with the Philharmonic Socie ...
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Concerto In F (Gershwin)
Concerto in F is a composition by George Gershwin for solo piano and orchestra which is closer in form to a traditional concerto than his earlier jazz-influenced ''Rhapsody in Blue''. It was written in 1925 on a commission from the conductor and director Walter Damrosch. A full performance lasts around half an hour. Genesis of the Concerto Damrosch had been present at the February 12, 1924 concert arranged and conducted by Paul Whiteman at Aeolian Hall in New York City titled ''An Experiment in Modern Music'' which became famous for the premiere of Gershwin's ''Rhapsody in Blue'', in which the composer performed the piano solo. The day after the concert, Damrosch contacted Gershwin to commission from him a full-scale piano concerto for the New York Symphony Orchestra, closer in form to a classical concerto and orchestrated by the composer. Because of contractual obligations for three different Broadway musicals, he was not able to begin sketching ideas until May 1925. He beg ...
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University Club Of New York
The University Club of New York (also known as University Club) is a gentlemen's club, private social club at 1 West 54th Street (Manhattan), 54th Street and Fifth Avenue in the Midtown Manhattan neighborhood of New York City. Founded to celebrate the union of social duty and intellectual life, the club was chartered in 1865 for the "promotion of literature and art". The club is not affiliated with any other University Club or college alumni clubs. The club is considered one of the most prestigious in New York City. The University Club's predecessor, the Red Room Club, was founded in 1861 when a group of Yale University, Yale College alumni founded the club to extend their collegial ties. Once the University Club received its charter, it struggled with financing, and from 1868 to 1879 the club had no permanent clubhouse and relatively few members. The club was reorganized in 1879 and became a popular social club, being housed at John Caswell's residence until 1883 and then at the ...
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Three Preludes (Gershwin)
''Three Preludes'' is a collection of short piano pieces by George Gershwin, which were first performed by the composer at the Roosevelt Hotel in New York City in 1926. Each prelude is a well-known example of early-20th-century American classical music, as influenced by jazz. The three pieces, when played together consecutively, typically run about a total of five minutes. Gershwin originally planned to compose 24 preludes called ''The Melting Pot'' for this group of works. The number was reduced to seven in manuscript form, and then reduced to six in public performance, and further decreased to three when first published in 1926. Two of the remaining preludes not published were rearranged for solo violin and piano and published as ''Short Story''. Of the other two, the Prelude in G was eliminated by the publisher because somewhat similar music had already appeared in Gershwin's Concerto in F. The other was excluded for unknown reasons. Gershwin dedicated his Preludes to ...
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Short Story (music)
''Short Story'' is a piece for violin and piano composed by George Gershwin in 1925. Gershwin composed the duet A duet (italian language, Italian: ''duo'') is a musical composition for two Performing arts, performers in which the performers have equal importance to the piece, often a composition involving two singers or two pianists. It differs from a har ... from two other short works that premiered at the same time as his '' Three Preludes''. He combined a section of the ''Novelette in Fourths'' and another slower work (the forgotten ''Rubato'' prelude) to create this piece. The 1940s two-piano, four-hands arrangement by the duo-pianists Al and Lee Reiser was published by Associated Music Publishers."AMP: Outstanding Works for Two Pianos Four Hands" (advertisement), Music Educators Journal 30:5 (April 1944), 46. Notes 1927 compositions Compositions by George Gershwin Compositions for violin and piano {{classical-composition-stub ...
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Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * String instruments, such as the violin, viola, cello, and double bass * Woodwinds, such as the flute, oboe, clarinet, bassoon, and occasional saxophone * Brass instruments, such as the French horn (commonly known as the "horn"), trumpet, trombone, cornet, and tuba, and sometimes euphonium * Percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, tam-tam and mallet percussion instruments Other instruments such as the piano, harpsichord, pipe organ, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments, and guitars. A full-size Western orchestra may sometimes be called a or phil ...
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