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List Of Compositions By Felix Mendelssohn
This is a list of compositions by Felix Mendelssohn. Listed by opus number (Note: the list includes works which were published posthumously and given opus numbers after the composer's death. Only the opus numbers 1 to 72 were assigned by Mendelssohn, the later ones by publishers. The opus number sequence does not therefore always accord with the order of composition). The list also includes the Mendelssohn-Werkverzeichnis classification code (MWV). Works with opus number assigned by Mendelssohn Op. 1–20 * Op. 1, Piano Quartet No. 1 (Mendelssohn), Piano Quartet No. 1 in C minor (1822) (MWV Q 11) * Op. 2, Piano Quartet No. 2 (Mendelssohn), Piano Quartet No. 2 in F minor (1823) (MWV Q 13) * Op. 3, Piano Quartet No. 3 (Mendelssohn), Piano Quartet No. 3 in B minor (1824/25) (MWV Q 17) * Op. 4, Violin Sonata, Op. 4 (Mendelssohn), Violin Sonata (No. 2) in F minor (1823) (MWV Q 12) * Op. 5, Capriccio in F-sharp minor for piano (1825) (MWV U 50) * Op. 6, Piano Sonata No. 1 (Mendelssohn ...
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Mendelssohn Bartholdy
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic music, Romantic period. Mendelssohn's compositions include symphony, symphonies, concertos, piano music, organ music and chamber music. His best-known works include the Overture#Concert overture, overture and incidental music for ''A Midsummer Night's Dream (Mendelssohn), A Midsummer Night's Dream'' (which includes his "Wedding March (Mendelssohn), Wedding March"), the ''Symphony No. 4 (Mendelssohn), Italian'' and ''Symphony No. 3 (Mendelssohn), Scottish'' Symphonies, the oratorios ''St. Paul (oratorio), St. Paul'' and ''Elijah (oratorio), Elijah'', the ''The Hebrides (overture), Hebrides'' Overture, the mature Violin Concerto (Mendelssohn), Violin Concerto, the Octet (Mendelssohn), String Octet, and the melody used in the Christmas carol "Hark! The Herald Angels Sing". Mendelssohn's ''Songs W ...
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A Midsummer Night's Dream (Mendelssohn)
On two occasions, Felix Mendelssohn composed music for William Shakespeare's play ''A Midsummer Night's Dream'' (in German ''Ein Sommernachtstraum''). First in 1826, near the start of his career, he wrote a concert overture ( Op. 21). Later, in 1842, five years before his death, he wrote incidental music (Op. 61) for a production of the play, into which he incorporated the existing overture. The incidental music includes the famous " Wedding March". Overture The overture in E major, Op. 21, was written by Mendelssohn at 17 years and 6 months old (it was finished on 6 August 1826).'' Grove's Dictionary of Music and Musicians'', 5th ed., 1954 The near-contemporary music scholar George Grove called it "the greatest marvel of early maturity that the world has ever seen in music". It was written as a concert overture, not associated with any performance of the play. The overture was written after Mendelssohn had read a German translation of the play in 1826. The translation was by ...
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A Cappella
Music performed a cappella ( , , ; ), less commonly spelled acapella in English, is music performed by a singer or a singing group without instrumental accompaniment. The term ''a cappella'' was originally intended to differentiate between Renaissance music, Renaissance polyphony and Baroque (music), Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for ''alla breve''. Early history Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 BC, while the earliest that has survived in its entirety is from the first century AD: a piece from Greece called the Seikilos epi ...
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Cello Sonata No
The violoncello ( , ), commonly abbreviated as cello ( ), is a middle pitched bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef; the tenor clef and treble clef are used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music, such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music ...
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Psalm 42 (Mendelssohn)
Psalm 42, Op. 42 ( MWV A 15) ''Wie der Hirsch schreit'' (As pants the hart) is a cantata by Felix Mendelssohn, setting Psalm 42 in German. It was written and published in 1837 (revised 1838) for soloists, mixed choir and orchestra. History Mendelssohn set the music to Luther's German translation of Psalm 42. At the work's first performance, in Leipzig on 1 January 1838, Mendelssohn conducted the Leipzig Gewandhaus Orchestra, with Clara Novello as soprano. He was the orchestra's musical director from 1835 until his death in 1847. Schumann Robert Schumann (; ; 8 June 181029 July 1856) was a German composer, pianist, and music critic of the early Romantic music, Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber ... opined in 1837 that Mendelssohn's setting of Psalm 42 was the "highest point that he endelssohnreached as a composer for the church. Indeed the highest point recent church music has reached at a ...
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Drei Motetten, Op
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Oratorio
An oratorio () is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. Similar to opera, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias. However, opera is musical theatre, and typically involves significant theatrical spectacle, including sets, props, and costuming, as well as staged interactions between characters. In oratorio, there is generally minimal staging, with the chorus often assuming a more central dramatic role, and the work is typically presented as a concert piece – though oratorios are sometimes staged as operas, and operas are not infrequently presented in concert form. A particularly important difference between opera and oratorio is in the typical subject matter of the text. An opera libretto may deal with any conceivable dramatic subject (e.g. history, mythology, Richard Nixon, Anna Nicole Smith an ...
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Preludes And Fugues, Op
Prelude may refer to: Music *Prelude (music), a musical form * Prelude (band), an English-based folk band * Prelude Records (record label), a former New York-based dance independent record label *Chorale prelude, a short liturgical composition for organ using a chorale as its basis Albums and songs * ''Prelude'' (Jack McDuff album), a 1963 album by jazz organist Brother Jack McDuff * ''Prelude'' (Deodato album), a 1973 album by Eumir Deodato * ''Prelude'' (The Moody Blues album), a 1987 album by The Moody Blues * ''Prelude'' (EP), a 2017 EP by April *''Prelude'', a 2021 EP by Lauren Jauregui *"Prelude", a song by Flobots from '' Flobots Present... Platypus'' *"Prelude", a song by Hieroglyphics from '' Full Circle'' *"Prelude", an instrumental by Kate Bush from '' Aerial'' *"Prelude", a song by Killswitch Engage from ''Killswitch Engage'' (2000 album) *"Prelude", a song by the Oh Hellos from '' Dear Wormwood'' *"Prelude", a song by Pete Townshend from '' All the Best Cowboys Have ...
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On Wings Of Song (Mendelssohn)
"On Wings of Song" (German: "Auf Flügeln des Gesanges"), Op. 34, No. 2, MWV K 86, is a piece by Felix Mendelssohn, the second of his "six songs for voice and piano" (Opus 34-2, 1834). It is a setting of the poem Auf Flügeln des Gesanges by the German Romantic poet Heinrich Heine published in his '' Buch der Lieder'' in 1827. Adaptations Franz Liszt arranged "On Wings of Song" for solo piano (S. 547). The song has been translated into other languages and has been adopted in school music textbooks all over the world. The song "Till My Love Comes to Me" (Paul Francis Webster), based on Mendelssohn's "On Wings of Song", sung by Doris Day Doris Day (born Doris Mary Kappelhoff; April 3, 1922 – May 13, 2019) was an American actress and singer. She began her career as a big band singer in 1937, achieving commercial success in 1945 with two No. 1 recordings, "Sentimental Journey ..., is included in the album '' Young at Heart''. References {{Authority control ...
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Die Schöne Melusine
''Ouvertüre zum Märchen von der schönen Melusine'', Opus number, Op. 32, (German: ''Overture to the Legend of the Fair Melusine'') is a concert overture by Felix Mendelssohn written in 1834. It is generally referred to as ''Die schöne Melusine'' in modern concert programming and recordings, and is sometimes rendered in English as ''The Fair Melusine'' and ''The Fair Melusina''. Inspiration The overture is loosely illustrative of aspects of the legend of Melusine, a water-nymph who marries Count Raymond, on the condition that he never enter her room on a Saturday (on which day she takes on the form of a mermaid). In the 19th century, the story was familiar in Germany in the retelling by Ludwig Tieck (''Melusina'', 1800) and the poetic version of Friedrich de la Motte Fouqué (his Undine_(novella) , ''Undine'' of 1811).Seaton (2004), p. 107. Mendelssohn denied close musical references to the story which critics, including Robert Schumann, believed they detected. When asked wha ...
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Meeresstille Und Glückliche Fahrt (Mendelssohn)
''Calm Sea and Prosperous Voyage'' (''Meeresstille und glückliche Fahrt''), Op. 27, is an orchestral concert overture by Felix Mendelssohn inspired by the same pair of poems by Johann Wolfgang von Goethe that inspired Beethoven's 1815 cantata of the same title (and in the same key, D major). Mendelssohn's work was first performed on 7 September 1828 in Berlin. The titles of Goethe's two poems are not synonymous: in the days before steam, a totally calm sea was cause for alarm; it is only when the wind at last rises that the ship can continue on its journey. Mendelssohn described his interpretation of Goethe’s calm sea as: “a pitch gently sustained by the strings for a long while hovers here and there and trembles, barely audible... The whole stirs sluggishly from the passage with heavy tedium. Finally, it comes to a halt with thick chords and the Prosperous Voyage sets out.” Goethe’s lively winds that then hasten the ship into view of land are depicted with “all th ...
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Hebrides Overture
''The Hebrides'' (; ) is a concert overture that was composed by Felix Mendelssohn in 1830, revised in 1832, and published the next year as Mendelssohn's Op. 26. Some consider it an early tone poem. It was inspired by one of Mendelssohn's trips to the British Isles, specifically an 1829 excursion to the Scottish island of Staffa, with its basalt sea cave known as Fingal's Cave. It was reported that the composer immediately jotted down the opening theme for his composition after seeing the island. He at first called the work ''To the Lonely Island'' or ''Zur einsamen Insel'', but then settled on the present title. However, in 1834, the year after the first publication, Breitkopf & Härtel issued an edition with the name ''Fingalshöhle'' (''Fingal's Cave'') and this title stuck, causing some confusion. Fingal's cave is a spot on the Hebridan Isle of Staffa, some fifty miles off the Scottish coast. According to legend the cave is the site of what was once the royal castle of Fion ...
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