List Of Bassoonists
A list of notable bassoonists. Algeria *Abdon Laus (1888–1945) Australia *George Dreyfus (born 1928) *Lyndon Watts (born 1976) *Matthew Wilkie Austria *Milan Turković (musician), Milan Turković (born 1939) Belgium *Jean-Théodore Radoux (1835–1911) Bulgaria *Marin Valtchanov (1949–2017) Canada *Bill Douglas (musician), Bill Douglas (born 1944) *Pierre Mercure (1927–1966) *George Zukerman (1927–2023) Czechia *Antoine Bullant (1751–1821) *Ludwig Milde (1849–1913) *Václav Vonášek (born 1980) Denmark *Peter Bastian (1943–2017) *Kjell Roikjer (1901–1999) *Asger Svendsen Estonia *Martin Kuuskmann (born 1971) France *Maurice Allard (1922–1988) *Adolphe Blaise (1737–1772) *François Devienne (1759–1803) *Désiré Dihau (1833–1909) *François-René Gebauer (1773–1845) *Eugène Louis-Marie Jancourt (1815–1901) *Fernand Oubradous (1903–1986) *Étienne Ozi (1754–1813) Germany *Carl Almenräder (1786–1846) *Friedrich Berr (1794–1838 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Edgar Degas - The Orchestra At The Opera - Google Art Project
Edgar is a commonly used masculine English given name, from an Anglo-Saxon name ''Edgar'' (composed of ''wikt:en:ead, ead'' "rich, prosperous" and ''Gar (spear), gar'' "spear"). Like most Anglo-Saxon names, it fell out of use by the Late Middle Ages; it was, however, revived in the 18th century, and was popularised by its use for a character in Sir Walter Scott's ''The Bride of Lammermoor'' (1819). The name was more common in the United States than elsewhere in the Anglosphere during the 19th century. It has been a particularly fashionable name in Latin American countries since the 20th century. People with the given name * Edgar the Peaceful (942–975), king of England * Edgar the Ætheling (c. 1051 – c. 1126), last member of the Anglo-Saxon royal house of England * Edgar of Scotland (1074–1107), king of Scotland * Edgar Alaffita (born 1996), Mexican footballer * Edgar Allan (other), multiple people * Edgar Allen (other), multiple people * Edgar Angara ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kjell Roikjer
Kjell Maale Roikjer (14 June 1901 – 19 September 1999) was a Danish composer and bassoonist. Early life and education Roikjer was born and grew up in Malmö, Sweden, where his parents were photographers. At 17, he moved to Copenhagen and began an apprenticeship as a scene painter, but left it a few years later to pursue music. He had learned violin, but decided instead to become a bassoonist because there was less competition, and studied under Knud Lassen."Kjell Maale Roikjer" ''KomponistBasen'', Dansk Komponist Forening, 24 June 2011 . Career He began his career in 1924 in Sweden, as bassoon soloist in the Symphony Orchestra. In 1926 he returned to Copenhagen, becoming a member o ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Marc Engelhardt
Marc Engelhardt is a German bassoonist. From 1976 to 1982, he studied with Prof. Günter Pfitzenmaier in Cologne and from 1982 to 1986, with Prof. Klaus Thunemann in Hannover. Engelhardt is an alumnus of the German National Youth Orchestra and the European Union Youth Orchestra, and was appointed principal bassoonist with the Saarbrücken Radio Orchestra in 1986. He has performed as a soloist with European orchestras and has also performed as guest principal bassoonist in several major German orchestras such as: Bavarian Radio Symphony Orchestra, WDR Symphony Orchestra Cologne, Hessischer Rundfunk Symphony Orchestra, North German Radio Symphony Orchestra, Southwest German Radio Symphony Orchestra and Bamberg Symphony. Since 1995 Marc Engelhardt has taught at both the Saar Academy of Music and the State University of Music and Performing Arts Stuttgart, where he has been Professor of Bassoon since 2004. Prof. Engelhardt has given master classes in Russia, China, Korea and Europ ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Friedrich Berr
Friedrich Berr, born with the name Friedrich Beer, (April 17, 1794, Mannheim – Sept 24, 1838, Paris, France) was a German clarinetist, bassoonist, composer, and music educator. He studied music composition with François-Joseph Fétis in Douai, Hauts-de-France and with Anton Reicha in Paris. He changed his last name to Beer in order to avoid confusion with the clarinetist Joseph Beer. In 1823 he was appointed principal clarinetist at the Théâtre du Vaudeville, and he later held the same position in the orchestra of the Théâtre Royal Italien from 1825 to 1838. He also worked as solo clarinetist to King Louis Philippe I and taught at the Paris Conservatoire from 1831 to 1836. In 1833 he was named a Knight of the Légion d’Honneur. The ''New Grove Dictionary of Music and Musicians'' stated that Berr "had a profound influence on French clarinet playing, introducing German ideals of tone and advocating playing with the reed on the lower lip." He also wrote a methods book for the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Carl Almenräder
Carl Almenräder (3 October 1786 – 14 September 1843) was a German bassoonist, inventor and composer. The design of the modern bassoon owes a great deal to Almenräder, who, assisted by the German acoustics researcher Gottfried Weber developed the 17-key bassoon whose range spanned three octaves and a half. Early years The son of a teacher, Carl Almenräder was born in Ronsdorf near (Wuppertal. He taught himself to play the bassoon after he was given one when aged just 13. He started out in 1810 playing in a theatre orchestra in Cologne, but he switched to an orchestral position in Frankfurt in 1812 where by 1814 he was also obtaining solo work. He studied composition with Aloys Schmitt, and in 1814 he gave a public performance in Frankfurt of a rondo which he had himself written. Career progress In 1817 Almenräder joined the Mainz theatre orchestra as a bassoonist. He was now working seriously on a year-long project to develop a technically improved bassoon featuring moving ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Étienne Ozi
Étienne Ozi (9 December 1754 – 5 October 1813) was a French bassoonist and composer. He is known for his concertos, symphonies concertantes, and pedagogical pieces. His works were influential in the development of the bassoon and remain a staple of the classical bassoon repertoire.La vie musicale en France au sed de la révolution Adélaïde de Place - 1989 "Il y avait aussi Charles-Simon Catel, ancien élève de Gossec ... ancien hautboïste de la garde suisse à Versailles, Antoine Hugot, flûtiste et Étienne Ozi, bassoniste." Ozi's ''Nouvelle Méthode de basson'' (1803) was regarded as one of the first complete instructional materials for the bassoon, which was at the time still seven-keyed, as compared to the far more complex modern instrument. The technical demands of Ozi's literature spurred on its development; instrument maker Carl Almenräder in particular used his compositions to direct further development of the bassoon in his development of the key mechanism. The M ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fernand Oubradous
Fernand Oubradous (12 February 1903 – 6 January 1986) was a French bassoonist, conductor and composer. Born in Paris, he studied in his native city with André Bloch André Bloch may refer to: *André Bloch (composer) (1873–1960), French composer *André Bloch (mathematician) André Bloch (20 November 1893 – 11 October 1948) was a French mathematician who is best remembered for his fundamental contributio .... He composed a series of tutors called Enseignement Complet du Basson in three parts Published by Alphonse Leduc. He taught at the Conservatoire National Superieur in Paris and at the Mozarteum in Salzburg. He founded the Académie internationale d'été de Nice. He died in Paris. External links Biography Site on Fernand Oubradous [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Eugène Louis-Marie Jancourt
Eugène Louis-Marie Jancourt (15 December 1815 – 29 January 1901) was a French bassoonist, composer, and pedagogue. A virtuoso bassoonist and teacher at the Paris Conservatoire, Jancourt is mostly known for his method books and the system innovations he made to the “Buffet” style bassoon. He, along with his contemporary and fellow bassoonist Julius Weissenborn, is considered by many scholars to be one of the most important bassoonists of the 19th century. Biography and playing career Jancourt was born in Château-Thierry, France on December 15, 1815. He grew up surrounded by music and began formally studying flute at age eight. Throughout his childhood he also learned violin and clarinet before switching to the bassoon because he was “impressed by the timbre and character” of the instrument. He proved to be very capable at the instrument and was soon accepted into the Paris Conservatoire at the age of nineteen. His teacher, François René Gebauer, gave Jancourt on ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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François-René Gebauer
François-René Gebauer (15 March 1773 in Versailles, France – 28 July 1845 in Paris) was a French composer, professor, and bassoonist and the son of a German military musician. He had four brothers, Michel-Joseph Gebauer (1763–1812), Pierre-Paul Gebauer, Jean-Luc Gebauer, and Étienne-François Gebauer, all of whom were also musicians and composers. The brothers played together in a quintet that was modeled on woodwind quintet instrumentation but modified by removing the flute parts to include their brother Jean-Luc, who was a percussionist. The quintet received favorable reviews from critics, who found the music to be "unusually lively for a wind quintet" and "full of earthly elegance". He took music lessons first with his brother Michel-Joseph Gebauer, which ended soon due to artistic differences between the two. He then took lessons with François Devienne, which proved to be more successful. In 1788 he joined the Swiss Guard in Versailles as a bassoonist. In 1790 he joine ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Désiré Dihau
Désiré Dihau (2 August 1833 – 20 August 1909) was a French bassoonist and composer. He was the bassoonist painted by Edgar Degas in '' The Orchestra at the Opera'' (') with the cellist Louis-Marie Pilet seated behind him. Biography Désiré Hippolyte Dihau was born 2 August 1833 in Lille. Hélène Couturier, « ''About Degas' L'Orchestre de l'Opera'' », International Double Reed Society, volume 8, n° 1, translation Philip Gottling, Association Les Amis du basson français, bulletin n° 9, March 198(read online) He studied music at the Conservatory of his hometown and then at the Conservatoire de Paris where he obtained a First prize of bassoon in 1857 and a second one in 1865. He was at the pulpits of the orchestras of the Théâtre-Lyrique and of the Théâtre des Bouffes-Parisiens. He was also a solo bassoon at the Eldorado, the Cirque d'hiver of Paris for the Pasdeloup Orchestra and at the Théâtre du Châtelet for the Concerts Colonne. Mindy Keyes, « ''Degas, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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François Devienne
François Devienne (; 31 January 1759 – 5 September 1803) was a French composer of the Classical period (music), Classical period and professor for flute at the Conservatoire de Paris, Paris Conservatory. Career Devienne was born in Joinville, Haute-Marne, Joinville, as the youngest of fourteen children of a saddlemaker. After receiving his first musical training as a choirboy in his hometown, he played in various Parisian ensembles as soloist and orchestra player. He studied the flute with Félix Rault; in 1780 he joined the household of Cardinal de Rohan. He was active in Paris as a flutist, bassoonist and composer, and played bassoon at the Paris Opera. He wrote successful operas in the 1790s, including (1792) which brought him much success. He was also a member of the Military Band of the French Guard, where he was given the rank of sergeant with the duty of teaching the children of his colleagues in the military band in its Free School of Music. After the French Revolut ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Adolphe Blaise
Adolphe Benoît Blaise was an 18th-century French bassoonist and composer, died in 1772. He joined the orchestra of the Comédie-Italienne in 1737 and composed the music for ''Le petit maistre'' in 1738. In 1743, he was head of the orchestra of the Foire Saint-Laurent and in 1744 of that of the Foire Saint-Germain. From 1753 to 1760, he was director of the orchestra of the Comédie-Italienne and composed many ballets, divertissements, dances, parodies, pantomimes and overall the music for the successful comedy by Justine Favart ''Annette et Lubin'' (1762) and two comedies by Favart: ''Isabelle et Gertrude'' (1765) and finally ''La Rosière de Salency ''La Rosière de Salency'' is a three-act comedy, mingled with arriettes, by Charles-Simon Favart, music by Blaise, Philidor, Monsigny and Duni. It was presented at Château de Fontainebleau 25 October 1769 and at Comédie-Italienne 14 Decemb ...'' (1769). Bibliography * External links Blaise's works and their presentat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |