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List Of Avant-garde Magazines
This is a list of magazines which contain avant-garde material and content. One of their common characteristics was their unpredictable appearance. Notable avant-garde magazines include: 0–9 *''3:AM Magazine'' (2000–), Paris *''291 (magazine), 291'' (1915–1916), New York City *''391 (magazine), 391'' (1917–1924), Barcelona A *''aCOMMENT'' (1940–1947), Melbourne *''Al Adab'' (1953–2012), Beirut *''Akasztott Ember'' (1922–1923), Vienna *''Algol (magazine), Algol'' (1947), Catalonia * ''Apollon (magazine), Apollon'' (1909–1917), St. Petersburg *''Der Ararat'' (1918–1921), Munich *''Avant-Garde (magazine), Avant-Garde'' (1968–1971), New York City B * ''Bauhaus (magazine), Bauhaus'' (1926–1931), Germany *''Black Music (magazine), Black Music'' (1973–1984), United Kingdom C *''Cantrills Filmnotes'' (1971–2000), Melbourne *''Cuadernos'' (1953–1965), Paris *''Ça Ira (review), Ça Ira'' (1920–1923), Antwerp D *''Dau al set (magazine), Dau al set'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
In the arts and literature, the term ''avant-garde'' ( meaning or ) identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an ''advance guard'' identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times. As a stratum of the intelligentsia of a society, avant-garde artists promote progressive and radical politics and advocate for societal reform with and through works of art. In the essay "The Artist, the Scientist, and the Industrialist" (1825), Benjamin Olinde Rodrigues's political usage of ''vanguard'' identified the moral obligation of artists to "ser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuadernos
''Cuadernos'' () was a Spanish-language magazine that was published in Paris, France, in the period 1953–1965. Its full title was ''Cuadernos del Congreso por la Libertad de la Cultura''. It was one of the publications of the Congress for Cultural Freedom. History and profile ''Cuadernos'' was launched by the Congress for Cultural Freedom in 1953 which targeted Spanish people and Latin Americans. The first issue appeared in June 1954. ''Cuadernos'' was based in Paris, and its editor was a Spaniard politician, Julián Gorkin. During his editorship another Spaniard politician Ignacio Iglesias also edited the magazine which was published on a quarterly basis. Gorkin was replaced by a Spaniard exile in Paris, Luis Araquistáin, as editor of the magazine in 1959. However, due to the death of Araquistáin a Colombian diplomat Germán Arciniegas was named as the editor of the magazine. During the editorship of Gorkin between 1953 and 1959 ''Cuadernos'' contained only one article w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klaxon N
A horn is a sound-making device installed on motor vehicles, trains, boats, and other types of vehicles. The sound it makes usually resembles a “honk” (older vehicles) or a “beep” (modern vehicles). The driver uses the horn to warn others of the vehicle's presence or approach, or to call attention to some hazard. Motor vehicles, ships and trains are required by law in some countries to have horns. Trams, trollies, streetcars, and even bicycles are also legally required to have an audible warning device in many areas. Types Motor vehicles Modern car horns are usually electric, driven by a flat circular steel diaphragm that has an electromagnet acting on it in one direction and a spring pulling in the opposite direction. The diaphragm is attached to contact points that repeatedly interrupt the current to that electromagnet causing the diaphragm to spring back the other way, which completes the circuit again. This arrangement opens and closes the circuit hundreds of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Jeune Belgique
''La Jeune Belgique'' (meaning ''The Young Belgium'' in English) was a Belgian literary society and movement that published a French-language literary review ''La Jeune Belgique'' between 1880 and 1897. Both the society and magazine were founded by the Belgian poet Max Waller. Contributors to the review included Georges Rodenbach, Eugene Demolder, Émile Verhaeren, Maurice Maeterlinck, Charles van Lerberghe, Albert Giraud, Georges Eekhoud, Camille Lemonnier and Auguste Jennart. The magazine was started in 1880 under the name ''La Jeune revue littéraire'' which was changed to ''La Jeune Belgique'' in 1881. The headquarters of the magazine, which was published biweekly, was in Brussels. In its later year the frequency of the magazine became published monthly and then, bimonthly. In addition, the magazine was published both in Brussels and in Paris Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, largest city of Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helhesten
''Helhesten'' () was an arts and literary magazine which was published between 1941 and 1944 in Copenhagen, Denmark. It was one of the leading publications during World War II in the region. Its title was a reference to a figure in the Norse mythology. History and profile ''Helhesten'' was first published in Copenhagen in April 1941 during the Nazi occupation of the city. The magazine was inspired from two former Danish magazines, '' Klingen'' and ''Linien''. The founders of ''Helhesten'' were Asger Jorn, a painter, and Robert Dahlmann, an architect. They were part of the Danish Harvest group. Robert Dahlmann also edited the magazine. The magazine adopted an avant-garde approach and opposed the Nazi propaganda. Its main contributors who were supporters of German expressionism, dada and surrealism included Ejler Bille, Henry Heerup, Egill Jacobsen and Carl-Henning Pedersen. They were also interested in the art of the banal. It mostly featured articles on art theory, non-Western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grecia (magazine)
''Grecia'' was a Spanish literary magazine which was published from 1918 to 1920. Its subtitle was ''Revista Decenal de Literatura'' (). Later it was redesigned as ''Revista de literatura'' (). It was a traditionalist as reflected in its title and modernist publication in the early years, but later adopted an avant-garde approach and became the flagship of the ultraísmo. History and profile ''Grecia'' was established by the Andalusian poet Isaac del Vando Villar in Seville in 1918 as a modernist literary magazine. Its first issue appeared on 18 October 1918. Adriano del Valle was the first editor-in-chief of the magazine which had 24 pages throughout its run. Although ''Grecia'' adhered to modernism, over time it covered the work by writers from distinct literary waves such as futurism, cubism, dadaism and expressionism. The first manifesto of the ultraísmo group was published in the magazine in 1919. The group included Guillermo de Torre, Rafael Cansinos-Asséns, Gerardo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galerie 68
''Galerie 68'' () was an avant-garde literary magazine which was headquartered in Cairo, Egypt. The magazine existed in the period 1968–1971 with a one-year interruption and produced a total of eight issues. History and profile ''Galerie 68'' was founded in Cairo by a group of ten Egyptian artists, including Ahmed Morsi and Edwar Al Kharrat. The other figures linked to the magazine were Bahaa Taher, Sonallah Ibrahim, Ibrahim Aslan and Yahya Taher Abdullah. The first issue was dated May–June 1968. Morsi was the editor-in-chief in the early issues, but later assumed the role of artistic editor and supervisor. It frequently featured short stories, and each issue was controlled by the Ministry of Culture. Ahmed Morsi reports that two ministers, Tharwat Okasha and Badr Al Din Abu Ghazi, were very flexible and tolerant about the content of the magazine. However, later the license of the magazine was revoked by the ministry in 1970. Although the publication resumed, it fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Gaceta Literaria
''La Gaceta Literaria'' () was a bimonthly avant-garde literary, arts and science magazine which appeared in Madrid, Spain, between 1927 and 1932. It is known for its leading contributors and editorial board members. History and profile ''La Gaceta Literaria'' was started as a bimonthly publication in Madrid in 1927. Its founder and editor was Ernesto Giménez Caballero. Guillermo de Torre was the secretary of the editorial board, but left the magazine in August 1927 when he settled in Argentina. His successor was César Muñoz Arconada who assumed the post in 1929. ''La Gaceta Literaria'' was open to all approaches in arts and had no a clear political stance at its start. However, from 1930 the magazine was redesigned in terms of its physical qualities becoming much smaller in size and its ideological stance adopting a clear Fascist stance. The same year it opened a debate on the meaning of avant-garde through a survey questionnaire asking its readers to answer the question ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frigidaire (magazine)
''Frigidaire'' was a comics magazine published in Rome, Italy. The magazine had significant effects on graphic design, illustrations and written speech in the country during the 1980s. In 2008 it folded, and in 2009 it became a supplement of '' Liberazione'', a now defunct communist newspaper. History and profile ''Frigidaire'' was established in 1980. The first issue appeared in November. The founders were Vincenzo Sparagna, Stefano Tamburini, Filippo Scòzzari, Andrea Pazienza, Massimo Mattioli, and Tanino Liberatore. The magazine had its headquarters in Rome. In addition to cartoons ''Frigidaire'' featured avant-garde reportages and interviews and covers articles on visual art. It also included investigative reports. Over time the magazine became a mouthpiece for left-wing counterculture in the country. At the beginning of the 2000s the frequency of ''Frigidaire'' was switched to bi-monthly. In 2003 Vincenzo Sparagna sold the publisher of the magazine, which was temporari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emigre (magazine)
''Emigre'' () was a (mostly) quarterly magazine published from 1984 until 2005 in Berkeley, California, dedicated to visual communication, graphic design, typography, and design criticism. Produced by Rudy VanderLans (editor and art director) and Zuzana Licko (type designer and typesetter), ''Emigre'' was known for creating some of the first digital layouts and typeface designs. Exposure to Licko's typefaces through the magazine lead to the creation of Emigre (type foundry), Emigre Fonts in 1985. History ''Emigre'' was a graphic design magazine founded by fellow Dutchmen Marc Susan, Menno Meyjes, and Rudy VanderLans who met in San Francisco. The first four issues were edited by Susan and art directed by VanderLans, with Meyes mostly in an associate publisher role. By issue 6 (1986) Susan and Meyes had left, and all subsequent issues were edited and art directed by VanderLans. In 1985, VanderLans started incorporating the bitmap typefaces designed by Zuzana Licko in his layouts. L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dome (periodical)
''The Dome'', subtitled consecutively "A Quarterly Containing Examples of All the Arts" and "An Illustrated Monthly Magazine and Review", was a literary periodical associated with the "Nineties" scene, edited by Ernest J. Oldmeadow, publisher and manager of The Unicorn Press based in London at 7 Cecil Court. It ran for three years, from March 1897 to July 1900. It is usually considered to be the last more or less successful attempt to deliver a valuable literary magazine with a considerable circulation, yet working from an Aestheticist rationale, according to Walter Pater's concepts. Even more than its decadent movement predecessors ''The Yellow Book'' (published 1884–97) and '' The Savoy'' (1896), ''The Dome'' dealt with both visual and verbal art, and it also covered music and theatre. It was known for its in-depth studies of painters which rose above the level of mere appreciations, and often championed promising talents such as Edward Elgar. The magazine was the last example ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dial
''The Dial'' was an American magazine published intermittently from 1840 to 1929. In its first form, from 1840 to 1844, it served as the chief publication of the Transcendentalists. From the 1880s to 1919 it was revived as a political review and literary criticism magazine. From 1920 to 1929 it was an influential outlet for modernist literature in English. In January 2023, the name of ''The Dial'' was revived for a new online magazine of international writing and reporting. Transcendentalist journal Members of the Hedge Club began talks for creating a vehicle for their essays and reviews in philosophy and religion in October 1839.Gura, Philip F. ''American Transcendentalism: A History''. New York: Hill and Wang, 2007: 128. Other influential journals, including the ''North American Review'' and the '' Christian Examiner'' refused to accept their work for publication. Orestes Brownson proposed utilizing his recently established periodical ''Boston Quarterly Review'' but mem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
