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List Of Soviet Poster Artists
This is a list of Soviet poster artists. Soviet poster artists * Mikhail Baljasnij * Mikhail Cheremnykh * Nikolai Chomov * Viktor Deni * Nikolai Dolgorukov * Boris Efimov * Vladimir Galb * Iulii Ganf * Frantisek Gross * Viktor Semyonovich Ivanov * {{illm, Alexey Kokorekin, ru, Кокорекин, Алексей Алексеевич * Viktor Koretsky * Gustav Klutsis * Valentina Kulagina * Karel Ludwig * Vladimir Mayakovsky * Iurii Merkulov * Dmitry Moor * Sergei Senkin * Konstantin Vialov Groups * Brigade KGK3 (Viktor Koretsky, Vera Gitsevich, Boris Knoblok) See also * Agitprop * Photomontage * Constructivism (art) Lists of artists, Soviet Soviet artists, *Poster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valentina Kulagina
Valentina Kulagina, full name Valentina Nikiforovna Kulagina-Klutsis (, 1902–1987) was a Russian painter and book, poster, and exhibition designer. She was a central figure in Constructivist avant-garde in the early 20th century alongside El Lissitzky, Alexander Rodchenko other and her husband Gustav Klutsis. She is known for the Soviet revolutionary and Stalinist propaganda she produced in collaboration with Klutsis. Biography Kulagina left State Free Art Studios and entered the state-run art school Vkhutemas in 1920 at the urging of teacher Gustav Klutsis, whom she had recently met. On 2 February 1921, the couple wed and lived together at the school's headquarters.Gustav Klutsis and Valentina Kulagin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constructivism (art)
Constructivism is an early twentieth-century art movement founded in 1915 by Vladimir Tatlin and Alexander Rodchenko. Abstract and austere, constructivist art aimed to reflect modern industrial society and urban space. The movement rejected decorative stylization in favour of the industrial assemblage of materials. Constructivists were in favour of art for propaganda and social purposes, and were associated with Soviet socialism, the Bolsheviks and the Russian avant-garde. Constructivist architecture and art had a great effect on modern art movements of the 20th century, influencing major trends such as the Bauhaus and De Stijl movements. Its influence was widespread, with major effects upon architecture, sculpture, graphic design, industrial design, theatre, film, dance, fashion and, to some extent, music. Beginnings Constructivism was a post-World War I development of Russian Futurism, and particularly of the 'counter reliefs' of Vladimir Tatlin, which had been exhibited in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Photomontage
Photomontage is the process and the result of making a composite photograph by cutting, gluing, rearranging and overlapping two or more photographs into a new image. Sometimes the resulting composite image is photographed so that the final image may appear as a seamless physical print. A similar method, although one that does not use film, is realized today through image-editing software. This latter technique is referred to by professionals as " compositing", and in casual usage is often called " photoshopping" (from the name of the popular software system). A composite of related photographs to extend a view of a single scene or subject would not be labeled as a montage, but instead a stitched image or a digital image mosaic. History Author Oliver Grau in his book, ''Virtual Art: From Illusion to Immersion'', notes that the creation of an artificial immersive virtual reality, arising as a result of technical exploitation of new inventions, is a long-standing human practice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agitprop
Agitprop (; from , portmanteau of ''agitatsiya'', "agitation" and ''propaganda'', "propaganda") refers to an intentional, vigorous promulgation of ideas. The term originated in the Soviet Union where it referred to popular media, such as literature, plays, pamphlets, films, and other art forms, with an explicitly political message in favor of communism. The term originated in the Soviet Union as a shortened name for the Department for Agitation and Propaganda (, '), which was part of the central and regional committees of the Communist Party of the Soviet Union. Within the party apparatus, both agitation (work among people who were not Communists) and propaganda (political work among party members) were the responsibility of the ''agitpropotdel'', or APPO. Its head was a member of the MK secretariat, although they ranked second to the head of the ''orgraspredotdel''. Typically Russian agitprop explained the ideology and policies of the Communist Party and attempted to persuade th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konstantin Vialov
Konstantin Aleksandrovich Vialov (1900–1976) was a 20th-century Russian artist. Biography Vialov studied textile design at the Stroganov Moscow State Academy of Arts and Industry, Russia from 1914 to 1917. After the Russian Revolution, he continued his studies at the state art and technical schools Svomas and Vkhutemas, studying under Wassily Kandinsky, Vladimir Tatlin, Aristarkh Lentulov, and David Shterenberg. From 1922 to 1925, Vialov served as head of the Studio of Visual Arts for Teenagers, operated by Narkompros. Vialov joined the Artists' Union of the USSR in 1932, the year of its founding, and from 1941 to 1945 he designed a series of posters for the Telegraph Agency of the Soviet Union (TASS), which were exhibited at the Art Institute of Chicago in 2011 as part of the exhibition ''Windows on the War: Soviet TASS Posters at Home and Abroad, 1941–1945.'' Vialov died in Moscow in 1976. Vialov painted the following paintings-River Transport in Aid of the Front, Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Senkin
Sergei Yakovlevich Senkin (1894–1963) was a twentieth-century Russian artist, photographer, and illustrator. Senkin studied with Kasimir Malevitch during the 1920s in Vkhutemas. He sometimes visited Malevitch in Vitebsk with his friend Gustav Klutsis. There, he developed his own approach to Suprematism. He used a variety of artistic techniques such as graphic and poster design, photography and photomontage as well as painting. He worked together with Gustav Klutsis on agitational posters in 1922-1937. In 1928, he joined the Constructivist October Group. The same year, Senkin collaborated with artist and architect El Lissitzky to create the frieze for the '' Pressa'' exhibition in Cologne, Germany. Gallery File:Proletarian Student no. 2.jpg, Second edition of ''Proletarian Student,'' a 1923 journal by Senkin and Gustav Klutsis File:Sergei Senkin Non Objective Composition 1921.jpg, Non Objective Composition (1921) See also * List of Soviet poster artists * Photomontage * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dmitry Moor
D. Moor () was the professional name of Dmitry Stakhievich Orlov (; 3 November 1883 in Novocherkassk – 24 October 1946 in Moscow), a Russian artist noted for his propaganda posters. The pseudonym "Moor" was taken from the name of the protagonists in Friedrich Schiller's play ''The Robbers''. He was also the chief artist for the ''Bezbozhnik (magazine), Bezbozhnik'' ("The godless") magazine. (''Bezbozhnik'' Magazine, Moscow, USSR). The page is in UTF-8 encoding. The caption to the front page picture of the No. 1 issue, by Dmitry Moor, shown in the article, is "We've finished with the earthly kings – now it's time to take care of the heavenly ones!" See also * List of Soviet poster artistsReferences |
Vladimir Mayakovsky
Vladimir Vladimirovich Mayakovsky ( – 14 April 1930) was a Russian poet, playwright, artist, and actor. During his early, Russian Revolution, pre-Revolution period leading into 1917, Mayakovsky became renowned as a prominent figure of the Russian Futurist movement. He co-signed the Futurist manifesto, ''A Slap in the Face of Public Taste'' (1913), and wrote such poems as ''A Cloud in Trousers'' (1915) and ''Backbone Flute'' (1916). Mayakovsky produced a large and diverse body of work during the course of his career: he wrote poems, wrote and directed plays, appeared in films, edited the art journal LEF (journal), ''LEF'', and produced agitprop posters in support of the Communist Party of the Soviet Union, Communist Party during the Russian Civil War of 1917–1922. Though Mayakovsky's work regularly demonstrated ideological and patriotic support for the ideology of the Bolsheviks and a strong admiration of Vladimir Lenin, his relationship with the Soviet state was always comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karel Ludwig
Karel may refer to: People * Karel (given name) * Karel (surname) * Charles Karel Bouley (born 1962), American talk radio personality known on air as Karel * Christiaan Karel Appel (1921–2006), Dutch painter and sculptor Business * Karel Electronics, a Turkish electronics manufacturer * Grand Hotel Karel V, Dutch Hotel *Restaurant Karel 5, Dutch restaurant Other * 1682 Karel, an asteroid * Karel (programming language), an educational programming language See also * Karelians or Karels, a Baltic-Finnic ethnic group *''Karel and I'', 1942 Czech film *Karey (other) Karey may refer to: People * Karey Dornetto (fl. 2002–present), American screenwriter * Karey Hanks (fl. 2016–2018), American politician * Karey Kirkpatrick (fl. 1996–present), American screenwriter * Karey Lee Woolsey (born 1976), Americ ... {{disambiguation ja:カール (人名) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Klutsis
Gustav Gustavovich Klutsis (, ; 4 January 1895 – 26 February 1938) was a pioneering Latvian photographer and major member of the Constructivist avant-garde in the early 20th century. He is known for the Soviet revolutionary and Stalinist propaganda he produced with his wife Valentina Kulagina and for the development of photomontage techniques. Biography Born in Ķoņi parish, near Rūjiena, Klutsis began his artistic training in Riga in 1912. In 1915 he was drafted into the Russian Army, serving in a Latvian riflemen detachment, then went to Moscow in 1917. As a soldier of the 9th Latvian Riflemen Regiment, Klutsis served among Vladimir Lenin's personal guard in the Smolny in 1917–1918 and was later transferred to Moscow to serve as part of the guard of the Kremlin (1919–1924). In 1918–1921 he began art studies under Kazimir Malevich and Antoine Pevsner, joined the Communist Party, met and married longtime collaborator Valentina Kulagina, and graduated from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
