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Life's Force
''Life's Force'' is an album by trumpeter Ahmed Abdullah, listed simply as "Abdullah" on the cover. His debut as a leader, it was recorded at Blue Rock Studio in New York City, and was issued in 1979 by About Time Records as the label's inaugural release. On the album, Abdullah is joined by hornist Vincent Chancey, cellist Muneer Abdul Fatah, vibraphonist Jay Hoggard, bassist Jerome Hunter, and drummer Rashied Sinan. In 1979, while Abdullah was music director of her dance company, "Life's Force" was choreographed by Dianne McIntyre, and the work was premiered at the Carver Center in San Antonio, Texas. McIntyre described it as "a dance music collaboration" in which "dancers become part of the band." She commented: "Ahmed Abdullah... developed the dance together along with the people in the company. For him 'Life's Force' celebrates the energy that takes people to higher consciousness. It's the inner spirit. There is a rhythmical source that keeps on throughout the whole piece. The ...
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Ahmed Abdullah
Ahmed Abdullah (born Leroy Bland; May 10, 1946) is an American jazz trumpeter who was a prominent member of Sun Ra's band. Biography He began playing the trumpet at age 13 in his native New York City. One of the first groups he performed with was the Master Brotherhood. By the 1970s, he was performing in New York's loft scene with various groups including the Melodic Art-Tet (Charles Brackeen, Roger Blank and Ronnie Boykins, later William Parker) and joined the Sun Ra Arkestra. Ahmed Abdullah formed his own band in 1972 ,and joined the Sun Ra Arkestra in 1975, working there on and off until 1993, when Sun Ra died. He stayed on with the Arkestra after Sun Ra's demise working under the leadership of John Gilmore and then Marshall Allen. During his time with the Arkestra, Abdullah participated in more than 25 recordings and traveled extensively with Sun Ra.Ahmed Abdullah with Louis Reyes Rivera"Excerpts from A Strange Celestial Road (Traveling the Spaceways)" Ahmedian.com; accessed M ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Live At Ali's Alley
''Live at Ali's Alley'' is a live album by trumpeter Ahmed Abdullah, listed simply as "Abdullah" on the cover. It was recorded on April 24, 1978, at New York City's Ali's Alley, and released on vinyl in 1980 by Cadence Jazz Records as the label's inaugural release. On the album, Abdullah is joined by saxophonist Chico Freeman, hornist Vincent Chancey, cellist Muneer Abdul Fatah, bassist Jerome Hunter, and drummer Rashied Sinan. Reception A reviewer for AllMusic stated that the album is "symbolic of the decade's 'loft' jazz, a free-wheeling date with uneven but often compelling solos, as well as periods of rambling, unproductive, and ragged ensemble work. Freeman's blistering tenor sax is uniformly inspired, while Abdullah's solos are also aggressive and energetic." The authors of ''MusicHound Jazz: The Essential Album Guide'' called the recording "a loft-jazz classic with an unusual instrumentation including French horn and cello plus tenor saxophonist Chico Freeman in an inspire ...
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Vincent Chancey
Vincent Chancey (born February 4, 1950) is an American jazz hornist. Early life and education Chancey was born and raised in Chicago. He earned a Bachelor of Arts degree in music from the SIUC School of Music in 1973 and studied under Julius Watkins in New York City. Career Chancey began playing professionally in the 1970s, mostly with large ensembles such as the Sun Ra Arkestra, Lester Bowie's Brass Fantasy, David Murray Big Band, Carla Bley Big Band, and the Richard Abrams orchestra. He later performed and recorded with the Mingus Orchestra, Dave Douglas, Wayne Shorter, Herbie Hancock, Shirley Horn, Diana Krall, Elvis Costello, Mose Allison, Aretha Franklin, and Cassandra Wilson. Discography As leader *''Welcome Mr. Chancey'' (1993) *''Next Mode'' (1998, DIW Records) As sideman With Ahmed Abdullah * '' Life's Force'' (About Time, 1979) * '' Live at Ali's Alley'' (Cadence, 1980) With Muhal Richard Abrams *'' Mama and Daddy'' ( Black Saint, 1980) *'' Blues F ...
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Jay Hoggard
Jay Hoggard (born September 24, 1954) is an American jazz vibraphonist. Biography Jay Hoggard was raised in a religious family. He was born in Washington, D.C., but grew up in Mount Vernon, New York. His mother taught him how to play piano at a young age. At the age of 15, he started to play the vibraphone. Hoggard played piano and saxophone before turning to vibraphone. He worked with Anthony Davis and Leo Smith in the early 1970s in New England. After moving to New York City in 1977, he worked again with Davis and with Chico Freeman, Sam Rivers, Cecil Taylor, James Newton, and Kenny Burrell. He has worked with vibraphonists such as Lionel Hampton, Milt Jackson, Tito Puente and Bobby Hutcherson. Hoggard has played in venues in Africa, South America, Europe, Asia and the Caribbean. In the United States, he has performed at the Kennedy Center in Washington D.C., the Lincoln Center in New York City, and the Schomburg Center for Research in Black Culture in New York City. He has ...
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Jerome Hunter
Jerome Hunter (born January 14, 1942, Spartanburg, South Carolina) is an American jazz double-bassist. Jerome learned to play guitar in his youth but switched to stand-up bass at age 12, studying formally in both classical and jazz styles. He worked early in the 1960s with Ray Bryant, Roy Haynes, and Philly Joe Jones, then moved increasingly toward free jazz, playing with Marzette Watts in 1964 and Byard Lancaster in 1966–1967. Following this he worked with Ahmed Abdullah, Dorothy Donegan, Johnny Hammond, J. R. Mitchell, Sam Rivers, Sonny Sharrock, and Grover Washington, Jr. He played with Jamaaladeen Tacuma in 1993. Discography With Ahmed Abdullah * ''Life's Force'' (About Time, 1979) * ''Live at Ali's Alley'' (Cadence, 1980) With Byard Lancaster * ''It's Not Up to Us'' (Vortex, 1966 968 * ''Live at Macalester College'' (Dogtown, 1972) with J. R. Mitchell References *Gary W. Kennedy, "Jerome Hunter". '' The New Grove Dictionary of Jazz''. 2nd edition, ed. Barry Kernfeld ...
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Dianne McIntyre
Dianne McIntyre (born July 18, 1946) is an American dancer, choreographer, and teacher. Her notable works include ''Their Eyes Were Watching God: A Dance Adventure in Southern Blues (A Choreodrama)'', an adaptation of Zora Neal Hurston's novel '' Their Eyes Were Watching God'', as well as productions of ''why i had to dance,'' '' spell #7'', and '' for colored girls who have considered suicide when the rainbow is enuf'', with text by Ntozake Shange. She has won numerous honors for her work including an Emmy nomination, three Bessie Awards, and a Helen Hayes Award. She is a member of the Stage Directors and Choreographers Society, the American Society of Composers, Authors and Publishers, and the Dramatists Guild of America. Early life and education McIntyre was born in Cleveland, Ohio to Dorothy Layne McIntyre, the first African-American woman to be licensed by the Civil Aeronautics Authority, and Francis Benjamin McIntyre. At the age of four, McIntyre began studying ballet u ...
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The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national "newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the p ...
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AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as All-Music Guide by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guid ...
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The Virgin Encyclopedia Of Jazz
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the ''Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ...
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Scott Yanow
Scott Yanow (born October 4, 1954) is an American jazz reviewer, historian, and author. Allmusic Biography/ref> Biography Yanow was born in New York City and grew up near Los Angeles. Since 1974, he was a regular reviewer of many jazz styles and was the jazz editor for ''Record Review.'' He wrote for many jazz and arts magazines, including '' JazzTimes'', ''Jazziz'', '' Down Beat'', ''Cadence'', '' CODA'' and the ''Los Angeles Jazz Scene''. In September 2002, Yanow was interviewed on-camera by CNN about the Monterey Jazz Festival and wrote an in-depth biography on Dizzy Gillespie for AllMusic.com. He authored 12 books on jazz (including 2022's Life Through The Eyes Of A Jazz Journalist), over 900 liner notes for CDs and over 20,000 reviews of jazz recordings. Yanow was a contributor to and co-editor of the third edition of the '' All Music Guide to Jazz''. He continues to write for ''Downbeat, Jazziz'', the ''Los Angeles Jazz Scene'', "Syncopated Times," "Jazz Artistry Now," ...
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