|
Le Maschere
''Le maschere'' (''The Masks'') is an opera in a prologue and three acts by Pietro Mascagni to an Italian libretto by Luigi Illica. The work was Mascagni's homage to Rossini and to the Italian opera buffa and commedia dell'arte traditions. It was premiered simultaneously in six Italian opera houses on 17 January 1901: La Scala in Milan (with Caruso as Florindo, Carelli as Rosaura, and Toscanini conducting); the Teatro Carlo Felice in Genoa; the Teatro Regio in Turin; the Teatro Costanzi in Rome; La Fenice in Venice; and the Teatro Filarmonico in Verona. Two days later, it premiered at the Teatro di San Carlo in Naples. Apart from the performance in Rome, conducted by Mascagni himself (and later in the first run by his pupil Roberto Moranzoni), ''Le maschere'' received a dismal reception, with the performance in Genoa suspended halfway through because of the audience's vociferous expressions of displeasure. The opera was sporadically performed in Italy over the next four ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Mascagni
Pietro Mascagni (7 December 1863 – 2 August 1945) was an Italian composer primarily known for his operas. His 1890 masterpiece '' Cavalleria rusticana'' caused one of the greatest sensations in opera history and single-handedly ushered in the '' Verismo'' movement in Italian dramatic music. While it was often held that Mascagni, like Ruggero Leoncavallo, was a "one-opera man" who could never repeat his first success, '' L'amico Fritz'' and '' Iris'' have remained in the repertoire in Europe (especially Italy) since their premieres. Mascagni wrote fifteen operas, an operetta, several orchestral and vocal works, and also songs and piano music. He enjoyed immense success during his lifetime, both as a composer and conductor of his own and other people's music and created a variety of styles in his operas. Biography Early life and education Mascagni was born on 7 December 1863 in Livorno, Tuscany, the second son of Domenico and Emilia Mascagni. His father owned and operated a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Di San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is a historic opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice."The Theatre and its history" on the Teatro di San Carlo's official website. (In English). Retrieved 23 December 2013 The opera season runs from late November to July, with the ballet season from December to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1,386 seats. Given its size, structure and antiquity, it was the model for theatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruggero Galli
Ruggero Galli was an Italian operatic bass who had an active career during the late 19th and early 20th century. He created roles in several world premieres, including Menico in Antonio Smareglia's '' Nozze istriane'' (1895), Cesare Angelotti in Giacomo Puccini's ''Tosca'' (1900), and Pantalone De' Bisognosi in Pietro Mascagni's ''Le maschere'' (1901). In 1897 he portrayed Schaunard in La Scala's first staging of ''La bohème ''La bohème'' ( , ) is an opera in four acts,Puccini called the divisions '':wikt:quadro, quadri'', ''wikt:tableau, tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto b ...''. He also appeared in the 1915 Italian film ''La reginetta delle rose''. References External links * Italian operatic basses Year of death missing Year of birth missing {{Italy-opera-singer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantalone
Pantalone (), spelled Pantaloon in English, is one of the most important principal characters found in commedia dell'arte. With his exceptional greed and status at the top of the social order, Pantalone is "money" in the ''commedia'' world. His full name, including family name, is ''Pantalon de' Bisognosi'', Italian for 'Pantalone of the Needy'. Robert Henke ''Performance and literature in the commedia dell'arte'', Improvisation and characters, Individual roles, pp. 19–24 Character Pantalone originated as part of a master/servant duo and was the original ''Il Magnifico'' stock character. Carlo Goldoni, in his memoirs, named Pantalone as one of the four primary commedia dell'arte characters. Among other things, Pantalone is a character of Venetians; one theory is that his name derives from Saint Pantaleon (''San Pantalone''), a popular saint in Venice. Another theory is that his name derives from Venetian merchants who were called Piantaleoni. While the theories of the St. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Dottore
Il Dottore (; ), most commonly known in Italian language, Italian as ''Dottor Balan'' or simply ''Balanzone'' (; Bolognese dialect, Bolognese ), is a commedia dell'arte stock character, in one scenario being an obstacle to young lovers. Il Dottore and Pantalone are the Double act, comic foils of each other, Pantalone being the decadent wealthy merchant, and il Dottore being the decadent erudite. He has been part of the main canon of characters since the mid-16th century. Overview Il Dottore was born in the city of Bologna, Italy. He is comically inept. He is usually extremely rich, although the needs of the scenario might have things otherwise, and extremely pompous, loving the sound of his own voice and spouting Ersatz good, ersatz Latin and Ancient Greek, Greek, il Dottore is known to be overly self loving and greedy. His interaction in the play is usually mostly with Pantalone, either as a friend, mentor or competitor. History Il Dottore first originated as the Double act, co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brighella
Brighella (Bergamasque dialect: ''Brighèla'') is a comic, masked character from the Italian theatre style commedia dell'arte. His early costume consisted of loosely fitting, white smock and pants with green trim and was often equipped with a ' (also ' or ', depending on region) or slapstick, or else with a wooden sword. Later, he took to wearing a sort of livery with a matching cape. He wore a greenish half-mask (traditionally olive-green) displaying a look of preternatural lust and greed. It is distinguished by a hook nose and thick lips, along with a thick twirled mustache to give him an offensive characteristic. He evolved out of the general Zanni, as evidenced by his costume, and came into his own around the start of the 16th century. He is loosely categorized as one of the Zanni or servant characters, although he often was portrayed as a member of the middle class, such as a tavern owner: his character could be adapted to whatever the needs to the scenario might be, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Capitano
Il Capitano (; ) is one of the four stock characters of commedia dell'arte. He most probably was never a "Captain", but rather appropriated the name for himself. Its genesis dates back to the Pyrgopolinices of Titus Maccio Plautus' Miles gloriosus and to Terence's Thrason of the Eunuch. He was reborn in various forms in the Italian theater of the Renaissance. He usually personified the vainglorious soldier who continually affirmed his military quality in words and without foundation. He could boast of titles he did not possess or of feats he had never accomplished. In the most negative versions he actually poorly concealed the terror of having to face a battle or a duel. However, the Captains could also have positive characteristics, as dreamers with noble feelings. A captain portrayed in a more positive way is Francesco Andreini's ''Captain Spaventa'', capable of noble feelings, almost a dreamer. Another captain, portrayed as a laughing stock pitted against the Moors, is ''Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colombina
Columbine ( Italian: Colombina; French: Colombine; ) is a stock character in the commedia dell'arte. She is Harlequin's mistress, a comic servant playing the tricky slave type, and wife of Pierrot. Rudlin and Crick use the Italian spelling Colombina in ''Commedia dell'Arte: A Handbook for Troupes''. History The role of the female servant was originally that of an entr'acte dancer. Women were not allowed to be part of the story that was being played out on stage, but they were allowed to have a dance in-between the action. Eventually these women became the buxom and gossipy servants of characters that were already allowed on stage, and then, later, the counterparts to the Zanni characters. Columbine was very down to earth and could always see the situation for what it actually was. She was also sometimes portrayed as a prostitute. She was very infrequently without something to say to or about someone. She is dressed in a very short ragged and patched dress, appropriate to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arlecchino
Harlequin (, , ; , ) is the best-known of the comic servant characters ( Zanni) from the Italian commedia dell'arte, associated with the city of Bergamo. The role is traditionally believed to have been introduced by the Italian actor-manager Zan Ganassa in the late 16th century, was definitively popularized by the Italian actor Tristano Martinelli in Paris in 1584–1585, and became a stock character after Martinelli's death in 1630. The Harlequin is characterised by his checkered costume. His role is that of a light-hearted, nimble, and astute servant, often acting to thwart the plans of his master, and pursuing his own love interest, Columbine, with wit and resourcefulness, often competing with the sterner and melancholic Pierrot. He later develops into a prototype of the romantic hero. Harlequin inherits his physical agility and his trickster qualities, as well as his name, from a mischievous "devil" character in medieval Passion Plays. The Harlequin character first ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
