Le Voyage à Travers L'impossible
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Le Voyage à Travers L'impossible
''The Impossible Voyage'' (), also known as ''An Impossible Voyage'' and ''Whirling the Worlds'', is a 1904 French silent trick film directed by Georges Méliès. Inspired by Jules Verne's and Adolphe d'Ennery's 1882 play ''Journey Through the Impossible'', and modeled in style and format on Méliès's highly successful 1902 film ''A Trip to the Moon'', the film is a satire of scientific exploration in which a group of geographically minded tourists attempt a journey to the Sun using various methods of transportation. The film was a significant international success at the time of its release, and has been well received by film historians. Plot Note: ''Since the film is silent and has no intertitles, the proper names and quotations below are taken from the English-language description of the film published by Méliès in the catalog of the Star Film Company's New York Branch.'' A society of geographical enthusiasts, the Institute of Incoherent Geography, plans to make a world ...
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Georges Méliès
Marie-Georges-Jean Méliès ( , ; 8 December 1861 – 21 January 1938) was a French magic (illusion), magician, toymaker, actor, and filmmaker. He led many technical and narrative developments in the early days of film, cinema, primarily in the Fantasy film, fantasy and Science fiction film, science fiction genres. Méliès rose to prominence creating "trick films" and became well known for his innovative use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, Dissolve (film), dissolves, and Color motion picture film#Tinting and hand coloring, hand-painted colour. He was also one of the first filmmakers to use storyboards in his work. His most important films include ''A Trip to the Moon'' (1902) and ''The Impossible Voyage'' (1904). Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Netherlands, Dutch wife Johannah-Catherine Schuering. His ...
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May De Lavergne
May is the fifth month of the year in the Julian calendar, Julian and Gregorian calendars. Its length is 31 days. May is a month of Spring (season), spring in the Northern Hemisphere, and autumn in the Southern Hemisphere. Therefore, May in the Southern Hemisphere is the seasonal equivalent of November in the Northern Hemisphere and vice versa. Late May typically marks the start of the summer vacation season in the United States (Memorial Day) and Canada (Victoria Day) that ends on Labor Day, the first Monday of September. May (in Latin, ''Maius'') was named for the Greek goddess Maia (mythology), Maia, who was identified with the Roman era goddess of fertility, Bona Dea, whose festival was held in May. Conversely, the Roman poet Ovid provides a second etymology, in which he says that the month of May is named for the ''maiores,'' Latin for "elders", and that the following month (June) is named for the ''iuniores,'' or "young people" (''Fasti VI.88''). Eta Aquariids meteor ...
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Le Voyage à Travers L'impossible (Georges Méliès, 1904)
''The Impossible Voyage'' (), also known as ''An Impossible Voyage'' and ''Whirling the Worlds'', is a 1904 French silent film, silent trick film directed by Georges Méliès. Inspired by Jules Verne's and Adolphe d'Ennery's 1882 play ''Journey Through the Impossible'', and modeled in style and format on Méliès's highly successful 1902 film ''A Trip to the Moon'', the film is a satire of scientific exploration in which a group of geographically minded tourists attempt a journey to the Sun using various methods of transportation. The film was a significant international success at the time of its release, and has been well received by film historians. Plot Note: ''Since the film is silent and has no intertitles, the proper names and quotations below are taken from the English-language description of the film published by Méliès in the catalog of the Star Film Company's New York Branch.'' A society of geographical enthusiasts, the Institute of Incoherent Geography, plans to m ...
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Czech Film Archive
The National Film Archive (, abb. NFA) is a film archive located in Prague, Czech Republic. It was established in 1943 (From 1943 to 1945 known as Filmový archiv, from 1945 to 1989 Československý filmový ústav, then from 1990 to 1992 Český filmový archiv) and in 1946 it became a member of the International Federation of Film Archives. In 1997 it became a founding member of the Association of European Film Archives and Cinematheques, ACE (Association des Cinémathèques Européenes). History In the Czech Republic, the NFA is one of the major memory institutions; in addition to performing the archival role it manages Czech films and is engaged in scientific and publishing activities, exhibition and promotion of film heritage and support of contemporary Czech cinema. Since 2011, the NFA has been involved in major digitisation projects ('' Markéta Lazarová'', '' The Firemen’s Ball'', '' All My Compatriots'', '' Closely Watched Trains'', '' Voyage to the End of the Universe ...
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Film Colorization
Film colorization (American English; or colourisation/colorisation [both British English], or colourization [Canadian English and Oxford English]) is any process that adds color to black-and-white, sepia tone, sepia, or other monochrome moving-picture images. It may be done as a special effect, to "modernize" black-and-white films, or to restore color segregation. The first examples date from the early 20th century, but colorization has become common with the advent of digital image processing. Early techniques Hand colorization The first film colorization methods were hand-done by individuals. For example, at least 4% of George Méliès' output, including some prints of ''A Trip to the Moon'' from 1902 and other major films such as ''The Kingdom of the Fairies'', ''The Impossible Voyage'', and ''The Barber of Seville (1904 film), The Barber of Seville'' were individually hand-colored by Elisabeth Thuillier's coloring lab in Paris. Thuillier, a former colorist ...
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Library Of Congress
The Library of Congress (LOC) is a research library in Washington, D.C., serving as the library and research service for the United States Congress and the ''de facto'' national library of the United States. It also administers Copyright law of the United States, copyright law through the United States Copyright Office, and it houses the Congressional Research Service. Founded in 1800, the Library of Congress is the oldest Cultural policy of the United States, federal cultural institution in the United States. It is housed in three buildings on Capitol Hill, adjacent to the United States Capitol, along with the National Audio-Visual Conservation Center in Culpeper, Virginia, and additional storage facilities at Fort Meade, Fort George G. Meade and Cabin Branch in Hyattsville, Maryland. The library's functions are overseen by the librarian of Congress, and its buildings are maintained by the architect of the Capitol. The LOC is one of the List of largest libraries, largest libra ...
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Impossible Voyage 1
Impossible, Imposible or Impossibles may refer to: Music * ''ImPossible'' (album), a 2016 album by Divinity Roxx * ''The Impossible'' (album), a 1981 album by Ken Lockie Groups * The Impossibles (American band), a 1990s indie-ska group from Austin, Texas * The Impossibles (Australian band), an Australian band * The Impossibles (Thai band), a 1970s Thai rock band Songs * "Impossible" (Captain Hollywood Project song) (1993) * "The Impossible" (song), a country music song by Joe Nichols (2002) * "Impossible" (Edyta Górniak song) (2003) * "Impossible" (Kanye West song) (2006) * "Impossible" (Travis Scott song) (2015) * "Impossible" (Daniel Merriweather song) (2009) * "Impossible" (Måns Zelmerlöw song) (2009) * "Impossible" (Anberlin song) (2010) * "Impossible" (Shontelle song) (2010), covered by James Arthur (2012) * "Impossible", from Rodgers and Hammerstein's 1957 musical ''Cinderella'' * "Impossible", a song written by Steve Allen and recorded by Nat King Cole for his ...
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Dissolve (filmmaking)
In the post-production process of film editing, film and video editing, a dissolve (sometimes called a lap dissolve) is a type of film transition in which one Sequence (filmmaking), sequence fades over another. The terms fade-out (also called fade to black) and fade-in are used to describe a transition to and from a blank image. This is in contrast to a Cut (transition), cut, where there is no such transition. A dissolve overlaps two Shot (filmmaking), shots for the duration of the effect, usually at the end of one scene and the beginning of the next, but may also be used in Montage (filmmaking), montage sequences. Generally, but not always, the use of a dissolve is held to indicate that a time has passed between the two scenes. Also, it may indicate a change of location or the start of a Flashback (narrative), flashback. Creation of effect In the film, this effect is usually created with an optical printer by controlling double exposure from frame to frame. In linear video ed ...
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Substitution Splice
The substitution splice or stop trick is a cinematic special effect in which filmmakers achieve an appearance, disappearance, or transformation by altering one or more selected aspects of the mise-en-scène between two shots while maintaining the same framing and other aspects of the scene in both shots. The effect is usually polished by careful editing to establish a seamless cut and optimal moment of change. It has also been referred to as stop motion substitution or stop-action. The pioneering French filmmaker Georges Méliès claimed to have accidentally developed the stop trick, as he wrote in ''Les Vues Cinématographiques'' in 1907 (translated from French): According to the film scholar Jacques Deslandes, it is more likely that Méliès discovered the trick by carefully examining a print of the Edison Manufacturing Company's 1895 film '' The Execution of Mary Stuart'', in which a primitive version of the trick appears. In any case, the substitution splice was both the ...
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Miniature Effect
A miniature effect is a special effect created for motion pictures and television programs using scale models. Scale models are often combined with high speed photography or matte shots to make gravitational and other effects appear convincing to the viewer. The use of miniatures has largely been superseded by computer-generated imagery in contemporary cinema. Where a miniature appears in the foreground of a shot, this is often very close to the camera lens — for example when matte-painted backgrounds are used. Since the exposure is set to the object being filmed so the actors appear well-lit, the miniature must be over-lit in order to balance the exposure and eliminate any depth of field differences that would otherwise be visible. This foreground miniature usage is referred to as forced perspective. Another form of miniature effect uses stop motion animation. The use of scale models in the creation of visual effects by the entertainment industry dates back to the earliest d ...
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Pyrotechnics
Pyrotechnics is the science and craft of creating fireworks, but also includes safety matches, oxygen candles, Pyrotechnic fastener, explosive bolts (and other fasteners), parts of automotive airbags, as well as gas-pressure blasting in mining, quarrying, and demolition. This trade relies upon self-contained and self-sustained exothermic chemical reactions to make heat, light, gas, smoke and/or sound. The name etymology, comes from the Greek words ''pyr'' (πυρ; 'fire') and ''technikós'' (τεχνικός; 'artistic'). Improper use of pyrotechnics could lead to List of pyrotechnic incidents, pyrotechnic accidents. People responsible for the safe storage, handling, and functioning of pyrotechnic devices are known as pyrotechnicians. Proximate pyrotechnics Explosions, flashes, smoke, flames, fireworks and other pyrotechnic-driven effects used in the entertainment industry are referred to as proximate pyrotechnics. Proximate refers to the pyrotechnic device's location relative to ...
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Stage Machinery
Stage machinery, also known as stage mechanics, comprises the mechanical devices used to create special effects in theatrical productions, including scene changes, lowering actors through the stage floor (traps) and enabling actors to 'fly' over the stage. Alexandra Palace Theatre, London and the Gaiety Theatre, Isle of Man, Gaiety Theatre, Isle of Man are two theatres which have retained stage machinery of all types under the stage. Scene Changing The wings of a theatre stage had to be at least half the width of the stage each side of the proscenium arch and the fly system for flying scenery had to be twice the height of the stage. Drum and Shaft This consisted of a shaft around which was built one or more circular drums which had a much larger diameter than the shaft. A rope wound round the drum was pulled in order to rotate the shaft and if there was more than one drum on the shaft, several pieces of scenery could be moved at the same time to raise the scenery wings a ...
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