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Landscape With Psyche Outside The Palace Of Cupid
''Landscape with Psyche Outside the Palace of Cupid'', or ''The Enchanted Castle'', 1664, is a painting, oil on canvas, by Claude Lorrain in the National Gallery, London. It was commissioned by Lorenzo Onofrio Colonna, a Roman aristocrat. Its subject is taken from '' The Golden Ass'' (IV-VI), by Apuleius – the love story of Psyche the soul, and Cupid the god of love. It is not clear if Psyche sits in front of Cupid's castle before she meets him, or after he has abandoned her. The painting's popular English title, ''The Enchanted Castle'', was first used in an engraving after the picture of 1782. The picture perhaps shows Psyche's enforced arrival in Cupid's Kingdom, when the Zephyr wafts her to 'deep valley, where she was laid in a soft grassy bed of most sweet and fragrant flowers'. After rest, she sees 'in the middest (sic) and very heart of the woods, well nigh at the fall of the river .... a princely edifice'. Lorrain's representation of Psyche is taken from an engraving ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Lorrain
Claude Lorrain (; born Claude Gellée , called ''le Lorrain'' in French; traditionally just Claude in English; c. 1600 – 23 November 1682) was a French painter, draughtsman and etcher of the Baroque Painting, Baroque era. He spent most of his life in Italy, and is one of the earliest important artists, apart from his contemporaries in Dutch Golden Age painting, to concentrate on landscape painting. His landscapes are usually turned into the hierarchy of genres, more prestigious genre of history paintings by the addition of a few small figures, typically representing a scene from the Bible or classical mythology. By the end of the 1630s he was established as the leading landscapist in Italy, and enjoyed large fees for his work. His landscapes gradually became larger, but with fewer figures, more carefully painted, and produced at a lower rate.Kitson, 6 He was not generally an innovator in landscape painting, except in introducing the sun and streaming sunlight into many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West Wind
A west wind is a wind that originates in the west and blows in an eastward direction. Mythology and Literature In European tradition, it has usually been considered the mildest and most favorable of the directional winds. In Greek mythology, Zephyrus was the personification of the west wind and the bringer of light spring and early summer breezes; his Roman equivalent was Favonius (hence the adjective ''favonian'', pertaining to the west wind). In Egyptian mythology, Ḥutchai is the god of the west wind. He was depicted as a man with the head of a serpent. Geoffrey Chaucer wrote of the "swete breth" of Zephyrus, and a soft, gentle breeze may be referred to as a zephyr, as in William Shakespeare's ''Cymbeline'' (IV, ii): "They are as gentle / As zephyrs blowing below the violet, / Not wagging his sweet head." In Iroquois tradition, the "west wind" is brought by the Panther, ugly and fierce. A west wind can be known as a zephyr. See also * East wind * Fremant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collections Of The National Gallery, London
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1664 Paintings
It is one of eight years (CE) to contain each Roman numeral exactly once (1000(M)+500(D)+100(C)+50(L)+10(X)+(-1(I)+5(V)) = 1664). Events January–March * January 5 – In the Battle of Surat in India, the Maratha leader, Chhatrapati Shivaji, defeats the Mughal Army Captain Inayat Khan, and sacks Surat. * January 7 – Indian entrepreneur Virji Vora, described in the 17th century by the English East India Company as the richest merchant in the world, suffers the loss of a large portion of his wealth when the Maratha troops of Shivaji plunder his residence at Surat and his business warehouses. * February 2 – Jesuit missionary Johann Grueber arrives in Rome after a 214-day journey that had started in Beijing, proving that commerce can be had between Europe and Asia by land rather than ship. * February 12 – The Treaty of Pisa is signed between France and the Papal States to bring an end to the Corsican Guard Affair that began on August 20, 1662, when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landscape Paintings
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be ent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ode To A Nightingale
"Ode to a Nightingale" is a poem by John Keats written either in the garden of the Spaniards Inn, Hampstead, London or, according to Keats' friend Charles Armitage Brown, under a plum tree in the garden of Keats' house at Wentworth Place, also in Hampstead. According to Brown, a nightingale had built its nest near the house that he shared with Keats in the spring of 1819. Inspired by the bird's song, Keats composed the poem in one day. It soon became one of his 1819 odes and was first published in ''Annals of the Fine Arts'' the following July. The poem is one of the most frequently anthologized in the English language. "Ode to a Nightingale" is a personal poem which describes Keats' journey into the state of negative capability. The tone of the poem rejects the optimistic pursuit of pleasure found within Keats's earlier poems and, instead, explores the themes of nature, transience and mortality, the latter being particularly relevant to Keats. The nightingale described expe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Keats
John Keats (31 October 1795 – 23 February 1821) was an English poet of the second generation of Romantic poets, with Lord Byron and Percy Bysshe Shelley. His poems had been in publication for less than four years when he died of tuberculosis at the age of 25. They were indifferently received in his lifetime, but his fame grew rapidly after his death. By the end of the century, he was placed in the canon of English literature, strongly influencing many writers of the Pre-Raphaelite Brotherhood; the '' Encyclopædia Britannica'' of 1888 called one ode "one of the final masterpieces". Jorge Luis Borges named his first encounter with Keats an experience he felt all his life. Keats had a style "heavily loaded with sensualities", notably in the series of odes. Typically of the Romantics, he accentuated extreme emotion through natural imagery. Today his poems and letters remain among the most popular and analysed in English literature – in particular " Ode to a Nightingale", " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Of The Die
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Master of the Die (fl. 1525–1560) was an Italian engraver and printmaker. His year of birth and death are unknown. The identity of the Master of the Die is uncertain. He was given this name because he signed his prints with a small die (dice). Some theories to the identity of the artist include Benedetto Verino, Marcantonio Raimondi's son Daddi or Dado, Giovanni Francesco Zabello, or Tommaso Vincidor. The artist known as the Master of the Die studied under Marcantonio Raimondi. He worked in the style of Raphael. References Italian printmakers Italian engravers 16th-century engravers Die Die, as a verb, refers to death, the cessation of life. Die may also refer to: Games * Die, singular of dice, small throwable objects used for producing random numbers Manufacturing * Die (integrated circuit), a rectangular piece of a semicondu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cupid
In classical mythology, Cupid (Latin Cupīdō , meaning "passionate desire") is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the god of war Mars. He is also known in Latin as ' ("Love"). His Greek counterpart is Eros.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Although Eros is generally portrayed as a slender winged youth in Classical Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by his own weapons, he experiences the ordeal of love. Although other extended stories are not told abo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cupid And Psyche
Cupid and Psyche is a story originally from ''Metamorphoses'' (also called ''The Golden Ass''), written in the 2nd century AD by Lucius Apuleius Madaurensis (or Platonicus). The tale concerns the overcoming of obstacles to the love between Psyche (; , , "Soul" or "Breath of Life") and Cupid (Latin ''Cupido'', "Desire") or Amor ("Love", Greek Eros, Ἔρως), and their ultimate union in a sacred marriage. Although the only extended narrative from antiquity is that of Apuleius from 2nd century AD, Eros and Psyche appear in Greek art as early as the 4th century BC. The story's Neoplatonic elements and allusions to mystery religions accommodate multiple interpretations, and it has been analyzed as an allegory and in light of folktale, '' Märchen'' or fairy tale, and myth. The story of Cupid and Psyche was known to Boccaccio in c. 1370, but the ''editio princeps'' dates to 1469. Ever since, the reception of ''Cupid and Psyche'' in the classical tradition has been extensive. The st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apuleius
Apuleius (; also called Lucius Apuleius Madaurensis; c. 124 – after 170) was a Numidian Latin-language prose writer, Platonist philosopher and rhetorician. He lived in the Roman province of Numidia, in the Berber city of Madauros, modern-day M'Daourouch, Algeria. He studied Platonism in Athens, travelled to Italy, Asia Minor, and Egypt, and was an initiate in several cults or mysteries. The most famous incident in his life was when he was accused of using magic to gain the attentions (and fortune) of a wealthy widow. He declaimed and then distributed his own defense before the proconsul and a court of magistrates convened in Sabratha, near ancient Tripoli, Libya. This is known as the ''Apologia''. His most famous work is his bawdy picaresque novel the ''Metamorphoses'', otherwise known as ''The Golden Ass''. It is the only Latin novel that has survived in its entirety. It relates the adventures of its protagonist, Lucius, who experiments with magic and is accidentally t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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