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La Villanella Rapita
''La villanella rapita'' (''The Abducted Country Girl'') is an ''opera giocosa'' in two acts by Francesco Bianchi with additional arias by Wolfgang Amadeus Mozart for its later performances in Vienna. The libretto was by Giovanni Bertati. Performance history The opera was first performed at the Teatro San Moisè in Venice in the autumn of 1783. It was then given at the Eszterháza Theater in Süttör, Fertőd, on 29 August 1784. It was also produced at the Little Theatre in the Haymarket in London under on 27 February 1790. A pasticcio with the same title, with some music by Bianchi as well as Paisiello, Guglielmi, Giacomo Gotifredo Ferrari, Sarti and Soler was performed at Théâtre Feydeau in Paris on 5 June 1789. Mozart additions Wolfgang Amadeus Mozart contributed a vocal quartet, "Dite almeno in che mancai?", K. 479, and a vocal terzet, "Mandina amabile", K. 480, for a performance at the Burgtheater in Vienna on 1785. (The former work was first heard in public ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Buffa
Opera buffa (, "comic opera"; : ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramma bernesco'', ''dramma comico'', ''divertimento giocoso''. Especially associated with developments in Naples in the first half of the 18th century, whence its popularity spread to Rome and northern Italy, ''buffa'' was at first characterized by everyday settings, local dialects, and simple vocal writing (the basso buffo is the associated voice type), the main requirement being clear diction and facility with patter song, patter. ''The New Grove Dictionary of Opera'' considers ''La Cilla'' (music by Michelangelo Faggioli, text by , 1706) and Luigi Ricci (composer), Luigi and Federico Ricci's'' Crispino e la comare'' (1850) to be the first and last appearances of the genre, although the term is still occasionally applied to newer work (for example E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Feydeau
The Théâtre Feydeau (), a former Parisian theatre company, was founded in 1789 with the patronage of Monsieur, Comte de Provence (later to become Louis XVIII), and was therefore initially named the Théâtre de Monsieur. It began performing in the Salle des Tuileries, located in the north wing of the Tuileries Palace, then moved to the Salle des Variétés at the Foire Saint-Germain, and beginning in 1791, settled into its own custom-built theatre, the Salle Feydeau located on the rue Feydeau. The company was renamed Feydeau after the royal family was arrested during the French Revolution.Johnson 1992. The company first presented Italian opera by composers such as Giovanni Battista Pergolesi, Giuseppe Sarti, and Giovanni Paisiello and later French theatre, French plays, Comédie en vaudeville, vaudevilles, and Opéra comique, ''opéras comiques'', as well as Symphony, symphonic concerts, and was especially famous for the quality of its orchestra and realistic stagings. The Itali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (, , or , ) is a Romance language of the Indo-European language family. It evolved from the colloquial Latin of the Roman Empire. Italian is the least divergent language from Latin, together with Sardinian. It is spoken by about 68 million people, including 64 million native speakers as of 2024. Italian is an official language in Italy, San Marino, Switzerland ( Ticino and the Grisons), and Vatican City; it has official minority status in Croatia, Slovene Istria, Romania, Bosnia and Herzegovina, and the municipalities of Santa Tereza, Encantado, and Venda Nova do Imigrante in Brazil. Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia. Some speakers of Italian are native bilinguals of both Italian (either in its standard form or regional varieties) and a local language of Italy, most frequently the language spoken at home in their place of origin. Italian is a major language in Europe, being one of the offici ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1783 Operas
Events January–March * January 20 – At Versailles, Kingdom of Great Britain, Great Britain signs preliminary peace treaties with the Kingdom of France and the Kingdom of Spain. * January 23 – The Confederation Congress ratifies two October 8, 1782, treaties signed by the United States with the United Netherlands. * February 3 – American Revolutionary War: Kingdom of Great Britain, Great Britain acknowledges the independence of the United States of America. At this time, the Spanish government does not grant diplomatic recognition. * February 4 – American Revolutionary War: Great Britain formally declares that it will cease hostilities with the United States. * February 5 – 1783 Calabrian earthquakes: The first of a sequence of five earthquakes strikes Calabria, Italy (February 5–7, March 1 & 28), leaving 50,000 dead. * February 7 – The Great Siege of Gibraltar is abandoned. * February 26 – The United States Continental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Francesco Bianchi
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a classification of the human singing voice into perceivable categories or groups. Particular human singing human voice, voices are identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points (''passaggio''), such as breaks and lifts within the voice. Other considerations are physical characteristics, speech level, scientific testing, and vocal register. A singer's voice type is identified by a process known as voice classification, by which the human voice is evaluated and thereby designated into a particular voice type. The discipline of voice classification developed within European classical music and is not generally applicable to other forms of singing. Voice classification is often used within opera to associate possible roles with potential voices. Several different voice classification systems are available to identify voice types, including the German ''Fach'' system and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stefano Mandini
Stefano Mandini (1750–ca. 1810) was an outstanding Italian operatic baritone of the second half of the 18th century. He appeared in the premieres of many well-known operas of his day, of which the most famous at the present time is Mozart's ''The Marriage of Figaro'', for which Mandini created the role of Count Almaviva. Career His career began in Italy with performances in Ferrara in 1774 and Parma in 1776. A key event occurred when Emperor Joseph II of Austria chose to found a top-rank Italian opera company at his capital in Vienna, and sent his representatives seeking the best available talent. Mandini was recruited during this search, and first sang in the Emperor's company on 5 May 1783 as Milord Arespingh in ''L'italiana in Londra'' by Domenico Cimarosa. He sang in a number of operas with the company, including the following: *1783 **Mingone in Giuseppe Sarti's ''Fra i due litiganti il terzo gode'' **Don Fabio in Cimarosa's ''Il falegname'' **Count Almaviva in Giovanni Pai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celeste Coltellini
Celeste Coltellini (26 November 1760 – 24 July 1828) was an Italian soprano. She was a well-known singer of opera buffa in Europe in the late 18th century. Celeste was the daughter of a librettist, Marco Coltellini. She made her debut at Teatro alla Scala in Milan, performing in three operas: Giovanni Valentini's ''Le nozze in contrasto'', Giacomo Rust's ''Gli antiquari in Palmira'' and Giovanni Paisiello's ''La Frascatana'', singing in mezzo-soprano register. She then sang at Teatro San Carlo in Naples, where she had the opportunity to meet Emperor Joseph II, who later invited her to perform in Vienna. In Vienna,in 1785, she made her debut singing Domenico Cimarosa’s ''Contadina di spirito''. She was seen with Mozart several times at music performances and parties; however, there is no record or any official report of collaboration by them. Coltellini was famous for her excellent interpretation of the title role in '' Nina, o sia La pazza per amore'' by Giovanni Paisiello. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
