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La Schiava In Bagdad
''La schiava in Bagdad'' (The Slave Girl in Baghdad) is an opera in two acts composed by Giovanni Pacini to a libretto by Vittorio Pezzi. It premiered on 28 October 1820 at the Teatro Carignano in Turin. In the 20 years following its premiere it was performed throughout Italy as well as in Spain, Russia, and England. Set in Baghdad, the plot involves the efforts of a Syrian prince to rescue his beloved Zora who is being held as a slave girl in the city. The prince is assisted in his mission by a wily shoemaker who had once been his servant. Background and performance history Subtitled ''Il papucciaio'' (The Shoemaker), ''La schiava in Bagdad'' is a ''dramma giocoso'', a frequent genre in Pacini's early works. Pezzi's libretto was based on the story, but not the text, of an earlier libretto by Felice Romani, ''Il califo e la schiava'' (The Caliph and the Slave Girl) which was set by Francesco Basili and premiered at La Scala in 1819. Pacini's opera premiered at Turin's Teatro Cari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pacini
Giovanni Pacini (11 February 17966 December 1867) was an Italian composer, best known for his operas. Pacini was born in Catania, Sicily, the son of the buffo Luigi Pacini, who was to appear in the premieres of many of Giovanni's operas. The family was of Tuscany, Tuscan origin, living in Catania when the composer was born. He served as the Florence Conservatory's first director from 1849 through 1862. His first 25 or so operas were written when Gioachino Rossini dominated the Italian operatic stage. But Pacini's operas were "rather superficial", a fact which, later, he candidly admitted in his ''Memoirs''.Rose 2001, in Holden, p. 650 For some years he held the post of "director of the Teatro San Carlo in Naples." Later, retiring to Viareggio to found a school of music, Pacini took time to assess the state of opera in Italy and, during a five-year period during which he stopped composing, laid out his ideas in his Memoirs. Like Saverio Mercadante, who also reassessed the strengt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odessa
ODESSA is an American codename (from the German language, German: ''Organisation der ehemaligen SS-Angehörigen'', meaning: Organization of Former SS Members) coined in 1946 to cover Ratlines (World War II aftermath), Nazi underground escape-plans made at the end of World War II by a group of ''SS'' officers with the aim of facilitating secret escape routes, and any directly ensuing arrangements. The concept of the existence of an actual ODESSA organisation has circulated widely in fictional Spy fiction, spy novels and movies, including Frederick Forsyth's best-selling 1972 thriller ''The Odessa File''. The escape-routes have become known as "Ratlines (World War II), ratlines". Known goals of elements within the ''SS'' included allowing ''SS'' members to escape to Argentina or to the Middle East under false passports. Although an unknown number of wanted Nazis and war criminals escaped Germany and often Europe, most experts deny that an organisation called ODESSA ever existed. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Music Score Library Project
The International Music Score Library Project (IMSLP), also known as the Petrucci Music Library after publisher Ottaviano Petrucci, is a subscription-based digital library of public-domain music scores. The project uses MediaWiki software, and has uploaded more than 736,000 scores and 80,700 recordings by 1,900 performers of more than 226,000 works by 27,400 composers. IMSLP has both an iOS app and an Android app. History Overview The site was launched on February 16, 2006. The library consists mainly of scans of old musical editions out of copyright. In addition, it admits scores by contemporary composers who wish to share their music with the world by releasing it under a Creative Commons license. One of the main projects of the IMSLP was the sorting and uploading of the complete works of Johann Sebastian Bach in the Bach-Gesellschaft Ausgabe (1851–99), a task that was completed on November 3, 2008. Besides J.S. Bach's complete public domain works, many or all availab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Bologna
The University of Bologna (, abbreviated Unibo) is a Public university, public research university in Bologna, Italy. Teaching began around 1088, with the university becoming organised as guilds of students () by the late 12th century. It is the List of oldest universities in continuous operation, oldest university in continuous operation in the world, and the first degree-awarding institution of higher learning.Hunt Janin: "The university in medieval life, 1179–1499", McFarland, 2008, , p. 55f.de Ridder-Symoens, Hilde''A History of the University in Europe: Volume 1, Universities in the Middle Ages'' Cambridge University Press, 1992, , pp. 47–55 The university's emblem carries the motto, ''Alma Mater Studiorum'' ("Nourishing mother of studies"), and the date ''A.D. 1088''. With over 90,000 students, the University of Bologna is one of the List of largest universities by enrollment, largest universities in Europe. The university saw the first woman to earn a university degree ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Pacini
Luigi Pacini (25 March 1767 – 2 May 1837) was an Italian opera singer who appeared on the principal stages of his native country as well as in Spain and Austria in a career that spanned over 30 years. He began his career as a tenor but in 1805 started singing bass roles and rose to prominence in that repertoire. Amongst the numerous roles he created in world premieres were Geronio in Rossini's ''Il turco in Italia'' and Parmenione in his ''L'occasione fa il ladro''. Pacini was born in the Province of Pistoia and died in Viareggio where in his later years he taught singing at the conservatory founded by his son, Giovanni Pacini. Life and career Pacini was born in Popiglio di Piteglio, a hamlet in the hills outside Pistoia in Tuscany. He appears to have spent his childhood in Rome and showed and early aptitude for music. The Duke of Sermoneta became the young Pacini's patron and arranged for him study music, first in Rome with Giovanni Masi, the ''maestro di cappella'' of San G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Savino Monelli
Savino Monelli (9 May 1784 – 5 June 1836) was an Italian tenor prominent in the opera houses of Italy from 1806 until 1830. Amongst the numerous roles he created in world premieres were Giannetto in Rossini's ''La gazza ladra'', Enrico in Donizetti's '' L'ajo nell'imbarazzo'' and Nadir in Pacini's '' La schiava in Bagdad''. He was born in Fermo where he initially studied music. After leaving the stage, he retired to Fermo and died there five years later at the age of 52. Life and career Monelli was born in Fermo and received his early music training under Giuseppe Giordani who was the ''maestro di cappella'' of the Fermo Cathedral. His elder brother, Raffaele (1782–1859) likewise trained under Giordani and had a career as a tenor appearing in the world premieres of Rossini's '' La scala di seta'' and ''L'inganno felice''. One of Monelli's earliest performances was in 1806 when he appeared with Raffaele in a production of Marcello Bernardini's ''Furberia e puntiglio'' at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seraglio
A seraglio, serail, seray or saray (from , via Turkish, Italian and French) is a castle, palace or government building which was considered to have particular administrative importance in various parts of the former Ottoman Empire. "The Seraglio" may refer specifically to the Topkapı Palace, the residence of the former Ottoman sultans in Istanbul (known as Constantinople in English at the time of Ottoman rule). The term can also refer to other traditional Turkish palaces (every imperial prince had his own) and other grand houses built around courtyards. Etymology The term ''seraglio'', from Italian, has been used in English since 1581. The Italian Treccani dictionary gives two derivations: # one via or (with the variants ''seraya'' or ''saraya''), which comes from or, per derivation, the enclosed court for the wives and concubines of the harem of a house or palace (see ); # the other — in the sense of enclosure — from Late/, derived from Classical Latin , , whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pio Botticelli
Pio Botticelli (8 January 1789 – 6 September 1855) was an Italian bass-baritone active in the opera houses of Italy from 1810 until the mid-1840s. Amongst the numerous roles he created in world premieres were Pietro il Grande (Peter the Great) in Donizetti's '' Il falegname di Livonia'' and The Caliph in Pacini's '' La schiava in Bagdad''. He also sang the role of Leucippo in the Austrian premiere of Rossini's '' Zelmira''. Life and career Botticelli, was born in Rome, the son of Salvatore Botticelli who was also a noted bass. His earliest recorded performance was in 1810 when he sang the role of Montezo in Nicola Antonio Manfroce's ''Alzira'' at the Teatro Valle in Rome. From 1813 until 1816, he was a singer in the Basilica della Santa Casa in Loreto. During that time he also appeared on the opera stage, creating the roles of Aldano in the premiere of Carlo Coccia's ''Evellina'' at the Teatro Re in 1814 and The Spirit of Austria in and Ferdinando Orlandi's ''Il mistico om ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a classification of the human singing voice into perceivable categories or groups. Particular human singing human voice, voices are identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points (''passaggio''), such as breaks and lifts within the voice. Other considerations are physical characteristics, speech level, scientific testing, and vocal register. A singer's voice type is identified by a process known as voice classification, by which the human voice is evaluated and thereby designated into a particular voice type. The discipline of voice classification developed within European classical music and is not generally applicable to other forms of singing. Voice classification is often used within opera to associate possible roles with potential voices. Several different voice classification systems are available to identify voice types, including the German ''Fach'' system and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
