|
L'île De Merlin, Ou Le Monde Renversé
''L'île de Merlin, ou Le monde renversé'' (Merlin's Island, or the World Upended) is an ''opéra comique'' in one act composed by Christoph Willibald Gluck to a 1753 French libretto by Louis Anseaume based on Alain René Lesage and D'Orneval's 1718 vaudeville comedy ''Le monde renversé''. Gluck's version was first performed on 3 October 1758 at the Schönbrunn Palace in Vienna.Hauschka, Thomas (2005)"Preface"(English translation by Bradford J. Robinson)''L'Ile de Merlin, ou Le monde renversé''piano/vocal score, pp. x–xii. Bärenreiter-Verlag Karl Vötterle Karl Vötterle (12 April 1903 – 29 October 1975) was a German music publisher. Life Vötterle was born in Augsburg. With the intention of printing song sheets for the members of the musical youth movement, he founded the Bärenreiter-Verlag i ... Roles References External links Anseaume's 1753 revised French libretto for ''Le monde renversé''at Google Books {{DEFAULTSORT:Ile de Merlin 1758 operas French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merlin
The Multi-Element Radio Linked Interferometer Network (MERLIN) is an interferometer array of radio telescopes spread across England. The array is run from Jodrell Bank Observatory in Cheshire by the University of Manchester on behalf of UK Research and Innovation. The array consists of up to seven radio telescopes and includes the Lovell Telescope at Jodrell Bank, Mark II, Cambridge, Defford in Worcestershire, Knockin in Shropshire, and Darnhall and Pickmere (previously known as Tabley) in Cheshire. The longest baseline is therefore 217 km and MERLIN can operate at frequencies between 151 MHz and 24 GHz. At a wavelength of 6 cm (5 GHz frequency), MERLIN has a resolution of 40 milliarcseconds which is comparable to that of the HST at optical wavelengths. Some of the telescopes are occasionally used for European VLBI Network (EVN) and Very Long Baseline Interferometry (VLBI) observations in order to create an interferometer with even larger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierrot
Pierrot ( , ; ), a stock character of pantomime and commedia dell'arte, has his origins in the late 17th-century Italian troupe of players performing in Paris and known as the Comédie-Italienne. The name is a hypocorism, diminutive of ''Pierre'' (Peter), using the suffix ''wikt:-ot#French, -ot'' and derives from the Italian Pedrolino. His character in contemporary popular culture—in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall—is that of the sad clown, often pining for love of Columbina, Columbine (who usually breaks his heart and leaves him for Harlequin). Performing unmasked, with a whitened face, he wears a loose white blouse with large buttons and wide white pantaloons. Sometimes he appears with a frilled collaret and a hat, usually with a close-fitting crown and wide round brim and, more rarely, with a conical shape like a dunce's cap. Pierrot's character developed from that of a buffoon to become an avatar of the dise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Christoph Willibald Gluck
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One-act Operas
A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of fringe theatre shows including at the Edinburgh Festival Fringe. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, ''Cyclops'', a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon.Francis M. Dunn. ''Tragedy's End: Closure and Innovation in Euripidean Drama''. Oxford University Press (1996). One act plays became more common in the 19th century and are now a standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is both the art of opera in France and opera in the French language. It is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV with Jean-Baptiste Lully's (1673), although there had been various experiments with the form before that, most notably by Robert Cambert. Lully and his librettist Quinault created , a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, Christoph Willibald Gluck was persuaded to produce six operas for the Paris Opera in the 1770s. They show the influence of Rameau, but simplified and with gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1758 Operas
Events January–March * January 1 – Swedish biologist Carl Linnaeus (Carl von Linné) publishes in Stockholm the first volume (''Animalia'') of the 10th edition of Systema Naturae, 10th edition of ''Systema Naturae'', the starting point of modern zoological nomenclature, introducing binomial nomenclature for animals to his established system of Linnaean taxonomy. Among the first examples of his system of identifying an organism by genus and then species, Linnaeus identifies the lamprey with the name ''Petromyzon marinus''. He introduces the term ''Homo sapiens''. (Date of January 1 assigned retrospectively.) * January 20 – At Cap-Haïtien in Haiti, former slave turned rebel François Mackandal is executed by the French colonial government by being burned at the stake. * January 22 – Russian troops under the command of William Fermor invade East Prussia and capture Königsberg with 34,000 soldiers; although the city is later abandoned by Russia afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scapino
{{Use dmy dates, date=January 2024 Scapino or Scapin is a Zanni character from the commedia dell'arte. His name is related to the Italian language, Italian word ''scappare'' ('to escape') and his name translates to 'little escape artist', in reference to his tendency to flee from fights, even those he himself begins. He is a Bergamo native, and was popularized by the actor Francesco Gabrielli. Costume Later versions show his costume with green (or sometimes turquoise) and white stripes, similar to Mezzetino's red and white, but Jacques Callot, Callot shows Scapino in an outfit similar to the early Brighella's, white with a ''tabaro'' and a sword on his belt, and topped with a torn hat adorned with feathers. He is in fact a variant on Brighella, more cowardly and less clever. Some people call him Brighella's brother, some his son. Character Scapino tends to make a confusion of anything he undertakes and metaphorically "flees" from one thought, activity or love interest to another ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular ''opéras comiques en vaudevilles'' of the Théâtre de la foire, Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" ''Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre Opéra-Comique, of the same name, ''opéra comique'' is not necessarily comical or shallow; ''Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs (''Vaudeville (song), vaudevilles''), with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
