L'heureux Malgré Lui
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L'heureux Malgré Lui
''L'heureux malgré lui'' (''The Man Happy in Spite of Himself'') is an opera by the French composer Étienne Méhul. It takes the form of an ''opéra bouffon'' in one act. It premiered at the Opéra-Comique The Opéra-Comique () is a Paris opera company which was founded around 1714 by some of the popular Théâtre de la foire, theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief riva ..., Paris on 29 December 1803. The libretto is by Claude Godard d'Aucourt de Saint-Just. It was a complete failure, only enjoying two performances.Pougin, pp.223-224 References Sources *Adélaïde de Place ''Étienne Nicolas Méhul'' (Bleu Nuit Éditeur, 2005) *Arthur Pougin ''Méhul: sa vie, son génie, son caractère'' (Fischbacher, 1889) *General introduction to Méhul's operas in the introduction to the edition of '' Stratonice'' by M. Elizabeth C. Bartlet (Pendragon Press, 1997) Operas by Étienne Méhul 1803 oper ...
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Étienne Méhul
Étienne Nicolas Méhul (; 22 June 1763 – 18 October 1817) was a French composer of the late Classical period (music), classical and early Romantic period (music), romantic periods. He was known as "the most important opera composer in France during the French Revolution, Revolution". He was also the first composer to be called a "Romanticism, Romantic". He is known particularly for his operas, written in keeping with the reforms introduced by Christoph Willibald Gluck and Wolfgang Amadeus Mozart. Life Méhul was born at Givet in Ardennes to Jean-François Méhul, a wine merchant, and his wife Marie-Cécile (née Keuly). His first music lessons came from a blind local organist. When he showed promise, he was sent to study with a German musician and organist, , at the monastery of Lavaldieu, a few miles from Givet. Here Méhul developed his lifelong love of flowers. In 1778 or 1779 he went to Paris and began to study with Jean-Frédéric Edelmann, a harpsichord player and f ...
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Opéra Bouffon
''Opéra bouffon'' () is the French term for the Italian genre of opera buffa (comic opera) performed in 18th-century France, either in the original language or in French translation. It was also applied to original French opéras comiques having Italianate or near- farcical plots. The term was also later used by Jacques Offenbach for five of his operettas (''Orphée aux enfers'', '' Le pont des soupirs'', ''Geneviève de Brabant'', ' and ''Le voyage de MM. Dunanan père et fils''), and is sometimes confused with the French opéra comique and opéra bouffe ''Opéra bouffe'' (, plural: ''opéras bouffes'') is a genre of mid- to late 19th-century French operetta, closely associated with Jacques Offenbach, who produced many of them at the Théâtre des Bouffes-Parisiens, inspiring the genre's name. It ....Notably (''Histoire de l'opéra bouffon'', Amsterdam 1768Vol. IanVol. II used the term as a synonym for ''opéra comique'' (Bartlet). Notes {{DEFAULTSORT:Opera Bouffon F ...
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Opéra-Comique
The Opéra-Comique () is a Paris opera company which was founded around 1714 by some of the popular Théâtre de la foire, theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne (theatre), Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with ...
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Claude Godard D'Aucourt De Saint-Just
Claude Godard d'Aucourt called de Saint-Just (14 July 1768 – 17 March 1826) was a French librettist. Born in Paris, he was the son of Claude Godard d'Aucour, marquis of , a fermier général. Being a younger son, he bore the name st-Just which was a dependent lordship of Plancy. He wrote the librettos of several opéras comiques by François Adrien Boieldieu such as: *1797: ''L'Heureuse Nouvelle'' *1797: ''La Famille suisse'' *1798: ''Zoraïme et Zulnar'' *1799: ''Emma, ou la Prisonnière'' *1799: ''Les Méprises espagnoles'' *1800: ''Le calife de Bagdad'' *1803: '' L'heureux malgré lui'' by Étienne Méhul *1806: ''Gabrielle d'Estrées'' by E. Méhul *1812: '' Jean de Paris''. He gave himself the collection of his ''Œuvres'' (Paris, 1826, 2 volumes in-8°). Godard d'Aucourt de Saint-Just's grave at centre His father had himself given some books of libertine A libertine is a person questioning and challenging most moral principles, such as responsibility or Human ...
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Stratonice (opera)
''Stratonice'' is a one-act ''opéra comique'' by Étienne Méhul to a libretto by François-Benoît Hoffman, first performed at the Théâtre Favart in Paris, on 3 May 1792. The plot is taken from '' De Dea Syria'' ("On the Syrian Goddess", attributed to Lucian) concerning an incident from the history of the Seleucid dynasty which ruled much of the Middle East during the Hellenistic era of the ancient world. Performance history ''Stratonice'' was a popular opera, receiving over 200 performances during Méhul's lifetime. On 6 June 1792 a parody, ''Nice'', by Jean-Baptiste Desprez and Alexandre de Ségur, appeared at the Théâtre du Vaudeville. In 1821 Méhul's nephew Joseph Daussoigne-Méhul wrote new recitatives for the opera's revival in Paris at the Académie Royale de Musique. Roles Synopsis Antiochus, the son of King Seleucus, is pining away yet he would rather die than name the cause of his disease to his father. The doctor, Erasistratus, suspects love is behind Antioc ...
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Operas By Étienne Méhul
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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1803 Operas
Eighteen or 18 may refer to: * 18 (number) * One of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Science * Argon, a noble gas in the periodic table * 18 Melpomene, an asteroid in the asteroid belt Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. * ''18'' (Jeff Beck and Johnny Depp album), 2022 Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * ...
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French-language Operas
French opera is both the art of opera in France and opera in the French language. It is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV with Jean-Baptiste Lully's (1673), although there had been various experiments with the form before that, most notably by Robert Cambert. Lully and his librettist Quinault created , a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, Christoph Willibald Gluck was persuaded to produce six operas for the Paris Opera in the 1770s. They show the influence of Rameau, but simplified and with gre ...
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Operas
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, si ...
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