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L'enfant Et Les Sortilèges
''L'enfant et les sortilèges: Fantaisie lyrique en deux parties'' (''The Child and the Spells: A Lyric Fantasy in Two Parts'') is an opera in one act, with music by Maurice Ravel to a libretto by Colette. It is Ravel's second opera, his first being '' L'heure espagnole''. Written from 1917 to 1925, ''L'enfant et les sortilèges'' was first performed in Monte Carlo in 1925 conducted by Victor de Sabata. After being offered the opportunity to write a musical work, Colette wrote the text in eight days. Several composers had proposed to Colette that she write to music, but she was only excited by the prospect of Ravel. Composition history During World War I, the Opéra de Paris director Jacques Rouché asked Colette, whom he met at one of Marguerite de Saint-Marceaux's salons, to provide the text for a fairy ballet. Colette originally wrote the story under the title ''Divertissements pour ma fille''. After Colette chose Ravel to set the text to music, a copy was sent to him i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism in music, Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism (music), modernism, baroque music, baroque, Neoclassicism (music), neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
COVID-19 Lockdowns
During the early stages of the COVID-19 pandemic, a number of Non-pharmaceutical intervention (epidemiology), non-pharmaceutical interventions, particularly lockdowns (encompassing stay-at-home orders, curfews, quarantines, and similar societal restrictions), were COVID-19 lockdowns by country, implemented in numerous countries and territories around the world. By April 2020, about half of the world's population was under some form of lockdown, with more than 3.9 billion people in more than 90 countries or territories having been asked or ordered to stay at home by their governments. In addition to the health effects of lockdown restrictions, researchers had found the lockdowns may have reduced Impact of the COVID-19 pandemic on crime, crime and violence by armed non-state actors, such as the Islamic State, and other terrorist groups. In addition, lockdowns had increased the uptake of telecommuting, reduced airborne pollution, and increased adoption of digital payment s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
COVID-19 Pandemic
The COVID-19 pandemic (also known as the coronavirus pandemic and COVID pandemic), caused by severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2), began with an disease outbreak, outbreak of COVID-19 in Wuhan, China, in December 2019. Soon after, it spread to other areas of Asia, and COVID-19 pandemic by country and territory, then worldwide in early 2020. The World Health Organization (WHO) declared the outbreak a public health emergency of international concern (PHEIC) on 30 January 2020, and assessed the outbreak as having become a pandemic on 11 March. COVID-19 symptoms range from asymptomatic to deadly, but most commonly include fever, sore throat, nocturnal cough, and fatigue. Transmission of COVID-19, Transmission of the virus is often airborne transmission, through airborne particles. Mutations have variants of SARS-CoV-2, produced many strains (variants) with varying degrees of infectivity and virulence. COVID-19 vaccines were developed rapidly and deplo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Warrack
John Hamilton Warrack (born 9 February 1928) is an English music critic, writer on music, and oboist. Career Born in London, Warrack is the son of Scottish conductor and composer Guy Warrack and Jacynth Mary Ellerton. He was educated at Winchester College (1941–1946) and the Royal College of Music (1949–1952). In the early 1950s he was a freelance oboist, playing mostly with the Boyd Neel Orchestra and Sadler's Wells Orchestra. From 1954 until 1961 he was music critic for ''The Daily Telegraph'', and from 1961 until 1972 for ''The Sunday Telegraph''. From 1978 until 1983 he served as the artistic director of the Leeds Festival. From 1984 until 1993 he taught on the music faculty at the University of Oxford. He is the author of ''Six Great Composers'' (1955); ''Carl Maria von Weber'' (Hamish Hamilton Hamish Hamilton Limited is a publishing imprint and originally a British publishing house, founded in 1931 eponymously by the half- Scot half- American Jamie Hamilton ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cox (director)
John Cox (born 12 March 1935) is an English opera director. Born in Bristol, he was educated at St Edmund Hall, Oxford, and trained at Glyndebourne as assistant to Carl Ebert, and then at the York Theatre Royal and BBC television, made his directing debut with Ravel's ''L'enfant et les sortilèges'' for the Sadler's Wells company in 1965. In 1971 he was appointed as the first director of production at Glyndebourne, to oversee existing productions and create new ones. During his tenure he worked with designers including David Hockney, Sir Hugh Casson, Michael Annals and William Dudley. The critic Rodney Milnes singles out for mention Cox's Glyndbourne productions of Richard Strauss operas: ''Ariadne auf Naxos'' (1971), '' Capriccio'' (1973), ''Intermezzo'' (1974), '' Die schweigsame Frau'' (1977), ''Der Rosenkavalier'' (1980) and ''Arabella'' (1984). His most successful production there, however, was of Stravinsky's "The Rake's Progress" (1975) which had designs by Hockney (hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Westrup
Sir Jack Westrup, (26 July 190421 April 1975) was an English musicologist, writer, teacher and occasional conductor and composer. Biography Jack Allan Westrup was the second of the three sons of George Westrup, insurance clerk, of Dulwich, and his wife, Harriet Sophia née Allan. He was educated at Dulwich College, London 1917–22, and at Balliol College, Oxford. He first read classics in which he gained first class honours in moderations (1924) and second class honours in ''literae humaniores'' (1926). He gained his B.Mus. degree in 1926, and a Master of Arts in 1929. He took an active part in music in the university as a keyboard and brass player. With an Italian expatriate Arundel del Re, he co-founded the Oxford University Opera Club while still an undergraduate, and was later its conductor. The club had a policy of producing works in English and used its funds to hire professional singers and conductors. In 1925, with William Henry Harris, he staged the first complete p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilfrid Pelletier
Joseph Louis Wilfrid Pelletier (sometimes spelled Wilfred), (20 June 1896 – 9 April 1982) was a Canadian conductor, pianist, composer, and arts administrator. He was instrumental in establishing the Montreal Symphony Orchestra, serving as the orchestra's first artistic director and conductor from 1935 to 1941. He had a long and fruitful partnership with the Metropolitan Opera in New York City that began with his appointment as a rehearsal accompanist in 1917; ultimately working there as one of the company's conductors in mainly the French opera repertoire from 1929 to 1950. From 1951 to 1966, he was the principal conductor of the Orchestre Symphonique de Québec. He was also a featured conductor for a number of RCA Victor recordings, including an acclaimed reading of Gabriel Fauré's ''Requiem'' featuring baritone Mack Harrell and the Montreal Symphony Orchestra and chorus. Pelletier was one of the most influential music educators in Canada during the 20th century. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CBC Television
CBC Television (also known as CBC TV, or simply CBC) is a Television in Canada, Canadian English-language terrestrial television, broadcast television network owned by the Canadian Broadcasting Corporation, the national public broadcasting, public broadcaster. The network began operations on September 6, 1952, with its main studios at the Canadian Broadcasting Centre in Toronto. Its French-language counterpart is Ici Radio-Canada Télé. CBC Television is available throughout Canada on over-the-air television stations in urban centres, and as a must-carry station on cable and satellite television providers, and live streamed on its CBC Gem video platform. Overview CBC Television provides a complete 24-hour network schedule of news, sports, entertainment, and children's programming; in most cases, it feeds the same programming at the exact local times nationwide, except to the Newfoundland Time Zone, where programs air 30 minutes "late". On October 9, 2006, at 6:00 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francisco Opera
The San Francisco Opera (SFO) is an American opera company founded in 1923 by Gaetano Merola (1881–1953) based in San Francisco, California. History Gaetano Merola (1923–1953) Merola's road to prominence in the Bay Area began in 1906 when he first visited the city. In 1909, he returned as the conductor of the International Opera Company of Montreal, one of the many visiting troupes that frequented the bustling city. Continued visits over the next decade convinced him that an opera company in San Francisco was viable. Merola moved back into the city in 1921 while living with Mrs. Oliver Stine's support Oliver Stine. He drafted plans for a new, locally-owned opera company that would not rely on visiting troupes, a common practice for some opera companies since the Gold Rush. By the next year, Merola organized a trial season at Stanford University. The first performance occurred in the Stanford Cardinal's football stadium on June 3, 1922, with operatic tenor Giovanni Mart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Hérent
René Hérent (born Cambrai 16 May 1897, died Paris January 1966) was a French tenor whose career was centred on the Opéra-Comique in Paris, where he played supporting roles for many years, and left several recordings.Kutsch KJ, Riemens L. René Hérent. In : ''Unvergängliche Stimmen: Sängerlexikon.'' Francke Verlag, Bern and Munchen, 1982. Life and career Hérent made his debut on 17 August 1918 as Guillot de Morfontaine in Massenet's ''Manon''. At the Opéra-Comique he created many roles, either in Paris or world premieres, including Mercure in ''Amphytrion 38'', the dancing master in ''Ariadne auf Naxos'', Un valet in '' Don Quichotte'', le vieillard and la rainette in ''L'enfant et les sortilèges'', Mémucan-Aman in ''Esther de Carpentras'', Ouf 1er in '' L'étoile'', Prince de Chabran in ''Femme nue'', Vašek in '' La fiancée vendue'', Galipot in ''Frasquita'', Lubin in ''Georges Dandin'', Betto in ''Gianni Schicchi'', Mouzzafer in ''Le Hulla'', Madame Poiretapée in '' M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Bourdin
Roger Bourdin (14 June 1900 in Paris – 14 September 1973 in Paris) was a French baritone, particularly associated with the French repertory. His career was largely based in France. His daughter is Françoise Bourdin. Life and career Born in the 19th arrondissement of Paris, Bourdin studied at the Conservatoire de Paris, where he was a pupil of André Gresse and Jacques Isnardon. He made his professional debut at the Opéra-Comique in 1922, as Lescaut in ''Manon''. His debut at the Palais Garnier took place in 1942, in Henri Rabaud's '' Mârouf, savetier du Caire''. The major part of his career was to be spent between these two theatres, where he created some 30 roles, among them the title role in Milhaud's ''Bolivar''. Bourdin seldom performed outside France, but did a few guest appearances at the Royal Opera House in London (including Pelléas to the Mélisande of Maggie Teyte in 1930),Obituary - Roger Bourdin. ''Opera'', January 1974, Vol 25 No.1, p.74. La Scala in Mil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
