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Jíbaro Music
The Music of Puerto Rico has evolved as a heterogeneous and dynamic product of diverse cultural resources. The most conspicuous musical sources of Puerto Rico have primarily included African, Taino Indigenous, and European influences. Puerto Rican music culture today comprises a wide and rich variety of genres, ranging from essentially native genres such as bomba, jíbaro, seis, danza, and plena to more recent hybrid genres such as salsa, Latin trap and reggaeton. Broadly conceived, the realm of "Puerto Rican music" should naturally comprise the music culture of the millions of people of Puerto Rican descent who have lived in the United States, especially in New York City. Their music, from salsa to the boleros of Rafael Hernández, cannot be separated from the music culture of Puerto Rico itself. Traditional, folk, and popular music Early music The music culture in Puerto Rico during the 16th, 17th, and 18th centuries is poorly documented. Certainly, it included ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jíbaro (Puerto Rico)
Jíbaro () is a word used in Puerto Rico to refer to the countryside people who farm the land in a traditional way. The jíbaro is a self-subsistence farmer, and an iconic reflection of the Puerto Rican people. Traditional jíbaros were also farmer-salesmen who would grow enough crops to sell in the towns near their farms to purchase the bare necessities for their families, such as clothing. In contemporary times, both white-collar and blue-collar Puerto Ricans are identifying themselves as jíbaros in a proud connection with their Puerto Rican history and culture in general. Historical context As early as 1820, Miguel Cabrera identified many of the jíbaros' ideas and characteristics in his set of poems known as '' The Jibaro's Verses''. Then, some 80 years later, in his 1898 book ''Cuba and Porto Rico'', Robert Thomas Hill listed jíbaros as one of four socio-economic classes he perceived existed in Puerto Rico at the time: "The native people, as a whole, may be divided ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martinique
Martinique ( ; or ; Kalinago language, Kalinago: or ) is an island in the Lesser Antilles of the West Indies, in the eastern Caribbean Sea. It was previously known as Iguanacaera which translates to iguana island in Carib language, Kariʼnja. A part of the French West Indies (Antilles), Martinique is an Overseas departments and regions of France, overseas department and region and a single territorial collectivity of France. It is a part of the European Union as an outermost region within the special territories of members of the European Economic Area, and an associate member of the Caribbean Community, CARICOM, the Organization of Eastern Caribbean States (OECS), the Association of Caribbean States (ACS), and the Economic Commission for Latin America and the Caribbean (ECLAC) but is not part of the Schengen Area or the European Union Customs Union. The currency in use is the euro. It has been a UNESCO Biosphere Reserve since 2021 for its entire land and sea territory. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bélé
A bélé is a folk dance and music from Dominica, Grenada, Guadeloupe, Haiti, Martinique, Saint Lucia, and Trinidad and Tobago. It may be the oldest Creole dance of the creole French West Indian Islands, and it strongly reflects influences from African fertility dances. It is performed most commonly during full moon evenings, or sometimes during funeral wakes ( Antillean Creole: ''lavèyé''). In Tobago, it is thought to have been performed by women of the planter class at social events in the planters' great houses, and the dress and dance style copied by the enslaved people who worked in or around these house The term ''bélé'' also refers to a kind of drum used in some forms of music of Caribbean countries and islands like Dominica, Haiti, Martinique and Saint Lucia. History The bélé dance formed from a combination of traditional African dance styles and Caribbean influences due to the changed landscape, musical instruments, and tumultuous lifestyle. Orig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agribusiness
Agribusiness is the industry, enterprises, and the field of study of value chains in agriculture and in the bio-economy, in which case it is also called bio-business or bio-enterprise. The primary goal of agribusiness is to maximize profit while satisfying the needs of consumers for products related to natural resources. Agribusinesses comprise farms, food and fiber processing, forestry, fisheries, biotechnology and biofuel enterprises and their input suppliers. Studies of business growth and performance in farming have found that successful agricultural businesses are cost-efficient internally and operate in favourable economic, political, and physical- organic environments. They are able to expand and make profits, improve the productivity of land, labor, and capital, and keep their costs down to ensure market price competitiveness. Agribusiness is not limited to farming. It encompasses a broader spectrum through the agribusiness system which includes input supplies, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramito
Florencio ("Flor") Morales Ramos (September 5, 1915 – February 23, 1989), better known as Ramito, was a Puerto Rican trovador, and composer who was a native of Caguas, Puerto Rico. Fans of the genre consider him the king of Jíbaro music. Known as "El Cantor de la Montaña" (The Singer from the Mountain), Morales Ramos had two brothers, Luis (''"Luisito"'') and Juan María (''"Moralito"''), who also attained major recognition as jíbaro singers. Early years Ramito was born on September 5, 1915, in the Bairoa barrio of Caguas, Puerto Rico (very close to where Bairoa Gym, headquarters for many Puerto Rican prizefighters and boxing champions, stands nowadays); ''"Cagüitas"'' (Little Caguas) was a boyhood nickname of his, used by his closest friends. He left school in fourth grade ("but an old-time fourth grade at that!", he mentioned whenever asked) to assist his parents, who were parenting twelve other children (including six of their own), and whose economic situatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme Scheme
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick: Function in writing These rhyme patterns have various effects, and can be used to: * Control flow: If every line has the same rhyme (AAAA), the stanza will read as having a very quick flow, whereas a rhyme scheme like ABCABC can be felt to unfold more slowly. * Structure a poem's message and thought patterns: For example, a simple couplet with a rhyme scheme of AABB lends itself to simpler direct ideas, because the resolution comes in the very next line. Essentially these couplets can be thought of as self-contained statements. This idea of rhyme schemes reflecting thought processes is often discussed particularly regarding sonnets. * Determine whether ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octosyllabic
The octosyllable or octosyllabic verse is a line of verse with eight syllables. It is equivalent to tetrameter verse in trochees in languages with a stress accent. Its first occurrence is in a 10th-century Old French saint's legend, the '' Vie de Saint Leger''; another early use is in the early 12th-century Anglo-Norman '' Voyage de saint Brendan''. It is often used in French, Italian, Spanish and Portuguese poetry. While commonly used in couplets, typical stanzas using octosyllables are: décima, some quatrains, redondilla. In Spanish verse, an octosyllable is a line that has its seventh syllable stressed, on the principle that this would normally be the penultimate syllable of a word (''Lengua Castellana y Literatura'', ed. Grazalema Santillana. El Verso y su Medida, p. 46). If the final word of a line does not fit this pattern, the line could have eight or seven or nine syllables (as normally counted), thus – :1 / 2 / 3 / 4 / 5 / Gra/NA/da :1 / 2 / 3 / 4 / 5 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Güiro
The güiro () is a percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines (see photo) along the notches to produce a ratchet sound. The güiro is commonly used in Cuban, Puerto Rican, and other forms of Latin American music, and plays a key role in the typical rhythm section of important genres like son, trova and salsa. Playing the güiro usually requires both long and short sounds, made by scraping up and down in long or short strokes. The güiro, like the maracas, is often played by a singer. It is closely related to the Cuban guayo, Dominican güira, and Haitian graj which are made of metal. Other instruments similar to the güiro are the Colombian guacharaca, the Brazilian reco-reco, the Cabo Verdean ferrinho, the quijada (cow jawbone) and the frottoir (French) or fwotwa (French Creole) ( washboard). Etymology In the Arawakan language, a language of the indigenous people of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puerto Rican Cuatro
The Puerto Rican cuatro (Spanish: cuatro puertorriqueño) is the national instrument of Puerto Rico. It belongs to the lute family of string instruments, and is guitar-like in function, but with a shape closer to that of the violin. The word ''cuatro'' means "four", which was the total number of strings of the earliest Puerto Rican instrument known by the ''cuatro'' name. The current cuatro has ten strings in five courses, tuned, in fourths, from low to high B3 B2♦E4 E3♦A3 A3♦D4 D4♦G4 G4 (note that the bottom two pairs are in octaves, while the top three pairs are tuned in unison), and a scale length of 500-520 millimetres. The cuatro is the most familiar of the three instruments which make up the Puerto Rican jíbaro orchestra (the cuatro, the tiple and the bordonúa). A cuatro player is called a ''cuatrista''. This instrument has had its prominent performers like the legendary Ladislao Martínez Otero, known as "El Maestro Ladi", the great Nieves Quintero, the ren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
