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Judgement Of Paris
The Judgement of Paris is a story from Greek mythology, which was one of the events that led up to the Trojan War, and in later versions to the foundation of Rome. Eris, the goddess of discord, was not invited to the wedding of Peleus and Thetis. In revenge, she brought a golden apple, inscribed, "To the fairest one", which she threw into the wedding. Three guests, Hera, Athena and Aphrodite, after some disputation, agreed to have Paris of Troy choose the fairest one. Paris chose Aphrodite, she having bribed him with the most beautiful mortal woman in the world, Helen of Sparta, wife of Menelaus. Consequently, Paris carried Helen off to Troy, and the Greeks invaded Troy for Helen's return. Eris's Apple of Discord was thus the instrumental ''casus belli'' (or her not being invited to the wedding in the first place) of the Trojan War. Sources of the episode As with many mythological tales, details vary depending on the source. The brief allusion to the Judgement in the '' ...
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Fresco - Wall Fragment With The Judgment Of Paris
Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' () is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco, fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently ''buon fresco'' ...
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Painting On Terracotta Panels Of The Judgement Of Paris From Cerveteri (Boccanera Tomb) - London BM 1889-0410-1 - 02
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or " support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. Paintings can ...
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Pausanias (geographer)
Pausanias ( ; ; ) was a Greek traveler and geographer of the second century AD. He is famous for his '' Description of Greece'' (, ), a lengthy work that describes ancient Greece from his firsthand observations. ''Description of Greece'' provides crucial information for making links between classical literature and modern archaeology, which is providing evidence of the sites and cultural details he mentions although knowledge of their existence may have become lost or relegated to myth or legend. Biography Nothing is known about Pausanias apart from what historians can piece together from his own writing. However, it is probable that he was born into a Greek family and was probably a native of Lydia in Asia Minor. From until his death around 180, Pausanias travelled throughout the mainland of Greece, writing about various monuments, sacred spaces, and significant geographical sites along the way. In writing his '' Description of Greece'', Pausanias sought to put together ...
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Olympia, Greece
Olympia ( ; ), officially Archaia Olympia ( ), is a small town in Elis (regional unit), Elis on the Peloponnese peninsula in Greece, famous for the nearby archaeological site of the same name. The site was a major Panhellenic sanctuary, Panhellenic religious sanctuary of ancient Greece, where the ancient Olympic Games were held every Olympiad, four years throughout classical antiquity, from the 8th century BC to the 4th century AD. They were Olympic Games, restored on a global basis in 1894 in honor of the ideal of peaceful international contention for excellence. The sacred precinct, named the Altis, was primarily dedicated to Zeus, although other gods were worshipped there. The games conducted in his name drew visitors from all over the Greek world as one of a group of such "Panhellenic" centres, which helped to build the identity of the ancient Greeks as a nation. Despite the name, it is nowhere near Mount Olympus in northern Greece, where the twelve Olympians, the major deit ...
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Cypselus
Cypselus (, ''Kypselos'') was the first tyrant of Corinth in the 7th century BC. With increased wealth and more complicated trade relations and social structures, Greek city-states tended to overthrow their traditional hereditary priest-kings; Corinth, the richest archaic ''polis,'' led the way. Like the '' signori'' of late medieval and Renaissance Italy, the tyrants usually seized power at the head of some popular support. Often the tyrants upheld existing laws and customs and were highly conservative as to cult practices, thus maintaining stability with little risk to their own personal security. As in Renaissance Italy, a cult of personality naturally substituted for the divine right of the former legitimate royal house. After the last traditional king of Corinth, Telestes, was assassinated by Arieus and Perantas, there were no more kings; instead '' prytanes'' taken from the former royal house of the Bacchiadae ruled for a single year each. Cypselus, the son of Eë ...
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Gaius Julius Hyginus
Gaius Julius Hyginus (; 64 BC – AD 17) was a Latin author, a pupil of the scholar Alexander Polyhistor, and a freedman of Augustus, and reputed author of the '' Fabulae'' and the '' De astronomia'', although this is disputed. Life and works Hyginus may have originated either from Spain, or from the Egyptian city of Alexandria. He was elected superintendent of the Palatine library by Augustus according to Suetonius' ''De Grammaticis'', 20. Suetonius remarks that Hyginus fell into great poverty in his old age and was supported by the historian Clodius Licinus. Hyginus was a voluminous author: his works included topographical and biographical treatises, commentaries on Helvius Cinna and the poems of Virgil, and disquisitions on agriculture and bee-keeping. All these are lost. Attributed works Two Latin works which have survived under the name of Hyginus are a mythological handbook, known as the ''Genealogiae'' or the '' Fabulae'', and an astronomical work, entitled '' D ...
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Bibliotheca (Pseudo-Apollodorus)
The ''Bibliotheca'' (Ancient Greek: ), is a compendium of Greek mythology, Greek myths and heroic legends, genealogical tables and histories arranged in three books, generally dated to the first or second century AD. The work is commonly described as having been written by Apollodorus (or sometimes Pseudo-Apollodorus), a result of its false attribution to the 2nd-century BC scholar Apollodorus of Athens. Overview The ''Bibliotheca'' of Pseudo-Apollodorus is a comprehensive collection of myths, genealogies and histories that presents a continuous history of Greek mythology from the earliest gods and the origin of the world to the death of Odysseus.. The narratives are organized by genealogy, chronology and geography in summaries of myth. The myths are sourced from a wide number of sources like early epic, early Hellenistic poets, and mythographical summaries of tales. Homer and Hesiod are the most frequently named along with other poets.Kenens, Ulrike. 2011. "The Sources of Ps.-A ...
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Pseudo-Apollodorus
The ''Bibliotheca'' (Ancient Greek: ), is a compendium of Greek myths and heroic legends, genealogical tables and histories arranged in three books, generally dated to the first or second century AD. The work is commonly described as having been written by Apollodorus (or sometimes Pseudo-Apollodorus), a result of its false attribution to the 2nd-century BC scholar Apollodorus of Athens. Overview The ''Bibliotheca'' of Pseudo-Apollodorus is a comprehensive collection of myths, genealogies and histories that presents a continuous history of Greek mythology from the earliest gods and the origin of the world to the death of Odysseus.. The narratives are organized by genealogy, chronology and geography in summaries of myth. The myths are sourced from a wide number of sources like early epic, early Hellenistic poets, and mythographical summaries of tales. Homer and Hesiod are the most frequently named along with other poets.Kenens, Ulrike. 2011. "The Sources of Ps.-Apollodorus' Li ...
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Lucian
Lucian of Samosata (Λουκιανὸς ὁ Σαμοσατεύς, 125 – after 180) was a Hellenized Syrian satirist, rhetorician and pamphleteer who is best known for his characteristic tongue-in-cheek style, with which he frequently ridiculed superstition, religious practices, and belief in the paranormal. Although his native language was probably Syriac, all of his extant works are written entirely in ancient Greek (mostly in the Attic Greek dialect popular during the Second Sophistic period). Everything that is known about Lucian's life comes from his own writings, which are often difficult to interpret because of his extensive use of sarcasm. According to his oration ''The Dream'', he was the son of a lower middle class family from the city of Samosata along the banks of the Euphrates in the remote Roman province of Syria. As a young man, he was apprenticed to his uncle to become a sculptor, but, after a failed attempt at sculpting, he ran away to pursue an educati ...
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Ovid
Publius Ovidius Naso (; 20 March 43 BC – AD 17/18), known in English as Ovid ( ), was a Augustan literature (ancient Rome), Roman poet who lived during the reign of Augustus. He was a younger contemporary of Virgil and Horace, with whom he is often ranked as one of the three Western canon, canonical poets of Latin literature. The Roman Empire, Imperial scholar Quintilian considered him the last of the Latin love elegy, elegists.Quint. ''Inst.'' 10.1.93 Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus Exile of Ovid, exiled him to Constanța, Tomis, the capital of the newly-organised province of Moesia, on the Black Sea, where he remained for the last nine or ten years of his life. Ovid himself attributed his banishment to a "poem and a mistake", but his reluctance to disclose specifics has resulted in much speculation among scholars. Ovid is most famous for the ''Metamorphoses'', a continuous mythological narrative in fifteen books written in ...
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Epic Cycle
The Epic Cycle () was a collection of Ancient Greek epic poems, composed in dactylic hexameter and related to the story of the Trojan War, including the '' Cypria'', the ''Aethiopis'', the so-called '' Little Iliad'', the '' Iliupersis'', the '' Nostoi'', and the '' Telegony''. Scholars sometimes include the two Homeric epics, the ''Iliad'' and the ''Odyssey'', among the poems of the Epic Cycle, but the term is more often used to specify the non-Homeric poems as distinct from the Homeric ones. Unlike the ''Iliad'' and the ''Odyssey'', the cyclic epics survive only in fragments and summaries from Late Antiquity and the Byzantine period. The Epic Cycle was the distillation in literary form of an oral tradition that had developed during the Greek Dark Age, which was based in part on localised hero cults. The traditional material from which the literary epics were drawn treats Mycenaean Bronze Age culture from the perspective of Iron Age and later Greece. In modern scholarship ...
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Lost Literary Work
A lost literary work (referred throughout this article just as a lost work) is a document, literary work, or piece of multimedia, produced of which no surviving copies are known to exist, meaning it can be known only through reference, or literary fragments. This term most commonly applies to works from the classical world, although it is increasingly used in relation to modern works. A work may be lost to history through the destruction of an original manuscript and all later copies. Works—or, commonly, small fragments of works—have survived by being found by archaeologists during investigations, or accidentally by laypersons such as, for example, the finding Nag Hammadi library scrolls. Works also survived when they were reused as bookbinding materials, quoted or included in other works, or as palimpsests, where an original document is imperfectly erased so the substrate on which it was written can be reused. The discovery, in 1822, of Cicero's '' De re publica'' was ...
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