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Jersey Club
Jersey club (originally called Brick City club) is a style of electronic club music that originated in Newark, New Jersey, in the late 90s/early 2000s. It was pioneered by DJ Tameil, Mike V, DJ Tim Dolla, and DJ Black Mic of the Brick Bandits crew, who were inspired by Baltimore club's uptempo hybrid of house and hip hop. Subsequent young producers pushed for the progression of the style in the late 2000s, bringing it to global audiences. Similarly to its Baltimore influences, Jersey club is an aggressive style defined by its fast, “bouncy” groove at tempos near 130–140 BPM, but more prominent use of staccato, chopped samples and heavy tresillo or shuffled triplet kick patterns. The style often consists of remixes of rap and R&B tracks. It is often accompanied by frenetic, competitive dances which have gained global popularity through viral videos. Style and characteristics Jersey club has been described as a "fast and aggressive dance music" with roots in the B ...
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Baltimore Club
Baltimore club, also called B'more club, B'more house or simply B'more, is a music genre that fuses breakbeat and house. It was created in Baltimore in the early 1990s by Frank Ski, Scottie B, Shawn Caesar, DJ Technics, DJ Class, DJ Patrick, Kenny B, among others. Baltimore club is based on an 8/4 beat structure, and includes tempos around 130 beats per minute. It combines repetitive, looped vocal snippets similar to trap, bounce, ghetto house and ghettotech . The instrumental tracks include heavy breakbeats and call and response stanzas similar to those found in the go-go music of neighboring city Washington, D.C. The most prominent breakbeats sampled include "Sing Sing" by disco band "Gaz" and "Think (About It)" by Lyn Collins. History Origins Early promoters of Baltimore club included Scottie B and his colleagues at Unruly Records. UK breakbeat hardcore records were influential to the genre. "The Blapps!" Records label released several British rave classic records ...
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Electronic Dance Music
Electronic dance music (EDM), also referred to as dance music or club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and List of electronic dance music festivals, festivals. It is generally produced for gapless playback, playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception EDM has expanded to include a wide range of subgenres. In the late 1980s and early 1990s, following the emergence of Rave music, raving, pirate radio, Party crews, underground festivals, and an upsurge of interest in club culture, EDM achieved mainstream popularity in Europe. However, rave culture was not as broadly popular in the United States; it was not typically seen outside of the regional scenes in New York City, Florida, the Midwest, and California. Alt ...
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DJ Mag
''DJ Magazine'' (also known as ''DJ Mag'') is a British monthly magazine dedicated to electronic dance music and DJs. Founded in 1991, the magazine is adapted for distribution in the United Kingdom, the United States, Spain, France, Italy, Latin America, China, South Korea, Brunei, Indonesia, India, Sri Lanka, Oman, Saudi Arabia, United Arab Emirates, Germany, Canada, Russia, Belarus, and the Netherlands. History An earlier version of the magazine appeared towards the end of the 1980s when it was then known as ''Disc Jockey Magazine.'' The name was then changed to ''Jocks Magazine'', but the publication underwent re-branding shortly afterwards. After this process the first issue of ''DJ Magazine'' was launched in the middle of 1991; it was initially produced as weekly publication with Chris Mellor as its first editor. The magazine at this point was already the UK's top-selling disc jockey magazine and was widely regarded as one of the magazines of choice in the burgeoning house ...
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Viral Videos
Viral videos are videos that become popular through a viral process of Internet sharing, primarily through video sharing websites such as YouTube as well as social media and email.Lu Jiang, Yajie Miao, Yi Yang, ZhenZhong Lan, Alexander Hauptmann. Viral Video Style: A Closer Look at Viral Videos on YouTube. Retrieved 30 March 2016. Paper: https://www.cs.cmu.edu/~lujiang/camera_ready_papers/ICMR2014-Viral.pdf Slides: https://www.cs.cmu.edu/~lujiang/resources/ViralVideos.pdf For a video to be shareable or spreadable, it must focus on the social logics and cultural practices that have enabled and popularized these new platforms. Viral videos may be serious, and some are deeply emotional, but many more are based more on entertainment and comedy. Notable early examples include televised comedy sketches, such as The Lonely Islands " Lazy Sunday" and "Dick in a Box", '' Numa Numa''
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Contemporary R&B
Contemporary R&B (or simply R&B) is a popular music Music genre, genre, originating from African Americans, African-American musicians in the 1980s that combines rhythm and blues with elements of Pop music, pop, Soul music, soul, funk, Hip-hop, hip hop, and electronic music. The genre features a distinctive Record producer, record production style and a smooth, lush style of vocal arrangement. Electronic music, Electronic influences and the use of hip hop or electronic dance music, dance-inspired beat (music), beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music, pop culture and pop music. Precursors According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of [R&B] in ways that haven't been equaled since" ...
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Rap Music
Rapping (also rhyming, flowing, spitting, emceeing, or MCing) is an artistic form of vocal delivery and emotive expression that incorporates "rhyme, rhythmic speech, and ommonlystreet vernacular". It is usually performed over a backing beat or musical accompaniment. The components of rap include "content" (what is being said, e.g., lyrics), "flow" (rhythm, rhyme), and "delivery" ( cadence, tone). Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. It also differs from singing, which varies in pitch and does not always include words. Because they do not rely on pitch inflection, some rap artists may play with timbre or other vocal qualities. Rap is a primary ingredient of hip-hop music, and so commonly associated with the genre that it is sometimes called "rap music". Precursors to modern rap music include the West African griot tradition, certain vocal styles of blues and jazz, an African-American insult game called ...
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Remix
A remix, also sometimes called reorchestration or rework, is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, poem, or photograph can be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing (recorded music), audio mixing in music and song recordings. Songs may be remixed for a variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereophonic sound, stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original audio mastering, master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different ...
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Triplet (music)
In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" This is indicated by a number, or sometimes two indicating the fraction involved. The notes involved are also often grouped with a bracket or (in older notation) a slur. The most common type of tuplet is the triplet. Terminology The modern term 'tuplet' comes from a rebracketing of compound words like quintu(s)-(u)plet and sextu(s)-(u)plet, and from related mathematical terms such as "tuple", "-uplet" and "-plet", which are used to form terms denoting multiplets (''Oxford English Dictionary'', entries "multiplet", "-plet, ''comb. form''", "-let, ''suffix''", and "-et, ''suffix''1"). An alternative modern ter ...
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Swing Time
In music, the term ''swing'' has two main uses. Colloquially, it is used to describe the propulsive quality or "feel" of a rhythm, especially when the music prompts a visceral response such as foot-tapping or head-nodding (see pulse). This sense can also be called "groove". The term swing feel, as well as ''swung note(s)'' and ''swung rhythm'', is also used more specifically to refer to a technique (most commonly associated with jazz but also used in other genres) that involves alternately lengthening and shortening the first and second consecutive notes in the two part pulse-divisions in a beat. Overview Like the term "groove", which is used to describe a cohesive rhythmic "feel" in a funk or rock context, the concept of "swing" can be hard to define. Indeed, some dictionaries use the terms as synonyms: "Groovy ... denotes music that really swings." The ''Jazz in America'' glossary defines ''swing'' as, "when an individual player or ensemble performs in such a rhythmically ...
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Tresillo (rhythm)
Tresillo ( ; ) is a rhythmic pattern (shown below) used in Latin American music. It is a more basic form of the rhythmic figure known as the ''habanera''. : \new RhythmicStaff Tresillo is the most fundamental duple-pulse rhythmic cell in Cuban and other Latin American music. It was introduced in the New World through the Atlantic slave trade during the Colonial period. The pattern is also the most fundamental and most prevalent duple-pulse rhythmic cell in Sub-Saharan African music traditions. The cinquillo pattern is another common embellishment of tresillo. Cinquillo is used frequently in the Cuban contradanza (the "habanera") and the danzón. Triplet (formal usage) ''Tresillo'' is a Spanish word meaning " triplet"—three equal notes within the same time span normally occupied by two notes. In its formal usage, ''tresillo'' refers to a subdivision of the beat that does not normally occur within the given structure. Therefore, it is indicated by the number 3 between the ...
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Sample (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, or sound effects. A sample might comprise only a fragment of sound, or a longer portion of music, such as a drum beat or melody. Samples are often layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using electronic music instruments ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and playback short sounds. As technology improved, cheaper stan ...
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Staccato
Staccato (; Italian for "detached") is a form of Articulation (music), musical articulation. In modern notation, it signifies a note of shortened duration, separated from the note that may follow by silence. It has been described by theorists and has appeared in music since at least 1676. Notation In 20th-century music, a dot placed above or below a note indicates that it should be played staccato, and a wedge is used for the more emphatic staccatissimo. However, before 1850, dots, dashes, and wedges were all likely to have the same meaning, even though some theorists from as early as the 1750s distinguished different degrees of staccato through the use of dots and dashes, with the dash indicating a shorter, sharper note, and the dot a longer, lighter one. A number of signs came to be used in the late 19th and early 20th centuries to discriminate more subtle nuances of staccato. These signs involve various combinations of dots, vertical and horizontal dashes, vertical and horiz ...
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