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Jazz Trio
A jazz trio is a group of three jazz musicians, often a piano trio comprising a pianist, a double bass player and a drummer. Jazz trios are commonly named after their leader, such as the Bill Evans Trio. Variants and examples Famous examples include the Bill Evans Trio with Scott LaFaro on bass and Paul Motian on drums; and the Vince Guaraldi trio, featuring Fred Marshall and Jerry Granelli. Nat King Cole formed a piano/guitar/bass trio in 1937. This format was also used by Art Tatum, Lennie Tristano, Ahmad Jamal, Vince Guaraldi, and Oscar Peterson. Tristano, Jamal, Guaraldi, and Peterson all later led trios with the traditional format of piano, bass, and drums. Another variant is the organ trio, comprising electric Organ (music), organ (typically a Hammond organ, Hammond B-3), drums, and usually electric guitar. The bassist is excluded, and the organist instead plays the bassline with their left hand (on a keyboard) or their feet (on the bass pedalboard). Organists Jimmy Smit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Trio In Community Garden (5045973149)
Jazz is a music genre that originated in the African Americans, African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, march (music), marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional music, traditional and popular music. Jazz is characterized by swung note, swing and blue notes, complex Chord (music), chords, Call and response (music), call and response vocals, polyrhythms and Jazz improvisation, improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. Dixieland, New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphony, polyphonic Musical improvisation, improvisati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means (generally woodwind or electronic musical instrument, electric) for producing tones. The organs have usually two or three, sometimes up to five or more, manuals for playing with the hands and a pedalboard for playing with the feet. With the use of registers, several groups of pipes can be connected to one manual. The organ has been used in various musical settings, particularly in classical music. Music written specifically for the organ is common from the Renaissance to the present day. Pipe organs, the most traditional type, operate by forcing air through pipes of varying sizes and materials, each producing a different pitch and tone. These instruments are commonly found in churches and co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Young (musician)
Larry Young (also known as Khalid Yasin [Abdul Aziz]; October 7, 1940 – March 30, 1978) was an American jazz organist and occasional pianist. Young's early work was strongly influenced by the soul jazz of Jimmy Smith (musician), Jimmy Smith, but he later pioneered a more experimental, modal jazz, modal approach to the Hammond B-3. Biography Born and raised in Newark, New Jersey, United States, Young attended Newark Arts High School, where he began performing with a vocal group and a jazz band. He was also the cousin of the drummer Jimmie Smith. Young played with various Rhythm and blues, R&B bands in the 1950s, before gaining jazz experience with Jimmy Forrest (musician), Jimmy Forrest, Lou Donaldson, Kenny Dorham, Hank Mobley and Tommy Turrentine. Recording as a leader for Prestige Records, Prestige from 1960, Young made a number of soul jazz discs, ''Testifying (album), Testifying'', ''Young Blues'' and ''Groove Street''. When Young signed with Blue Note Records, Blue Note ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John McLaughlin (musician)
John McLaughlin (born 4 January 1942), also known as Mahavishnu, is an English guitarist, bandleader, and composer. A pioneer of jazz fusion, his music combines elements of jazz with rock, world music, Classical music, Western classical music, flamenco, and blues. After contributing to several key British groups of the early 1960s, McLaughlin made ''Extrapolation (album), Extrapolation'', his first album as a bandleader, in 1969. He then moved to the U.S., where he played with drummer Tony Williams (drummer), Tony Williams's group The Tony Williams Lifetime, Lifetime and then with Miles Davis on his 1969-72 electric jazz fusion albums ''In a Silent Way'', ''Bitches Brew'', ''Jack Johnson (album), Jack Johnson'', ''Live-Evil (Miles Davis album), Live-Evil'', and ''On the Corner''. His 1970s electric band, the Mahavishnu Orchestra, performed a technically virtuosic and complex style of music that fused electric jazz and rock with Indian influences. McLaughlin's solo on "Miles Bey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tony Williams Lifetime
The Tony Williams Lifetime was a jazz fusion group led by drummer Tony Williams. The band was pivotal in the development of fusion and featured various noteworthy jazz and rock musicians throughout its history, including guitarists John McLaughlin and Allan Holdsworth, keyboardists Larry Young and Alan Pasqua, and bassists Jack Bruce and Ron Carter. Original line-up The Tony Williams Lifetime was founded in 1969 as a power trio with John McLaughlin on electric guitar and Larry Young on organ. The band was possibly named for Williams' debut album as a bandleader, '' Life Time'', released on Blue Note in 1965. Its debut album was '' Emergency!'', a double album released on Polydor/ PolyGram Records in 1969. It was largely rejected by jazz listeners at the time of its release because of its heavy rock influences, but it is now looked upon as a fusion classic. Jack Bruce joined the group to provide bass and vocals on its second album, '' Turn It Over'', released in 1970. M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wes Montgomery
John Leslie "Wes" Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist. Montgomery was known for his unusual technique of plucking the strings with the side of his thumb and for his extensive use of octaves, which gave him a distinctive sound. Montgomery often worked with his brothers Buddy Montgomery, Buddy (Charles F.) and Monk Montgomery, Monk (William H.), as well as organist Melvin Rhyne. His recordings up to 1965 were oriented toward hard bop, soul jazz, and post bop, but around 1965 he began recording more pop-oriented instrumental albums that found mainstream success. His later guitar style influenced jazz fusion and smooth jazz. Early life and education Montgomery was born in Indianapolis, Indiana, Indianapolis, Indiana. According to NPR, the nickname "Wes" was a child's abbreviation of his middle name, Leslie. The family was large, and the parents split up early in the lives of the children. Montgomery and his brothers moved to Columbus, Ohio, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grant Green
Grant Green (June 6, 1935 – January 31, 1979) was an American jazz guitarist and composer. Green has been called one of the "most sampled guitarists." Biography Grant Green was born on June 6, 1935, in St. Louis, Missouri, to John and Martha Green. At various times his father was a laborer and a Saint Louis policeman. Grant began studying guitar while he was in primary school. He received early instruction in guitar playing from his father, who played blues and folk music. Grant studied for a year with Forrest Alcorn, but he was mostly self-taught, learning from listening to records. Grant Green first performed in a professional setting at the age of 13 as a member of a gospel music ensemble. Through his 20s, he was a member of jazz and R&B bands. His influences were Charlie Christian, Charlie Parker, Lester Young, and Jimmy Raney. Green's style mimicked that of a saxophonist playing single note rather than chords. His first recordings were at the age of 24, in St. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack McDuff
Eugene McDuffy (September 17, 1926 – January 23, 2001), known professionally as "Brother" Jack McDuff or "Captain" Jack McDuff, was an American jazz organist and organ trio bandleader. He was most prominent during the hard bop and soul jazz era of the 1960s, often performing with an organ trio. He is also credited with giving guitarist George Benson his first break. Career Born Eugene McDuffy in Champaign, Illinois, McDuff began playing bass, appearing in Joe Farrell's group. Encouraged by Willis Jackson in whose band he also played bass in the late 1950s, McDuff moved to the organ and began to attract the attention of Prestige while still with Jackson's group. McDuff soon became a bandleader, leading groups featuring a young George Benson on guitar, Red Holloway on tenor saxophone and Joe Dukes on drums. McDuff recorded many classic albums on Prestige, including his debut solo '' Brother Jack'' in 1960; '' The Honeydripper'' (1961), with tenor saxophonist Jimmy For ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Holmes (organist)
Richard Arnold "Groove" Holmes (May 2, 1931 – June 29, 1991) was an American jazz organist who performed in the hard bop and soul jazz genre. He is best known for his 1965 recording of "Misty". Career Holmes's first album, on Pacific Jazz with guest Ben Webster, was recorded in March 1961. He recorded many albums for Pacific Jazz, Prestige, Groove Merchant, and Muse, many of them with Houston Person. He died of a heart attack after battling prostate cancer, having performed his last concerts in a wheelchair. One of his last gigs was at the 1991 Chicago Blues Festival with his longtime friend, singer Jimmy Witherspoon. Discography As leader * '' "Groove" ( Les McCann Presents the Dynamic Jazz Organ of Richard "Groove" Holmes)'' lso released as ''That Healin' Feelin' ''( Pacific Jazz, 1961) – with Ben Webster * '' Groovin' with Jug'' (Pacific Jazz, 1961) – with Gene Ammons * '' Somethin' Special'' (Pacific Jazz, 1962) – with Les McCann * '' After Hours'' (Pacific ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Smith (musician)
James Oscar Smith (December 8, 1928 – February 8, 2005) was an American jazz musician who helped popularize the Hammond organ, Hammond B-3 organ, creating a link between jazz and 1960s soul music. In 2005, Smith was awarded the NEA Jazz Masters, NEA Jazz Masters Award from the National Endowment for the Arts, the highest honor that America bestows upon jazz musicians. Early years James Oscar Smith was born in Norristown, Pennsylvania northwest of Philadelphia. He joined his father doing a song-and-dance routine in clubs at the age of six. He began teaching himself to play the piano. When he was nine, Smith won a Philadelphia radio talent contest as a boogie-woogie pianist. After a period in the U.S. Navy, he began furthering his musical education in 1948, with a year at Royal Hamilton College of Music, then the Leo Ornstein School of Music in Philadelphia in 1949. He began exploring the Hammond organ in 1951. From 1951 to 1954, he played piano, then organ in Philly R&B bands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Pedalboard
A pedalboard (also called a pedal keyboard, pedal clavier, or, with electronic instruments, a bass pedalboard) is a keyboard played with the feet that is usually used to produce the low-pitched bass line of a piece of music. A pedalboard has long, narrow lever-style keys laid out in the same semitone scalar pattern as a manual keyboard, with longer keys for C, D, E, F, G, A, and B, and shorter, raised keys for C, D, F, G and A. Training in pedal technique is part of standard organ pedagogy in church music and art music. Pedalboards are found at the base of the console of most pipe organs, pedal pianos, theatre organs, and electronic organs. Standalone pedalboards such as the 1970s-era Moog Taurus bass pedals are occasionally used in progressive rock and fusion jazz, fusion music. In the 21st century, MIDI pedalboard controllers are used with synthesizers, Clonewheel organ, electronic Hammond-style organs, and with digital pipe organs. Pedalboards are also used with pedal pianos a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassline
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, Dub music, dub and electronic music, electronic, traditional music, traditional, and classical music, for the low-pitched Part (music), instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the bass guitar, electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric organ, or synthesizer). In unaccompanied solo performance, basslines may simply be played in the lower register (music), register of any instrument while melody and/or further accompaniment is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the pedal keyboard and massive 16' and 32' bass pipes. Riffs and grooves Basslines in Pop music, popu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
