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Jaka's Story (comics)
''Jaka's Story'' is the fourth major storyline in Canadian cartoonist Dave Sim's ''Cerebus'' comics series. Originally published in Cerebus #114-136, the storyline continues in the wake of the events of "Church and State" and the conquest of the city of Iest by the fascist matriarchal Cirinists. The story focuses on Cerebus, his longtime love interest Jaka, Jaka's husband Rick, Oscar (a stand-in for the real life Oscar Wilde), and Jaka's employer Pud (a tavern owner who employs Jaka) as they struggle against the repressive fascist regime of the Cirinists. In particular, the free spirited Jaka defies the Cirinist ban on dancing, which leads to ruin for Rick, Jaka, and Cerebus. The book flashes back and forth between Jaka's lonely, aristocratic childhood up to her twelfth birthday, and the "present" time of the main ''Cerebus'' storyline. The "present" sections are told in comics form while the "past" portions are told in flowery prose sections, which the reader finds out later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aardvark-Vanaheim
Aardvark-Vanaheim is a Canadian independent comic book publisher founded in 1977 by Dave Sim and Deni Loubert and is best known for publishing Sim's '' Cerebus''. For a brief time, the company also published other titles, sometimes under the name Aardvark One International. This was mainly in the early 1980s, and most of these titles moved to Renegade Press. Since the 1980s the majority of titles published by the company were related to ''Cerebus'', although since the final issue of ''Cerebus'' was published, A-V has gone on to publish other works by Sim, including '' glamourpuss''. In July 1984, Aardvark-Vanaheim was threatened with possible legal action by Marvel Comics over a parody of Marvel's Wolverine character in '' Cerebus''. A-V's offices are located in Kitchener, Ontario. Titles * ''A-V in 3-D'' (1984), #1 * '' Cerebus the Aardvark'' (1977–2004), #1–300 (also reprint titles ''Swords of Cerebus'', ''Cerebus World Tour Book'', ''Cerebus Number Zero'', and the '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interior Monologue
In literary criticism, stream of consciousness is a narrative mode or method that attempts "to depict the multitudinous thoughts and feelings which pass through the mind" of a narrator. The term was coined by Daniel Oliver in 1840 in ''First Lines of Physiology: Designed for the Use of Students of Medicine,'' when he wrote, Better known, perhaps, is the 1855 usage by Alexander Bain in the first edition of ''The Senses and the Intellect'', when he wrote, "The concurrence of Sensations in one common stream of consciousness–on the same cerebral highway–enables those of different senses to be associated as readily as the sensations of the same sense". But it is commonly credited to William James who used it in 1890 in his '' The Principles of Psychology''. In 1918, the novelist May Sinclair (1863–1946) first applied the term stream of consciousness, in a literary context, when discussing Dorothy Richardson's novels. '' Pointed Roofs'' (1915), the first work in Richardso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epilogue
An epilogue or epilog (from Ancient Greek, Greek ἐπίλογος ''epílogos'', "conclusion" from ἐπί ''epi'', "in addition" and λόγος ''logos'', "word") is a piece of writing at the end of a work of literature, usually used to bring closure to the work. It is presented from the perspective of within the story. When the author steps in and speaks directly to the reader, that is more properly considered an afterword. The opposite is a prologue—a piece of writing at the ''beginning'' of a work of literature or drama, usually used to open the story and capture interest. Some genres, for example television programs and video games, call the epilogue an "outro" patterned on the use of "intro" for "introduction". Epilogues are usually set in the future, after the main story is completed. Within some genres it can be used to hint at the next installment in a series of work. It is also used to satisfy the reader's curiosity and to cover any loose ends of the story. History ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love And Rockets (comics)
''Love and Rockets'' (often abbreviated ''L&R'') is a comic book series by the Hernandez brothers: Gilbert, Jaime, and Mario. It was one of the first comic books in the alternative comics movement of the 1980s. The Hernandez brothers produce stories in the series independently of each other. Gilbert and Jaime produce the majority of the material, and tend to focus on particular casts of characters and settings. Those of Gilbert usually focus on a cast of characters in the fictional Central American village of Palomar; the stories often feature magic realist elements. The ''Locas'' stories of Jaime center on a social group in Los Angeles, particularly the Latin-American friends and sometime-lovers Maggie and Hopey. Publication history The brothers Gilbert, Jaime, and Mario Hernandez self-published the first issue of ''Love and Rockets'' in 1981. In 1982, Fantagraphics Books republished this issue with a color cover. The series was published at magazine size, larger than ty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graphic Novel
A graphic novel is a long-form, fictional work of sequential art. The term ''graphic novel'' is often applied broadly, including fiction, non-fiction, and anthologized work, though this practice is highly contested by comic scholars and industry professionals. It is, at least in the United States, typically distinct from the term ''comic book'', which is generally used for comics periodicals and Trade paperback (comics), trade paperbacks (see American comic book). Comics historian, Fan historian Richard Kyle coined the term ''graphic novel'' in an essay in the November 1964 issue of the comics fanzine ''Capa-Alpha''. The term gained popularity in the comics community after the publication of Will Eisner's ''A Contract with God'' (1978) and the start of the ''Marvel Graphic Novel'' line (comics), line (1982) and became familiar to the public in the late 1980s after the commercial successes of the first volume of Art Spiegelman's ''Maus'' in 1986, the collected editions of Frank Mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cerebus Phonebooks
''Cerebus phonebooks'' are the paperback collections that Dave Sim has collected his comic book series ''Cerebus'' in since 1986. They have come to be known as "phonebooks" as their thickness and paper stock resemble that of phone books. The format had a large influence on alternative comics publishing and was key in the move from the periodical-centric publishing style that was once dominant. History ''Swords of Cerebus'' Starting in 1981, Sim started collecting the Cerebus stories in ''Swords of Cerebus''. ''Swords'' collected four issues per volume, each with a backup story and new cover. ''High Society'' '' High Society'' had been conceived as one complete story, but Sim had not originally planned for it to be published as one volume. He did so more as an expedient: Sim published it as one 512-page trade paperback volume in 1986. It was offered exclusively through mail order and sold out its 6000-copy print run within a year. Its success convinced Sim to drop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trade Paperback (comics)
In comics in the United States, a trade paperback (shortened: TPB or trade) is a collection of stories originally published in comic books, reprinted in book format, usually presenting either a complete miniseries, a story arc from a single title, or a series of stories with an arc or common theme. A trade paperback may reproduce the stories either at the same size in which they were originally presented (in comic book format), in a smaller " digest-sized" format, or a larger-than-original hardcover. This article applies to both paperback and hardcover collections. In the comics industry, the term "trade paperback market" may refer to the market for any collection, regardless of its actual cover. A trade paperback differs from a graphic novel in that a graphic novel is usually original material. It is also different from the publishing term ''trade paperback'', which is a book with a flexible cardstock cover that is larger than the standard mass market paperback format. Hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Speech Balloon
Speech balloons (also speech bubbles, dialogue balloons, or word balloons) are a graphic convention used most commonly in comic books, comics, and cartoons to allow words (and much less often, pictures) to be understood as representing a character's speech or thoughts. A formal distinction is often made between the balloon that indicates speech and the one that indicates thoughts; the balloon that conveys thoughts is often referred to as a thought bubble or conversation cloud. History One of the earliest antecedents to the modern speech bubble were the "speech scrolls", wispy lines that connected first-person speech to the mouths of the speakers in Mesoamerican art between 600 and 900 AD. Earlier, paintings, depicting stories in subsequent frames, using descriptive text resembling bubbles-text, were used in murals, one such example witten in Greek, dating to the 2nd century, found in Capitolias, today in Jordan. In Western graphic art, labels that reveal what a pictur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Letterer
A letterer is a member of a team of comic book creators responsible for drawing the comic book's text. The letterer's use of typefaces, calligraphy, letter size, and layout all contribute to the impact of the comic. The letterer crafts the comic's "display lettering": the story title lettering and other special captions and credits that usually appear on a story's first page. The letterer also writes the letters in the word balloons and draws in sound effects. Many letterers also design logos for the comic book company's various titles. History Origins By the time comic books came of age in the 1940s, the huge volume of work demanded by publishers had encouraged an assembly-line process, dividing the creative process into distinct tasks: writer, penciller, letterer, inker, and colorist. By the late 1940s, it became possible to make a living just lettering comic strips and comic books for artists, studios, and companies that didn't have the time or desire to do it in-h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deni Loubert
Denise "Deni" Loubert (born September 30, 1951) Miller, John Jackson"Comics Industry Birthdays" ''Comics Buyer's Guide'', June 10, 2005. Accessed July 19, 2011WebCitation archive is a Canadian comics publisher, co-founder of Aardvark-Vanaheim, and founder of Renegade Press. She is the ex-wife of Dave Sim, with whom she founded Aardvark-Vanaheim and published ''Cerebus'' from issues #1 to #77 (1977–1985). Loubert and Sim met in 1976 and were married from October 6, 1978 to August 20, 1983. The barbarian aardvark Cerebus was sketched initially by Sim as a mascot to accompany Loubert's proposed fanzine, ''Cerebus,'' so titled when Loubert misspelled Cerberus, the name of the mythical dog guarding Hades. (The fanzine went unpublished.)Sim, Dave"Memoir: WHY AN AARDVARK? Part Two,"CerebusFanGirl. Accessed July 19, 2011.. Aardvark-Vanaheim, managed by Loubert, began publishing other comics besides ''Cerebus'', such as William Messner-Loebs' ''Journey'' and Bob Burden's ''Flaming Carr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerhard (comics)
Gerhard is the professional name of a Canadian artist known for the elaborately detailed background illustrations in the comics series ''Cerebus the Aardvark''. Biography Gerhard was born on April 14, 1959, in Edmonton. His association with Dave Sim's ''Cerebus'' began with issue #65 (August 1984), and continued through its conclusion in issue #300, in March, 2004. The series was written by Dave Sim, who also drew the foreground figures, and had worked on the self-published series largely solo for the first 64 issues. Gerhard jokingly described his job saying that he "draws tables and chairs behind an aardvark". He is also fond of photography, later issues of the comic book have covers based on his scenic photos, and sailing. Three years after finishing his work on ''Cerebus'', Gerhard ended his professional and personal relationship with Dave Sim. Subsequently, Sim has been in the process of purchasing Gerhard's share of Aardvark-Vanaheim. Although most associated with ''Cerebu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
