Jain Schools And Branches
Jainism is an Indian religion which is traditionally believed to be propagated by twenty-four spiritual teachers known as ''tirthankara''. Broadly, Jainism is divided into two major schools of thought, Digambara and Śvetāmbara. These are further divided into different sub-sects and traditions. While there are differences in practices, the core philosophy and main principles of each sect is the same. Schism Traditionally, the original doctrine of Jainism was contained in scriptures called Purva. There were fourteen Purva. These are believed to have originated from Rishabhanatha, the first '' tirthankara''. There was a twelve-year famine around fourth century BCE. The undivided Jain sangha was headed by Acharya Krishnasuri, who initiated Sivabhuti as a monk. As a result of his rebellion, anger, and gross misinterpretation of the canonical scriptures of Jainism, he began roaming naked and propagating that public nudity was accepted as per Jain scriptures. The sect that continu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Girnar Jain Temples
There is a group of temples of Jainism on Mount Girnar near Junagadh in Junagadh District, Junagadh district, Gujarat, India. While almost all the temples belong to the Śvetāmbara sect, some also belong to the Digambara sect. The hill and some of the temples are considered sacred by both Digambara and the Śvetāmbara branches of Jainism. In Jainism Neminath, Lord Neminath, also called Arishtanemi, the 22nd Tirthankara, became an ascetic after he saw that animals tied up to be slaughtered for the feast on his wedding were crying and screaming to be released. Seeing this he realised that due to his wedding thousands of animals were to be killed. He renounced all worldly pleasures and went to Mount Girnar to attain salvation. He attained Keval Gyan, omniscience and Moksha (Nirvana) from the highest peak of Mount Girnar. His bride-to-be Rajulmati also renounced the world and became a nun, and followed him to the sacred mountain. Girnar along with Mount Kailash, Ashtapad, Shikha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Digambara Monk
A Digambara monk or Digambara Sādhu (also ''muni'', ''sādhu'') is a Sādhu in the Digambar tradition of Jainism, and as such an occupant of the highest limb of the four-fold ''sangha''. Digambar Sādhus have 28 primary attributes which includes observance of the five supreme vows of ''ahimsa'' (non-injury), truth, non-thieving, celibacy and non-possession. A Digambar Sādhu is allowed to keep only a feather whisk, a water gourd and scripture with him. In Jainism, those '' śrāvakas'' (householders) who wish to attain ''moksha'' (liberation) renounce all possessions and become an ascetic. According to the Jain text, '' Dravyasamgraha'': Digambar Sādhus are also called ''nirgranth'' which means "one without any bonds". The term originally applied to those of them who were on the point of attaining omniscience, on the attainment of which they were called ''munis''. Rishabhanath (the first '' Tirthankar'') is said to be the first ''Digambar'' Sādhu of the present hal ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shatkhandagama
The (Prakrit: "Scripture in Six Parts") is the only canonical piece of literature of Digambara sect of Jainism. According to Digambara tradition, the original teachings of lord Mahavira were passed on orally from Ganadhar, the chief disciple of Mahavira to his disciples and so on as they had the capability of listening and remembering it for always. But as the centuries passed there was downfall in these capabilities and so Ācārya Puṣpadanta and Bhūtabali penned down the teachings of Mahavira in ''Ṣaṭkhaṇḍāgama''. Therefore the ''Ṣaṭkhaṇḍāgama'' is the most revered Digambara text that has been given the status of '' āgama''. The importance of the ''Ṣaṭkhaṇḍāgama'' to the Digambaras can be judged by the fact that, the day its ''Dhavalā'' commentary was completed, it is commemorated on the ''Śrūta Pañcamī'', a day when all the Jain scriptures are venerated. The ''Ṣaṭkhaṇḍāgama'', the first ''āgama'', is also called the "Prathama ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jain Agamas (Śvetāmbara)
Jain literature () refers to the literature of the Jain religion. It is a vast and ancient literary tradition, which was initially transmitted orally. The oldest surviving material is contained in the canonical ''Jain Agamas'', which are written in Ardhamagadhi, a Prakrit ( Middle-Indo Aryan) language. Various commentaries were written on these canonical texts by later Jain monks. Later works were also written in other languages, like Sanskrit and Maharashtri Prakrit. Jain literature is primarily divided between the canons of the ''Digambara'' and '' Śvētāmbara'' orders. These two main sects of Jainism do not always agree on which texts should be considered authoritative. More recent Jain literature has also been written in other languages, like Marathi, Tamil, Rajasthani, Dhundari, Marwari, Hindi, Gujarati, Kannada, Malayalam and more recently in English. Beliefs Jains believe their religion is eternal, and the teachings of the first tīrthaṅkara, Ṛṣabhanātha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mallinatha
Mallinatha (Prakrit ''Mallinātha'', Devanagari: मल्लिनाथ, Sanskrit: मल्लिनाथः, 'Lord of jasmine or seat') was the 19th tīrthaṅkara "ford-maker" of the present ''avasarpiṇī'' age in Jainism. In Jain history Jain texts indicate Mālliṇātha was born at Mithila into the Ikshvaku dynasty to King Kumbha and Queen Prajnavati. ''Tīrthaṅkara Māllīnātha'' lived for over 56,000 years, out of which 54,800 years less six days, was with omniscience ( Kevala Jnana). Mallinatha is believed to be a woman named Malli Devi by Shvetambara Jains while the Digambara sect believes all 24 tirthankara to be men including Māllīnātha. Digambara tradition believes a woman can reach to the 16th heaven and can attain liberation only being reborn as a man. Digambara tradition says Mallinatha was a son born in a royal family, and worships Mallinatha as a male. However, the Shvetambara tradition of Jainism states that Māllīnātha was female with a name ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Māllīnātha
Mallinatha (Prakrit ''Mallinātha'', Devanagari: मल्लिनाथ, Sanskrit: मल्लिनाथः, 'Lord of jasmine or seat') was the 19th Tirthankara, tīrthaṅkara "ford-maker" of the Jain cosmology#Time cycle, present ''avasarpiṇī'' age in Jainism. In Jain history Jain texts indicate Mālliṇātha was born at Mithila (ancient), Mithila into the Ikshvaku dynasty to King Kumbha and Queen Prajnavati. ''Tīrthaṅkara Māllīnātha'' lived for over 56,000 years, out of which 54,800 years less six days, was with omniscience (Kevala Jnana). Mallinatha is believed to be a woman named Malli Devi by Śvētāmbara, Shvetambara Jains while the Digambara sect believes all 24 tirthankara to be men including Māllīnātha. Digambara tradition believes a woman can reach to the 16th heaven and can attain liberation only being reborn as a man. Digambara tradition says Mallinatha was a son born in a royal family, and worships Mallinatha as a male. However, the Shvetambar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Saṃsāra
''Saṃsāra'' (Devanagari: संसार) is a Sanskrit word that means "wandering" as well as "world," wherein the term connotes "cyclic change" or, less formally, "running around in circles." ''Saṃsāra'' is referred to with terms or phrases such as transmigration/reincarnation, karmic cycle, or Punarjanman, and "cycle of aimless drifting, wandering or mundane existence". When related to the theory of karma, it is the cycle of death and rebirth. The "cyclicity of all life, matter, and existence" is a fundamental belief of most Indian religions. The concept of ''saṃsāra'' has roots in the post-Vedic literature; the theory is not discussed in the Vedas themselves. It appears in developed form, but without mechanistic details, in the early Upanishads. The full exposition of the ''saṃsāra'' doctrine is found in early Buddhism and Jainism, as well as in various schools of Hindu philosophy. The ''saṃsāra'' doctrine is tied to the karma theory of Hinduism, and th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Ancient Greek, Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "Icon, icons", in the Byzantine art, Byzantine and Eastern Orthodox Churches, Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |