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Jacques De Gheyn II
Jacob de Gheyn II (also Jacques de Gheyn II) ( – 29 March 1629) was a Dutch Painting, painter and engraver, whose work shows the transition from Northern Mannerism to Dutch realism over the course of his career. Biography De Gheyn was born in Antwerp and received his first training from his father, Jacob de Gheyn I, a Stained glass, glass painter, engraver, and Technical drawing, draftsman. In 1585, he moved to Haarlem, where he studied under Hendrik Goltzius for the next five years. He moved again, to Leiden, in the middle of the 1590s. His work attracted the attention of wealthy sponsors, and his first commission was for an engraving of the Siege of Geertruidenberg (1593), Siege of Geertruidenberg from Maurice of Nassau, Prince of Orange. This event, from 27 March to 24 June 1593, had been more of a demonstration of power by Prince Maurits, than an actual war, and had even attracted tourists. As a publicity stunt, the siege and its subsequent engraving were successful in ...
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Hondius - Jacobus De Geyn Antwerp Pict Et Sculpt P63
Hondius can refer to two possibly unrelated families of engravers and cartographers, who both moved from Flanders to the Dutch Republic in the 1590s: * Amsterdam family originating from Ghent: ** Jodocus Hondius (1563–1612) *** Jodocus Hondius II (1593–1629), first son of Jodocus I *** Henricus Hondius II, Hendrik Hondius II (1597–1651), second son of Jodocus I * The Hague family originating from Duffel: ** Hendrik Hondius I (1573–1650) *** Willem Hondius (c. 1598–1650s), one of his sons *** Hendrik Hondius III (1615–1677), another son *Abraham Hondius (ca. 1631–1691), Dutch Golden Age painter {{surname, Hondius ...
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The Hague
The Hague ( ) is the capital city of the South Holland province of the Netherlands. With a population of over half a million, it is the third-largest city in the Netherlands. Situated on the west coast facing the North Sea, The Hague is the country's administrative centre and its seat of government, and has been described as the country's ''de facto'' capital since the time of the Dutch Republic, while Amsterdam is the official capital of the Netherlands. The Hague is the core municipality of the COROP, Greater The Hague urban area containing over 800,000 residents, and is also part of the Rotterdam–The Hague metropolitan area, which, with a population of approximately 2.6 million, is the largest metropolitan area of the Netherlands. The city is also part of the Randstad region, one of the largest conurbations in Europe. The Hague is the seat of the Cabinet of the Netherlands, Cabinet, the States General of the Netherlands, States General, the Supreme Court of the Neth ...
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Jacques De II
Jacques or Jacq are believed to originate from the Middle Ages in the historic northwest Brittany region in France, and have since spread around the world over the centuries. To date, there are over one hundred identified noble families related to the surname by the Nobility & Gentry of Great Britain & Ireland. Origins The origin of this surname comes from the Latin ' Iacobus', associated with the biblical patriarch Jacob. Ancient history A French knight returning from the Crusades in the Holy Lands probably adopted the surname from "Saint Jacques" (or "James the Greater"). James the Greater was one of Jesus' Twelve Apostles, and is believed to be the first martyred apostle. Being endowed with this surname was an honor at the time and it is likely that the Church allowed it because of acts during the Crusades. Indeed, at this time, the use of biblical, Christian, or Hebrew names and surnames became very popular, and entered the European lexicon. Robert J., a Knight Crusader ...
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Rembrandt
Rembrandt Harmenszoon van Rijn (; ; 15 July 1606 – 4 October 1669), mononymously known as Rembrandt was a Dutch Golden Age painter, printmaker, and Drawing, draughtsman. He is generally considered one of the greatest visual artists in the history of Art of Europe, Western art.Gombrich, p. 420. It is estimated that Rembrandt's surviving works amount to about three hundred paintings, three hundred etchings and several hundred drawings. Unlike most Dutch painters of the 17th century, Rembrandt's works depict a wide range of styles and subject matter, from portrait painting, portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological subjects and animal studies. His contributions to art came in a period that historians call the Dutch Golden Age. Rembrandt never went abroad but was considerably influenced by the work of the Italian Old Masters and Bentvueghels, Dutch and Flemish artists who had studied in Italy. A ...
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Jacob De Gheyn III
Jacob de Gheyn III, also known as Jacob III de Gheyn (1596–1641), was a Dutch Golden Age engraver, son of Jacob de Gheyn II, canon of Utrecht (city), and the subject of a 1632 oil painting by Rembrandt. The portrait is half of a pair of pendant portraits. The other piece is a portrait of de Gheyn's friend Maurits Huygens, wearing similar clothing ( ruffs and black doublets) and facing the opposite direction. Biography De Gheyn learned engraving from his father,Jacob de Gheyn (III)
in the
RKD The Netherlands Institute for Art History or RKD (Dutch: ), previously Rijksbureau voor Kunsthistorische Documentatie (RKD), is located in The Hague and is home to the largest art history center in the world. The center s ...
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Mechelen
Mechelen (; ; historically known as ''Mechlin'' in EnglishMechelen has been known in English as ''Mechlin'', from where the adjective ''Mechlinian'' is derived. This name may still be used, especially in a traditional or historical context. The city's French name, ', had also been used in English in the past (in the 19th and 20th centuries); however, this has largely been abandoned. Meanwhile, the Dutch-derived ' began to be used in English increasingly from the late 20th century onwards, even while ''Mechlin'' remained still in use (for example, a ''Mechlinian'' is an inhabitant of this city or someone seen as born-and-raised there; the term is also the name of the city dialect; as an adjective ''Mechlinian'' may refer to the city or to its dialect.) is a city and municipality in the province of Antwerp in the Flemish Region of Belgium. The municipality comprises the city of Mechelen proper, some quarters at its outskirts, the hamlets of Nekkerspoel (adjacent) and Battel ...
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Amsterdam
Amsterdam ( , ; ; ) is the capital of the Netherlands, capital and Municipalities of the Netherlands, largest city of the Kingdom of the Netherlands. It has a population of 933,680 in June 2024 within the city proper, 1,457,018 in the City Region of Amsterdam, urban area and 2,480,394 in the Amsterdam metropolitan area, metropolitan area. Located in the Provinces of the Netherlands, Dutch province of North Holland, Amsterdam is colloquially referred to as the "Venice of the North", for its canals of Amsterdam, large number of canals, now a World Heritage Site, UNESCO World Heritage Site. Amsterdam was founded at the mouth of the Amstel River, which was dammed to control flooding. Originally a small fishing village in the 12th century, Amsterdam became a major world port during the Dutch Golden Age of the 17th century, when the Netherlands was an economic powerhouse. Amsterdam was the leading centre for finance and trade, as well as a hub of secular art production. In the 19th ...
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Natural History
Natural history is a domain of inquiry involving organisms, including animals, fungi, and plants, in their natural environment, leaning more towards observational than experimental methods of study. A person who studies natural history is called a naturalist or natural historian. Natural history encompasses scientific research but is not limited to it. It involves the systematic study of any category of natural objects or organisms, so while it dates from studies in the ancient Greco-Roman world and the mediaeval Arabic world, through to European Renaissance naturalists working in near isolation, today's natural history is a cross-discipline umbrella of many specialty sciences; e.g., geobiology has a strong multidisciplinary nature. Definitions Before 1900 The meaning of the English term "natural history" (a calque of the Latin ''historia naturalis'') has narrowed progressively with time, while, by contrast, the meaning of the related term "nature" has widened (see also ...
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Landscape
A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or human-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes the physical elements of geophysically defined landforms such as mountains, hills, water bodies such as rivers, lakes, ponds and the sea, living elements of land cover including indigenous vegetation, human elements including different forms of land use, buildings, and structures, and transitory elements such as lighting and weather conditions. Combining both their physical origins and the cultural overlay of human presence, often created over millennia, landscapes reflect a living synthesis of people and place that is vital to local and national identity. The character of a landscape helps define the self-image of the people who inhabit it and a sense of place that differentiates one region from other regions. It is the dynamic ...
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Dutch Art
Dutch art describes the history of visual arts in the Netherlands, after the United Provinces separated from Flanders. Earlier painting in the area is covered in Early Netherlandish painting and Dutch and Flemish Renaissance painting. Dutch Golden Age painting, spanning from about 1620 to 1680, was a distinct style and movement that evolved out of the Flemish Baroque tradition. It was a period of great artistic achievement in the Netherlands. There was a healthy artistic climate in Dutch cities during the seventeenth century. For example, between 1605 and 1635, over 100,000 paintings were produced in Haarlem. At that time, art ownership in the city was 25%, a record high. After the end of the Golden Age, production of paintings remained high, but ceased to influence the rest of Europe as strongly. Many painters, sculptors and architects of the seventeenth century are called " Dutch masters", while earlier artists are generally referred to as part of the "Netherlandish" trad ...
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Still Life
A still life (: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish art, Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and allego ...
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Vanitas
''Vanitas'' is a genre of symbolizing the temporality, transience of life, the futility of pleasure, and the certainty of death, and thus the vanity of ambition and all worldly desires. The paintings involved still life imagery of transitory items. The genre began in the 16th century and continued into the 17th century. Vanitas art is a type of allegorical art representing a higher ideal. It was a sub-genre of painting heavily employed by Dutch painters during the Baroque period (c.1585–1730). Spanish painters working at the end of the Spanish Golden Age also created vanitas paintings. Etymology The word ''vanitas'' comes from Latin and means vanity. In this context, vanity means pointlessness, or futility, not to be confused with the other definition of vanity. Vanity is referenced in the Hebrew Bible in Ecclesiastes 12, Ecclesiastes 12:8, "Vanity of Vanities, saith the preacher, all is vanity". In some versions vanity is translated as "meaningless" to avoid the confusion ...
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