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Indigenous Music Of North America
Indigenous music of North America, which includes American Indian music or Native American music, is the music that is used, created or performed by Indigenous peoples of North America, including Native Americans in the United States and Aboriginal peoples in Canada, Indigenous peoples of Mexico, and other North American countries—especially traditional tribal music, such as Pueblo music and Inuit music. In addition to the traditional music of the Native American groups, there now exist pan-Indianism and intertribal genres as well as distinct Native American subgenres of popular music including: rock, blues, hip hop, classical, film music, and reggae, as well as unique popular styles like chicken scratch and New Mexico music. Characteristics Singing and percussion are the most important aspects of traditional Native American music. Vocalization takes many forms, ranging from solo and choral song to responsorial, unison and multipart singing. Percussion, especially dru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indigenous Peoples Of North America
The Indigenous peoples of the Americas are the inhabitants of the Americas before the arrival of the European settlers in the 15th century, and the ethnic groups who now identify themselves with those peoples. Many Indigenous peoples of the Americas were traditionally hunter-gatherers and many, especially in the Amazon basin, still are, but many groups practiced aquaculture and agriculture. While some societies depended heavily on agriculture, others practiced a mix of farming, hunting, and gathering. In some regions, the Indigenous peoples created monumental architecture, large-scale organized cities, city-states, chiefdoms, states, kingdoms, republics, confederacies, and empires. Some had varying degrees of knowledge of engineering, architecture, mathematics, astronomy, writing, physics, medicine, planting and irrigation, geology, mining, metallurgy, sculpture, and gold smithing. Many parts of the Americas are still populated by Indigenous peoples; some countries have size ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicken Scratch
Chicken scratch (also known as waila music) is a kind of dance music developed by the Tohono O'odham people. The genre evolved out of acoustic fiddle bands in southern Arizona, in the Sonoran desert. These bands began playing European and Mexican tunes, in styles that include the polka, schottisch and mazurka. Pulse of the Planet also mentions cumbia as a more recent influence Chicken scratch, however, is at its root, an interpretation of norteño music, which is itself a Mexican adaptation of polka. Many chicken scratch bands still play polka songs with a distinctive flourish, and may also play the waltz or conjunto. Chicken scratch dance is based on the "''walking two step'' or the ''walking polka'' and the emphasis is on a very smooth gliding movement";Pulse of the Planet dancers may also perform the mazurka or the chote, though no matter the style, it is always performed counterclockwise. Chicken scratch is usually played with a band including alto saxophone, bass, guita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Bow
The musical bow (bowstring or string bow, a subset of bar zithers) is a simple string instrument used by a number of South African peoples, which is also found in the Americas via slave trade. It consists of a flexible, usually wooden, stick 1.5 to 10 feet (0.5 to 3 m) long, and strung end to end with a taut cord, usually metal. It can be played with the hands or a wooden stick or branch. It is uncertain if the musical bow developed from the hunting bow, though the San or Bushmen people of the Kalahari Desert do convert their hunting bows to musical use. Types of bow include mouth-resonated string bow, earth-resonated string bow, and gourd-resonated string bow. History There is speculation that the hunting bow may have been used as a musical instrument from as early as circa 13,000 B.C. Henri Breuil surveyed the Trois Frères in France caves and made an engraving that attempted to reproduce a c. 13,000 B.C. cave painting into a black-and-white lithograph engrav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the '' Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from '' Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), and The Verve's "Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tritonic Scale
A tritonic scale is a musical scale or mode with three notes per octave. This is in contrast to a heptatonic (seven-note) scale such as the major scale and minor scale, or a dodecatonic (chromatic 12-note) scale, both common in modern Western music. Tritonic scales are not common in modern art music, and are generally associated with indigenous and prehistoric music.Onkar Prasad,Tribal Music: Its Proper Context, in ''Tribal Thought and Culture: Essays in Honour of Surajit Chandra Sinha'', edited by Baidyanath Saraswati, 131–49 (New Delhi: Concept Publishing Company, 1991): 131 (accessed 18 January 2020) Distribution India Early Indian Rig Vedic hymns were tri-tonic, sung in three pitches with no octave: Udatta, Anudatta, and Swarita. Maori In a 1969 study, Mervyn McLean noted that tritonic scales were the most common among the Maori tribes he surveyed, comprising 47% of the scales used. South America The pre-Hispanic '' herranza'' ritual music of the Andes is general ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentatonic Scale
A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. There are two types of pentatonic scales: those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more semitones and anhemitonic scales do not contain semitones. (For example, in Japanese music the anhemitonic ''yo'' scale is contrasted with the hemitonic ''in'' scale.) Hemitonic pentatonic scales are also called "ditonic scales", because the largest interval in them is the ditone (e.g., in the scale C–E–F–G–B–C, the interval found between C–E and G–B). (This should not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Garland Encyclopedia Of World Music
''The Garland Encyclopedia of World Music'' is an academic reference work. It was initiated by editors at Garland Publishing in 1988 as a 10-volume series of encyclopedias of world music. The final volumes appeared in 2001, but editions have since been updated. It is widely regarded as an authoritative academic source for ethnomusicology.J.E. Druesedow ''Reference sources'' 2000 - JSTOR "... Sachs, Frances Densmore, and many others, but nearly the whole century passed before such a comprehensive series as The Garland Encyclopedia of World Music" It is published by Routledge, which, like Garland Science, is now part of Taylor & Francis Group. * Volume 1: Africa - ed. Ruth M. Stone (Professor of Folklore and Ethnomusicology, Indiana), 1997 * Volume 2: South America, Mexico, Central America, and the Caribbean - ed. Daniel E. Sheehy and Dale A. Olsen, 1998 * Volume 3: The United States and Canada - ed. Ellen Koskoff (Professor of Ethnomusicology. Eastman School of Music), 2000 * Volume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tremolo
In music, ''tremolo'' (), or ''tremolando'' (), is a trembling effect. There are two types of tremolo. The first is a rapid reiteration: * Of a single note, particularly used on bowed string instruments, by rapidly moving the bow back and forth; plucked strings such as on a harp, where it is called '' bisbigliando'' () or "whispering". Tremolo picking, on traditionally plucked string instruments including guitar and mandolin, is the rapid articulation of single notes or a group of notes with a plectrum (pick) or with fingers. Tremolo playing sustains notes that would otherwise rapidly decay (fade to silence). * Between two notes or chords in alternation, an imitation (not to be confused with a trill) of the preceding that is more common on keyboard instruments. Mallet instruments such as the marimba are capable of either method. * A roll on any percussion instrument, whether tuned or untuned. A second type of tremolo is a variation in amplitude: * As produced on organs b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocable
In the broadest sense of the word, a vocable is any meaningful sound uttered by people, such as a word or term, that is fixed by their language and culture. Use of the words in the broad sense is archaic and the term is instead used for utterances which are not considered words, such as the English vocables of assent and denial, ''uh-huh'' and ''uh-uh'' , or the vocable of error, ''uh-oh'' . Such non-lexical vocables are often used in music, for example ''la la la'' or ''dum dee dum'', or in magical incantations, such as ''abra-cadabra''. Many Native American songs consist entirely of vocables; this may be due to both phonetic substitution to increase the resonance of the song, and to the trade of songs between nations speaking different languages. Jewish Nigunim also feature wordless melodies composed entirely of vocables such as ''Yai nai nai'' or ''Yai dai dai''. Vocables are common as pause fillers, such as ''um'' and ''er'' in English, where they have little formal me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arizona
Arizona ( ; nv, Hoozdo Hahoodzo ; ood, Alĭ ṣonak ) is a state in the Southwestern United States. It is the 6th largest and the 14th most populous of the 50 states. Its capital and largest city is Phoenix. Arizona is part of the Four Corners region with Utah to the north, Colorado to the northeast, and New Mexico to the east; its other neighboring states are Nevada to the northwest, California to the west and the Mexican states of Sonora and Baja California to the south and southwest. Arizona is the 48th state and last of the contiguous states to be admitted to the Union, achieving statehood on February 14, 1912. Historically part of the territory of in New Spain, it became part of independent Mexico in 1821. After being defeated in the Mexican–American War, Mexico ceded much of this territory to the United States in 1848. The southernmost portion of the state was acquired in 1853 through the Gadsden Purchase. Southern Arizona is known for its desert cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hopi
The Hopi are a Native American ethnic group who primarily live on the Hopi Reservation in northeastern Arizona, United States. As of the 2010 census, there are 19,338 Hopi in the country. The Hopi Tribe is a sovereign nation within the United States and has government-to-government relations with the United States federal government. Particular villages retain autonomy under the Hopi Constitution and Bylaws. The Hopi language is one of 30 in the Uto-Aztecan language family. The majority of Hopi people are enrolled in the Hopi Tribe of Arizona but some are enrolled in the Colorado River Indian Tribes. The Hopi Reservation covers a land area of . The Hopi encountered Spaniards in the 16th century, and are historically referred to as Pueblo people, because they lived in villages (''pueblos'' in the Spanish language). The Hopi are thought to be descended from the Ancestral Puebloans ( Hopi: ''Hisatsinom''), who constructed large apartment-house complexes and had an advanced cultu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nlaka'pamux
The Nlaka'pamux or Nlakapamuk ( ; ), also previously known as the ''Thompson'', ''Thompson River Salish'', ''Thompson Salish'', ''Thompson River Indians'' or ''Thompson River people'', and historically as the ''Klackarpun'', ''Haukamaugh'', ''Knife Indians'', and ''Couteau Indians'', are an Indigenous First Nations people of the Interior Salish language group in southern British Columbia. Their traditional territory includes parts of the North Cascades region of Washington. Other names Frontier-era histories and maps transliterate the name Nlaka'pamux as ''Hakamaugh'' or ''Klackarpun''; they were also known as the ''Kootomin'', or ''Couteau'' (Knife). or ''Knife Indians''. In the dialect of the Thompson language used by the Ashcroft Indian Band, the variant ''Nl'akapxm'' is used. The Nlaka'pamux of the Nicola Valley, who are all in the Nicola Tribal Association reserves refer to themselves as Scw'exmx and speak a different dialect of the Thompson language. Together wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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