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Imperial Ballet School
The Vaganova Academy of Russian Ballet is a school of classical ballet in St Petersburg, Russia. Established in 1738 during the reign of Empress Anna, the academy was known as the Imperial Ballet School until the Soviet era, when, after a brief hiatus, the school was re-established as the Leningrad State Choreographic Institute. In 1957, the school was renamed in honor of the pedagogue Agrippina Vaganova, who cultivated the method of classical ballet training that has been taught there since the late 1920s. Many of the world's leading ballet schools have adopted elements of the Vaganova method into their own training. The Vaganova Academy is the associate school of the Mariinsky Ballet, one of the world's leading ballet companies. Students of the school have found employment with ballet and contemporary companies worldwide, such as the Bolshoi Ballet, The Royal Ballet, American Ballet Theatre and the Mikhailovsky Ballet. History The school was established as the Imperial The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Petersburg
Saint Petersburg, formerly known as Petrograd and later Leningrad, is the List of cities and towns in Russia by population, second-largest city in Russia after Moscow. It is situated on the Neva, River Neva, at the head of the Gulf of Finland on the Baltic Sea. The city had a population of 5,601,911 residents as of 2021, with more than 6.4 million people living in the Saint Petersburg metropolitan area, metropolitan area. Saint Petersburg is the List of European cities by population within city limits, fourth-most populous city in Europe, the List of cities and towns around the Baltic Sea, most populous city on the Baltic Sea, and the world's List of northernmost items#Cities and settlements, northernmost city of more than 1 million residents. As the former capital of the Russian Empire, and a Ports of the Baltic Sea, historically strategic port, it is governed as a Federal cities of Russia, federal city. The city was founded by Tsar Peter the Great on 27 May 1703 on the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Europe
Western Europe is the western region of Europe. The region's extent varies depending on context. The concept of "the West" appeared in Europe in juxtaposition to "the East" and originally applied to the Western half of the ancient Mediterranean world, the Latin West of the Roman Empire, and "Western Christendom". Beginning with the Renaissance and the Age of Discovery, roughly from the 15th century, the concept of ''Europe'' as "the Western world, West" slowly became distinguished from and eventually replaced the dominant use of "Christendom" as the preferred endonym within the area. By the Age of Enlightenment and the Industrial Revolution, the concepts of "Eastern Europe" and "Western Europe" were more regularly used. The distinctiveness of Western Europe became most apparent during the Cold War, when Europe was divided for 40 years by the Iron Curtain into the Western Bloc and Eastern Bloc, each characterised by distinct political and economical systems. Historical divisions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marius Petipa
Marius Ivanovich Petipa (; born Victor Marius Alphonse Petipa; 11 March 1818) was a French and Russian ballet dancer, pedagogue and choreographer. He is considered one of the most influential ballet masters and choreographers in ballet history. Petipa is noted for his long career as ''Premier maître de ballet'' (First Ballet Master) of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from his originals. He is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote (ballet), Don Quixote'' (1869); ''La Bayadère'' (1877); ''The Talisman (ballet), Le Talisman'' (1889); ''The Sleeping Beauty Ballet, The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''The Awakeni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lev Ivanov
Lev Ivanovich Ivanov (; 2 March 1834, Moscow – 24 December 1901, Saint Petersburg) was a Russian ballet dancer and choreographer and later, Second Balletmaster of the Mariinsky Ballet, Imperial Ballet. As a performer with the Mariinsky Ballet, Imperial Ballet, he achieved prominence after performing as an understudy in a benefit performance of ''La Fille Mal Gardée''. He is most famous as the choreographer of Acts II and IV of ''Swan Lake'', which include the ''Danse des petits cygnes, Dance of the Little Swans'', Act II of ''Cinderella (Fitinhof-Schell), Cinderella'', and ''The Nutcracker'', which he choreographed alongside Marius Petipa. Biography Ivanov entered the Moscow School of Dance, but in 1844 moved to Saint Petersburg where he studied at the Mariinsky Ballet, Imperial Ballet, becoming an official member of the Corps de ballet in 1852. Among his teachers during this time were Jean-Antoine Petipa, Alexandr Pimenov, Pierre Frédéric Malavergne and Emile Gredlu (). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Saint-Léon
Arthur Saint-Léon (17 September 1821, in Paris – 2 September 1870) was the '' Maître de Ballet'' of St. Petersburg Imperial Ballet from 1859 until 1869 and is famous for creating the choreography of the ballet '' Coppélia''. Biography He was born Charles Victor Arthur Michel in Paris, but was raised in Stuttgart, where his father was dance master for the court and the theatre ballet. Saint-Léon was encouraged by his father, who had also been a dancer of the Paris Opéra Ballet, to study music and dance. Saint-Léon studied violin with Joseph Mayseder and Niccolò Paganini. At the same time, he studied ballet so he could perform both as violinist and dancer. When he was 17 years old, he made his début as first demi-charactére dancer at the Théâtre de la Monnaie in Brussels. He started to tour across Europe dancing in Germany, Italy, England, obtaining a lot of success. In particular, the London audience, who did not like at that time to see men dancing on stage, like ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Perrot
Jules-Joseph Perrot (18 August 181029 August 1892) was a French dancer and choreographer who later became Ballet Master of the Imperial Ballet in St. Petersburg, Russia. He created some of the most famous ballets of the 19th century including ''Pas de Quatre'', '' La Esmeralda'', '' Ondine'', and ''Giselle'' with Jean Coralli. From dancer to balletmaster The Lyon-born Perrot danced often with Marie Taglioni but their partnership was short-lived. She eventually refused to dance with him fearing that he would outshine her. He left the Opéra in 1835 to tour European dance centers such as London, Milan, Vienna and Naples, where he met and noticed the talent of Carlotta Grisi. He coached her and presented her to the world as the next great ballerina in an 1836 performance in London with himself as her partner.Review: ''King's Theatre'', in ''The Times'', Wednesday 13 April 1836, p. 5, column C. Following the success of his contributions to the choreography of ''Giselle'', Perrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Didelot
Charles-Louis Didelot (28 March 1767, Stockholm7 November 1837, Kiev) was a French dancer, the creator of the ballet shoes and a choreographer. The son of Charles Didelot, the dance-master of the King of Sweden, he studied dance with his father, who was an instructor in dance at the Swedish Opera, and debuted as dancer in the theatre of Bollhuset in Stockholm 1786. He then studied in Paris with Jean Dauberval. He followed his study with Jean-Georges Noverre, under whose lead he debuted in London in 1788. When the Russian Imperial ballet needed a new chief choreographer, the former Imperial choreographer Charles Le Picq proposed inviting Charles Didelot. He arrived in Saint Petersburg in 1801 at the invitation of the director of the Imperial Theatres and made his debut as the first dancer. His career as a dancer ended in 1806, following an accident to his leg and the death of his wife, Rose, a brilliant ballerina. From then on, Didelot taught dance, having an important influenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet Master
A ballet master (also balletmaster, ballet mistress, ''premier maître de ballet'' or ''premier maître de ballet en chef'') is an employee of a ballet company who is responsible for the level of competence of the dancers in their company. In modern times, ballet masters are generally charged with teaching the daily company ballet class and rehearsing the dancers for both new and established ballets in the company's repertoire. The artistic director of a ballet company, whether a male or female, may also be called its ballet master. Historic use of gender marking in job titles in ballet (and live theatre) is being supplanted by gender-neutral language job titles regardless of an employee's gender (e.g. ''ballet master'' in lieu of ''ballet mistress'', ''wig master'' as an alternative to ''wig mistress''). History of the position Especially during the early centuries of ballet troupes and ballet companies from the 18th century until the early 20th century, the position of ''fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlotta Brianza
Carolina Alice Brianza,#uielem_move=-343%2C-187&uielem_islocked=0&uielem_zoom=300&uielem_brightness=0&uielem_contrast=0&uielem_isinverted=0&uielem_rotate=F" target="_blank" class="mw-redirect" title="Marriage certificate from Saint-Josse-ten-Noode of 7 May 1902 transcribed on registry of the Mairie of the 17th arrondissement of Paris on 4 April 1908, act number 664, view 8/31">Marriage certificate from Saint-Josse-ten-Noode of 7 May 1902 transcribed on registry of the Mairie of the 17th arrondissement of Paris on 4 April 1908, act number 664, view 8/31 (in French) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierina Legnani
Pierina Legnani (30 September 1863 – 15 November 1930) was an Italian ballerina considered one of the greatest ballerinas of all time. Biography Legnani was born in 1863, in Milan and originally studied with famous ballet dancer Caterina Beretta at La Scala, where she developed her technical expertise. Her professional career took off when she appeared as prima ballerina in the Casati ballet, Salandra, at Alhambra Theatre in London. She was titled prima ballerina for La Scala in 1892, before moving to St Petersburg in 1892, where she reached fame dancing with the Imperial Ballet at the Maryinsky Theatre until 1901. Under the direction of famous ballet choreographer Marius Petipa, Legnani originated numerous roles including, ''Cinderella'' in 1893, ''Swan Lake'' in 1895, ''Raymonda'' in 1898, and '' La Camargo'' in 1901. She is widely reputed to be the first ballerina to perform 32 fouettés en tournant in the '' coda'' of the Grand Pas d'action of the ballet ''Cinderell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrico Cecchetti
Enrico Cecchetti (; 21 June 1850 – 13 November 1928) was an Italian ballet dancer, mime, and founder of the Cecchetti method. The son of two dancers from Civitanova Marche, he was born in the costuming room of the ''Teatro Tordinona'' in Rome. After an illustrious career as a dancer in Europe, he went to dance for the Imperial Ballet in St. Petersburg, Russia, where he further honed his skills. Cecchetti was praised for his agility and strength in his performances, as well as his technical abilities in dance. By 1888, he was widely accepted as the greatest ballet virtuoso in the world. After an esteemed career in Russia, originating such roles as both the Bluebird and Carabosse in Petipa's masterpiece, '' The Sleeping Beauty'', he turned to teaching. Some of his students included other notable dancers of the Imperial Ballet, such as: Anna Pavlova, Léonide Massine, and Vaslav Nijinsky. While in London in 1920, he provided instruction to the American ballerina Ruth Pag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Bournonville
August Bournonville (21 August 1805 – 30 November 1879) was a Danish ballet master and choreographer. He was the son of Antoine Bournonville, a dancer and choreographer trained under the French choreographer, Jean Georges Noverre, and the nephew of Julie Alix de la Fay, née Bournonville, of the Royal Swedish Ballet. Bournonville was born in Copenhagen, Denmark, where his father had settled. He trained with his father Antoine Bournonville as well he studied under the Italian choreographer Vincenzo Galeotti at the Royal Danish Ballet, Copenhagen, and in Paris, France, under French dancer Auguste Vestris. He initiated a unique style in ballet known as the Bournonville School. Following studies in Paris as a young man, Bournonville became solo dancer at the Royal Ballet in Copenhagen. From 1830 to 1848 he was choreographer for the Royal Danish Ballet, for which he created more than 50 ballets admired for their exuberance, lightness and beauty. He created a style which, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
